Camden, NJ, 1948. When 11 year-old Sally Horner steals a notebook from the local Woolworth's, she has no way of knowing that 52 year-old Frank LaSalle, fresh out of prison, is watching her, preparing to make his move. Accosting her outside the store, Frank convinces Sally that he's an FBI agent who can have her arrested in a minute - unless she does as he says.
This chilling novel traces the next two harrowing years as Frank mentally and physically assaults Sally as the two of them travel westward from Camden to San Jose, forever altering not only her life, but the lives of her family, friends, and those she meets along the way.
Based on the experiences of real-life kidnapping victim Sally Horner and her captor, whose story shocked the nation and inspired Vladimir Nabokov to write his controversial and iconic Lolita, this heart-pounding story by award-winning author T. Greenwood at last gives a voice to Sally herself.
About T. Greenwood
T. Greenwood is the author of twelve novels. She has received grants from the Sherwood Anderson Foundation, the Christopher Isherwood Foundation, the National Endowment for the Arts, and, most recently, the Maryland State Arts Council. She has won three San Diego Book Awards. Five of her novels have been BookSense76/IndieBound picks. BODIES OF WATER was finalist for a Lambda Foundation award. Her twelfth novel, RUST & STARDUST, will be published in August 2018.
She teaches creative writing for San Diego Writer's Ink and online for The Writer's Center. She and her husband, Patrick, live in San Diego, CA with their two daughters. She is also a photographer.
“She couldn’t ever tell anyone the things he had done and said to her. The secrets her skin kept now, the horror that flowed in her veins. Her marrow poisoned.”
Rust & Stardust is an affecting novelization of the true crime story that ultimately inspired Nabokov’s writing of Lolita. The facts: Sally Horner was kidnapped from Camden, New Jersey, in the summer of 1948, by a man claiming to be with the FBI after he caught her stealing a five-cent notebook. The man’s real name was Frank La Salle who had been released from state prison in January of the same year for sex crimes against young girls. The unknown: All of the tiny details that Greenwood had to infer in order to recreate the tragic story of Sally Horner.
The story melds the horrifying point of view of Sally Horner with that of the family she left behind and various individuals that were unwittingly impacted by La Salle’s crimes. Sally’s story is, of course, heinous especially when you consider this girl was a mere 11-years-old and the ease with which she was convinced that her minor crime was worth what she endured was heartbreaking. But it was the normalcy of life that her family was forced to revert back to that was the most heartbreaking for me. The efforts they were forced to exude, all because of the continuous passing of time with the vestiges of hope deteriorating with each passing day.
‘How sad it is that grief has a shelf life […]. It’s only fresh and raw for so long before it begins to spoil. And soon enough, it will be replaced by a newer, brighter heartache – the old one discarded and eventually forgotten.’
Within the first 100 pages you start to feel as if Sally had already endured a lifetime of suffering, but of course, the book was far from over. Her story, far from over. It’s hard to understand how an 11-year-old could be convinced the situation was credible, but then again, this happened in the year 1948 when crime wasn’t quite so common and it was normal for children to be mostly sheltered from the nightmares of the world. Also, we’re taught at a very early age to respect authority, especially police officers, so I can understand even if something seemed wrong, how would someone at that age really know? And of course, it wasn’t until months into her abduction as Sally grew up that she finally started asking the questions that you, as the reader, were no doubt screaming at her to question when this all began.
Rust & Stardust was, as expected, a most difficult read but Sally’s story was gracefully told. Do yourself a favor and don’t go searching for Sally’s story to find out what became of her; I made the mistake of doing just this and I wish I hadn’t so that the ending could have remained elusive.
Short Summary: The tepid tale of a love triangle gone wrong (although do any of them ever go right?) that was inspired by Vladimir and Vera Nabokov’s marriage.
Thoughts: The summary makes it easy to go into this novel with certain expectations (seductive story, spellbinding psychological thriller) but this story is, possibly because it was written as a series of letters, comes off as extremely apathetic and lethargic.
Verdict: Unfortunately, this tale failed to seduce or spellbind me and considering this was meant to be based off the notorious Nabokov’s, I expected that infamous passion to bleed through the page more.
