Short Summary: When Judah Cannon is released from prison and returns to his hometown of Silas, Florida, he finds himself swiftly wrapped up in the troublesome workings of his family once again except this time may not result in prison, but death.
Thoughts: Steph Post has written a riveting noir-style story about revenge and betrayal that switches up the typical Appalachian setting of most Southern Gothic novels and gives us a peek at the dynamic and dangerous world of Florida scrub country.
Verdict: Daniel Woodrell, Donald Ray Pollock, and Cormac McCarthy are all big names of the often lurid genre but Steph Post proves with Lightwood that her name is just as deserving to be listed amongst them.
Short Summary: Aiden McCall and Thad Broom have been best friends since they were children, both trapped by the imaginary confines of their hometown even after a huge amount of money ends up in their possession after witnessing the violent death of their drug dealer.
Thoughts: Joy’s graceful prose is all the more evident when its backdrop is a brutal tale but the two pair perfectly by focusing on the powerful loyalty between two lifelong friends.
Short Summary: Life is never quiet for Nevada Baylor who realizes she’s in love with Mad Rogan, has to contend with being hired for a job by his beautiful ex, but she’s also dealing with her evil grandmother trying to kidnap her solely because of the power she possessed.
Thoughts: The intricate world-building, passionate romance, and overall excitement of this series continue in this installment that just might not be the last in the trilogy as first presumed.
Verdict: This is the 19th Ilona Andrews story so clearly I’m a bit of a fangirl; however, it never ceases to amaze me the originality of their stories and how I don’t think I’ll ever get enough of them.
Short Summary: In Practical Magic we learn about the Owens sisters in the present day and in this unexpected prequel, we learn about their ancestors and the curse on the family that dates back to the early 1600s.
Thoughts: The Rules of Magic is an enchanting story that flows softly, never with any sense of urgency or climax, but delineates on a family that we never quite knew we wanted (or needed) to know more of until this was released.
Verdict: I was worried that this prequel (released twenty-two years after Practical Magic would feel stale and wouldn’t possess the same magic as its predecessor: I was wrong.
Dani O’Malley was nine years old when the delusional, sadistic Rowena transformed her into a ruthless killer. Years later, she’s tough, hardened, yet achingly vulnerable and fiercely compassionate, living alone by her own exacting code. Despite the scars on her body, driven by deeper ones carved into her soul, no one is more committed to protecting Dublin. By day, she ensures the safety of those she rescues, by night she hunts evil, dispensing justice swiftly and without mercy, determined to give those she cares for the peace she has never known.
There is no power without price…
When the Faerie Queen used the dangerously powerful Song of Making to heal the world from the damage done by the Hoar Frost King, catastrophic magic seeped deep into the earth, giving rise to horrifying, unforeseen consequences–and now deadly enemies plot in the darkness, preparing to enslave the human race and unleash an ancient reign of hell on Earth.
There is no future without sacrifice…
With the lethal, immortal Ryodan at her side, armed with the epic Sword of Light, Dani once again battles to save the world but her past comes back to haunt her with a vengeance, demanding an unspeakable price for the power she needs to save the human race and no one—not even Ryodan who’d move the very stars for her—can save her this time…
About Karen Marie Moning
Karen Marie Moning is the #1 NYT bestselling author of the Fever Series and Highlander novels.
An alum of the Immaculate Conception Academy, at seventeen she attended Purdue University where she completed a BA in Society & Law, with minors in Philosophy, Creative Writing and Theatre, while working full time as a bartender and computer consultant. She intended to go to law school but after an internship with a firm of Criminal Attorneys, decided against it. For the next decade, she worked in insurance, where she wrote intercompany arbitrations and directed commercial litigation. At the age of thirty, she decided it was time to get serious and do what she’d always wanted to do: write fiction novels.
Beyond the Highland Mist was published in 1999 and nominated for two RITA awards. She then published six more novels in her award-winning HIGHLANDER series, and received the RITA Award in 2001 for The Highlander’s Touch.
In 2004, she began writing the #1 New York Times bestselling FEVER series. The books have been optioned twice for potential franchise development by Twentieth Century Fox and DreamWorks Studios, but the rights are currently held by Moning who has expressed a desire to one day see it as a television series. Her novels have been published in over thirty countries. She divides her time between Ohio and Florida and is working on two future projects for Random House Publishing.
Sure, there were a few problematic installments (*cough* Iced and Burned) but I can’t help but love this crazy long series that probably should’ve ended forever ago. Oh, well. I’m in it for the long haul.
Dina DeMille may run the nicest Bed and Breakfast in Red Deer, Texas, but she caters to a very particular kind of guest… the kind that no one on Earth is supposed to know about. Guests like a former intergalactic tyrant with an impressive bounty on her head, the Lord Marshal of a powerful vampire clan, and a displaced-and-superhot werewolf; so don’t stand too close, or you may be collateral damage.