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: After climate change has irrevocably changed the world we live in, a group of individuals continues to live their day to day lives in the ruins of a crumbling city while struggling under the weight of their memories.
Thoughts: A story that’s eerily reminiscent of the world we live in today, painting a terrifying scenario of not just how the world can easily transform into a nightmare but individuals as well.
Verdict: Many have said that the post-apocalyptic genre has been overdone, but The City Where We Once Lived felt refreshingly different with its in-depth focus on the decline of humanity which also mirrored the downfall of the surrounding world.
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: Journalist Fiona Sheridan has been unable to shake the mystery surrounding her sisters’ death twenty years past but when new evidence arises, it uncovers the secrets of a much older mystery as well.
Thoughts: This gothic mystery (with a dual timeline to boot) is quite the engaging and well-written tale despite its more implausible bits.
Verdict: Simone St. James’ writing is most impressive considering the fact that I read this over the course of an entire month (not the book’s fault, I was on vacation for 2 weeks as well) and still managed to retain the details of the story and fall immediately back into it whenever I was able to open the pages once again.
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: A collection of ten short stories including “As They Continue to Fall”, a man who hunts angels, “Hell They Call Him, the Screamers”, a butcher that liberates souls, “Hell Creek”, dinosaurs that won’t stay dead long, and “We Are Where the Nightmares Go”, a little girl opens a door beneath her bed.
Thoughts: This was a most excellent collection of bizarre and horrific stories that included a short story he had written twenty years ago, effectively showing the evolution of Cargill’s writing from fantastic to superb.
Verdict: I’ve read a few of Cargill’s novels (Dreams and Shadows is absolutely fantastic and 100% worth checking out) but when an author excels at short fiction it always makes me sit upright. More, please!
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
“My name is Mary Seymour and I am the daughter of one queen and the niece of another.”
Browsing antiques shops in Wiltshire, Alison Bannister stumbles across a delicate old portrait—supposedly of Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 as an unwanted orphan and presumed dead after going missing as a child. And Alison knows this because she, too, was in Wolf Hall...with Mary...in 1557.
The painting of Mary is more than just a beautiful object for Alison—it holds the key to her past life, the unlocking of the mystery surrounding Mary’s disappearance and how Alison can get back to her own time. But Alison’s quest soon takes a dark and foreboding turn, as a meeting place called the Phantom Tree harbors secrets in its shadows...
A spellbinding tale for fans of Kate Morton, Philippa Gregory and Barbara Erskine by the bestselling author of House of Shadows.
About Nicola Cornick
International bestselling author Nicola Cornick writes romantic historical mysteries and witty and passionate Regency romance. She studied History at London and Oxford and was awarded a distinction for her dissertation on historical heroes. It was a tough study but someone had to do it. Nicola has a “double life” as a writer and guide at the stunning 17th century hunting lodge, Ashdown House.
Nicola lives near Oxford and loves reading, writing, history, music, wildlife, travel and walking her dog. She also loves hearing from her readers and chatting to them on her blog at www.nicolacornick.co.uk She can also be found on Facebook and Twitter @NicolaCornick
A thrilling new novel from the bestselling author of Life After Life
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence. Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of the best writers of our time.
About Kate Atkinson
Kate Atkinson was born in York and now lives in Edinburgh. Her first novel, Behind the Scenes at the Museum, won the Whitbread Book of the Year Award and she has been a critically acclaimed international bestselling author ever since.
She is the author of a collection of short stories, Not the End of the World, and of the critically acclaimed novels Human Croquet, Emotionally Weird, Case Histories, and One Good Turn.
Case Histories introduced her readers to Jackson Brodie, former police inspector turned private investigator, and won the Saltire Book of the Year Award and the Prix Westminster.
When Will There Be Good News? was voted Richard & Judy Book Best Read of the Year. After Case Histories and One Good Turn, it was her third novel to feature the former private detective Jackson Brodie, who makes a welcome return in Started Early, Took My Dog.
The last person Alice Shipley expected to see since arriving in Tangier with her new husband was Lucy Mason. After the accident at Bennington, the two friends—once inseparable roommates—haven’t spoken in over a year. But there Lucy was, trying to make things right and return to their old rhythms. Perhaps Alice should be happy. She has not adjusted to life in Morocco, too afraid to venture out into the bustling medinas and oppressive heat. Lucy—always fearless and independent—helps Alice emerge from her flat and explore the country.
But soon a familiar feeling starts to overtake Alice—she feels controlled and stifled by Lucy at every turn. Then Alice’s husband, John, goes missing, and Alice starts to question everything around her: her relationship with her enigmatic friend, her decision to ever come to Tangier, and her very own state of mind.
Tangerine is a sharp dagger of a book—a debut so tightly wound, so replete with exotic imagery and charm, so full of precise details and extraordinary craftsmanship, it will leave you absolutely breathless.
About Christine Mangan
Christine Mangan has her PhD in English from University College Dublin, where her thesis focused on 18th-century Gothic literature, and an MFA in fiction writing from the University of Southern Maine. Tangerine is her first novel.
I don’t take the risk of picking up debuts as often as I should, but the blurb on the front cover completely sold me:
“As if Donna Tartt, Gillian Flynn, and Patricia Highsmith had collaborated on a screenplay to be filmed by Hitchcock.”
Short Summary: When Judah Cannon is released from prison and returns to his hometown of Silas, Florida, he finds himself swiftly wrapped up in the troublesome workings of his family once again except this time may not result in prison, but death.
Thoughts: Steph Post has written a riveting noir-style story about revenge and betrayal that switches up the typical Appalachian setting of most Southern Gothic novels and gives us a peek at the dynamic and dangerous world of Florida scrub country.
Verdict: Daniel Woodrell, Donald Ray Pollock, and Cormac McCarthy are all big names of the often lurid genre but Steph Post proves with Lightwood that her name is just as deserving to be listed amongst them.
Short Summary: Aiden McCall and Thad Broom have been best friends since they were children, both trapped by the imaginary confines of their hometown even after a huge amount of money ends up in their possession after witnessing the violent death of their drug dealer.
Thoughts: Joy’s graceful prose is all the more evident when its backdrop is a brutal tale but the two pair perfectly by focusing on the powerful loyalty between two lifelong friends.
Short Summary: Life is never quiet for Nevada Baylor who realizes she’s in love with Mad Rogan, has to contend with being hired for a job by his beautiful ex, but she’s also dealing with her evil grandmother trying to kidnap her solely because of the power she possessed.
Thoughts: The intricate world-building, passionate romance, and overall excitement of this series continue in this installment that just might not be the last in the trilogy as first presumed.
Verdict: This is the 19th Ilona Andrews story so clearly I’m a bit of a fangirl; however, it never ceases to amaze me the originality of their stories and how I don’t think I’ll ever get enough of them.
Short Summary: In Practical Magic we learn about the Owens sisters in the present day and in this unexpected prequel, we learn about their ancestors and the curse on the family that dates back to the early 1600s.
Thoughts: The Rules of Magic is an enchanting story that flows softly, never with any sense of urgency or climax, but delineates on a family that we never quite knew we wanted (or needed) to know more of until this was released.
Verdict: I was worried that this prequel (released twenty-two years after Practical Magic would feel stale and wouldn’t possess the same magic as its predecessor: I was wrong.
For most, the Black Death is the end. For a brave few, it heralds a new beginning.
When the Black Death enters England through the port of Melcombe in Dorseteshire in June 1348, no one knows what manner of sickness it is or how it spreads and kills so quickly. The Church cites God as the cause, and religious fear grips the people as they come to believe that the plague is a punishment for wickedness.
But Lady Anne of Develish has her own ideas. Educated by nuns, Anne is a rarity among women, being both literate and knowledgeable. With her brutal husband absent from Develish when news of this pestilence reaches her, she takes the decision to look for more sensible ways to protect her people than daily confessions of sin. Well-versed in the importance of isolating the sick from the well, she withdraws her people inside the moat that surrounds her manor house and refuses entry even to her husband.
She makes an enemy of her daughter and her husband's steward by doing so, but her resolve is strengthened by the support of her leading serfs … until food stocks run low and the nerves of all are tested by continued confinement and ignorance of what is happening in the world outside. The people of Develish are alive. But for how long? And what will they discover when the time comes for them to cross the moat?
Compelling and suspenseful, The Last Hours is a riveting tale of human ingenuity and endurance against the worst pandemic known to history. In Lady Anne of Develish - leader, saviour, heretic - Walters has created her most memorable heroine to date.
About Minette Walters
Minette Walters (born 26 September 1949) is a British mystery writer. After studying at Trevelyan College, University of Durham, she began writing in 1987 with The Ice House, which was published in 1992. She followed this with The Sculptress (1993), which received the 1994 Edgar Award for Best Novel. She has been published in 35 countries and won many awards.
The Sculptress has been adapted for television in a BBC series starring Pauline Quirke. Her novels The Ice House, The Echo, The Dark Room, and The Scold's Bridle have also been adapted by the BBC.
The tragic lives of Henry VIII and his six wives are reimagined by seven acclaimed and bestselling authors in this riveting novel, perfect for fans of Wolf Hall and Netflix's The Crown.
He was King Henry VIII, a charismatic and extravagant ruler obsessed with both his power as king and with siring a male heir.
They were his queens--six ill-fated women, each bound for divorce, or beheading, or death.
Watch spellbound as each of Henry's wives attempts to survive their unpredictable king and his power-hungry court. See the sword flash as fiery Anne Boleyn is beheaded for adultery. Follow Jane Seymour as she rises from bullied court maiden to beloved queen, only to die after giving birth. Feel Catherine Howard's terror as old lovers resurface and whisper vicious rumors to Henry's influential advisors. Experience the heartache of mothers as they lose son after son, heir after heir.
Told in stirring first-person accounts, Fatal Throne is at once provocative and heartbreaking, an epic tale that is also an intimate look at the royalty of the most perilous times in English history.
* M. T. Anderson - Henry VIII
* Candace Fleming - Katharine of Aragon
* Stephanie Hemphill - Anne Boleyn
* Lisa Ann Sandell - Jane Seymour
* Jennifer Donnelly - Anna of Cleves
* Linda Sue Park - Catherine Howard
* Deborah Hopkinson - Kateryn Parr
About Candace Fleming
Candace Fleming is the prolific author of many critically acclaimed, bestselling books for children, including the picture books "Muncha! Muncha! Muncha! "(an ALA Notable Book and four starred reviews), and "Boxes for Katie "(a Junior Library Guild Selection and a "Publishers Weekly "Best Book of 2003); the nonfiction titles "Our Eleanor "(an ALA Notable Book, an ALA Best Book for Young Adults and three starred reviews) and "Ben Franklin's Almanac "(an ALA Notable Book, ALA Best Book for Young Adults, James Madison Honor Book, and three starred reviews). She lives in Mt. Prospect, Illinois.
Enter the players. There were seven of us then, seven bright young things with wide precious futures ahead of us. Until that year, we saw no further than the books in front of our faces.
On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.
Ten years ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But in their fourth and final year, the balance of power begins to shift, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.
Part coming-of-age story, part confession, If We Were Villains explores the magical and dangerous boundary between art and life. In this tale of loyalty and betrayal, madness and ecstasy, the players must choose what roles to play before the curtain falls.
DNF @ 10%
I overlooked the Shakespearean focus of this novel in favor of the comparisons to The Secret History. My mistake. Shakespeare has just never, and I’m resigned to believe will never, be my thing. The opening gives the reader a glimpse at the future, of one of the main characters being released for jail for an unknown crime, and it’s a hook that works. But then we’re introduced to seven characters: Richard, Meredith, Filippa, Alexander, Wren, James, and Oliver. Every single one of these characters, regardless of gender, all blended together without any helpful differentiation to keep track of who was who. The theater kid stereotypes were excessive in my opinion and you practically had to be a theater kid to understand and/or appreciate most of it.
“That was ruthless,” I said, sotto voce.
The author holds a Masters in Shakespeare studies so, being as far from a theater kid as one can get, I can only assume she knows what she’s talking about. Constantly quoting Shakespeare in conversation got old, fast, and by 10% I put on my hipster glasses and called it quits.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Two sensational unsolved crimes—one in the past, another in the present—are linked by one man’s memory and self-deception in this chilling novel of literary suspense from National Book Award finalist Dan Chaon.
“We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?
A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.
Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.
From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.
DNF @ 25%
Dan Chaon is one of those literary writers everyone raves about. Ill Will has received many spectacular reviews but I’ve realized that he has a style that is very eclectic and definitely isn’t for everyone and that unique writing style is what ultimately did me in. I understand the reason for writing it this way (bouncing between narrators and time) because it caused a sense of disorientation regarding the mystery already surrounding the crime (when Dustin was a teen, his mother, father, aunt, and uncle were murdered and he accused his adopted older brother). Not only did the story bounce rapidly between narrators and between time but often there were sentences left incomplete and particular chapters where text was written in columns and you had to flip back and forth between pages to finish the one column before starting the next which was very difficult on Kindle. I’m not sure if Chaon was going for some House of Leaves-esque formatting or what but it left me so confused in trying to figure out how to read it that I failed to get lost in the story itself.
I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
From the author of The Uninvited comes a haunting historical novel with a compelling mystery at its core. A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories, and reincarnation.
In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.
Seven-year-old Janie O’Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they’re no more than the product of the girl’s vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.
Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.
DNF @ 10%
I’d say that I simply picked this up at the wrong time, mood-wise, except I tried to read this book a handful of times on different occasions and never got past 10%. The pacing was the hardest for me because from the very beginning it’s a slow-build and simply didn’t grab my attention in that 10% enough that I felt the need to keep going. The main character, Alice, was also strangely distant and she never quite captured my interest. Cat Winters is typically a favorite of mine but this one just didn’t do it for me.
The long-awaited first novel from the author of Tenth of December: a moving and original father-son story featuring none other than Abraham Lincoln, as well as an unforgettable cast of supporting characters, living and dead, historical and invented
February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returns, alone, to the crypt several times to hold his boy’s body.
From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.
Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices to ask a timeless, profound question: How do we live and love when we know that everything we love must end?
DNF @ 3%
Me: “Wow! 166 audiobook narrators seems insane but that could be really cool. Like a full-cast play!”
Me mid-listen: “Well, it’s kind of convoluted but not too bad. It’s not really interesting though, at least so far. And when the other narrators speak up they kind of sound like they’re detached from the main production… if that makes sense. Like, floating disconnected voices. I’m intrigued though!”
“When we are newly arrived in this hospital-yard, young sir, and feel like weeping, what happens is, we tense up ever so slightly, and there is a mildly toxic feeling in the joints, and little things inside us burst. Sometimes we might poop a bit if we are fresh. Which is just what I did, out on the cart that day: I pooped a bit while fresh, in my sick-box, out of rage, and what was the result? I have kept that poop with me all this time, and as a matter of fact–I hope you do not find this rude, young sir, or off-putting, I hope it does not impair our nascent friendship–that poop is still down there, at this moment, in my sick-box, albeit much dryer!”
Sorry, but uh, that definitely does impair our friendship, kind sir.
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through.
Exit West follows these characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.
DNF @ 15%
I had high hopes for this one. Romance + war + magical realism… honestly anything magical realism makes my ears perk up even though little of it ever works for me. I wanted to know more about the war itself, the state of the world and how they had reached the point they were at, but by 15% the most detailed information given was about Saeed’s mom and dad’s sex life before he was born. Which, no thanks.
I also had a bit of an issue with the writing that I could have easily ignored if the story itself was captivating. But lines like this:
“He was an independent-minded, grown man, unmarried, with a decent post and a good education, and as was the case in those days in his city with most independent-minded, grown men, unmarried, with decent posts and good educations, he lived with his parents.”
In four years Prime Space will put the first humans on Mars. Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation every created.
Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly.
Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.
As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.
DNF @ 5%
There isn’t anything particularly wrong with this one, but when you compare it to The Martian, I’m going to have certain expectations. The Wanderers is more character study than anything and isn’t anywhere close to humorous. The dialogue felt stilted, there was a lot of talk about creating suits for space which could be cool but really wasn’t. I also read a slight spoiler that made me convinced I made the right decision View Spoiler »they never even make it to Mars? It’s all about training to get there and… that’s it? « Hide Spoiler All in all, it was a snooze fest and I just wasn’t in the mood.