But what passes for Dina’s normal life is about to be thrown into chaos. First, she must rescue her long-distant older sister, Maud, who’s been exiled with her family to a planet that functions as the most lawless penal colony since Botany Bay. Then she agrees to help a guest whose last chance at saving his civilization could bring death and disaster to all Dina holds dear. Now Gertrude Hunt is under siege by a clan of assassins. To keep her guests safe and to find her missing parents, Dina will risk everything, even if she has to pay the ultimate price. Though Sean may have something to say about that!!
“Yes, the princess you were expecting put on her armor and left to kill the dragon. So sorry.”
Dina Demille is at it again and doing anything and everything it takes to save the guests staying at her inn, Gertrude Hunt, a Bed and Breakfast in Red Deer, Texas. Her guests are anything but ordinary individuals though, coming from a multitude of different universes that Earth’s inhabitants don’t even exist and Dina intends to keep it that way. Each story centers around this continued issue of saving her guests, but in One Fell Sweep, we get back to the major plot: Dina’s missing parents. The Hiru was an ancient alien race that flourished until the Draziri declared a holy war on them; few still remained in existence. When a Hiru visits Gertrude Hunt requesting Dina’s assistance with something in exchange for information on her parent’s whereabouts, she wants to say yes for her parent’s sake but knows that saying yes would also bring the Draziri down on all their heads. Naturally, she says yes.
I’ve been a book rut for many months and this was one of the first books to give me a glimmer of hope that maybe this rut isn’t going to last a lifetime. I can always count on Ilona Andrews for that but I’m almost running out of her books so I’m getting a bit nervous. One Fell Sweep was an absolute delight though, between the fascinating world-building, the epic battle scenes, the full-cast of characters that are so well written not a single one ever manages to feel like a secondary character, the subtle inclusion of humor despite the serious storyline:
“Will you take this seriously? The future of an entire species is at stake.” “Yes, we’re going to save them with a fart gun.”
Oh and the romance. This romance will make even the hardest of hearts swoon.
“You taught me the meaning ofloneliness, because when I don’t see you, I feel alone.”
I read this in its finished form (it was also available as a weekly serial released free to read on their website) but I was glad I was able to immerse myself from start to finish. We got to meet Maud, Dina’s sister (who is just as bad ass as her sister) and her daughter Helen who is more badass than both of them combined. Maud married a vampire so Helen is naturally a bit wild around the edges. And has fangs. And is only five-years-old. There’s one particular scene where she sees the Maine Coon that Dina had adopted for the first time that cracked me up to no end:
“He has fangs,” Helen said. “That’s a kitty,” Maud said. “Be careful. They have sharp claws.” “What’s his name?” “He doesn’t have one,” I told her. I hadn’t gotten around to it. “I tell you what, you can name him.” Helen’s eyes got almost as big as the cat’s. “I can?” “Yes.” “I’m going to name him Olasard, after he who hunts the evildoers and rips out their souls.”
I think I need a cat named Olasard too. 😂 I still think there’s something about Olasard, he who hunts evildoers and rip out their souls, that we don’t know yet. And what’s going to happen with Maud and Helen? And where are their parents? So many questions! Next book, please.
Nevada Baylor has a unique and secret skill—she knows when people are lying—and she's used that magic (along with plain, hard work) to keep her colorful and close-knit family's detective agency afloat. But her new case pits her against the shadowy forces that almost destroyed the city of Houston once before, bringing Nevada back into contact with Connor "Mad" Rogan.
Rogan is a billionaire Prime—the highest rank of magic user—and as unreadable as ever, despite Nevada's "talent." But there's no hiding the sparks between them. Now that the stakes are even higher, both professionally and personally, and their foes are unimaginably powerful, Rogan and Nevada will find that nothing burns like ice . . .
Nevada Baylor hasn’t spoken with Rogan in months and she’s slowly begun to move on with her life even though the maddening man (ha — see what I did there) is never far from her mind. She agrees to investigate the murder of Cornelius Harrison’s wife and Nevada not only finds herself in the middle of a massive conflict between multiple magical families (or “Houses”) but right back in the path of Rogan himself. This time around they realize that they simply get more done when they work together as allies.
‘Suddenly the past two months of normal life tore apart, like fragile paper, and I was right back next to Rogan, about to charge into a fight. And it felt right.’
The conflict between Houses puts the duo in serious danger when some of the most powerful members of the magical society become involved. When they’re not trying to keep one another from dying, they’re trying to work out what to do with the sparks flying between them.
“And now that I’m conveniently here, you decide to give it another shot. Is there a shortage of attractive women in your life, Connor?” “There is a shortage of you in my life,” he said.
This is my 17th Ilona Andrews book and I feel I can safely declare myself a rabid fangirl. (I have yet to dive into her The Edge series but give me time.) Ilona Andrews stories are absolutely one of the reasons I remain as hardcore an Urban Fantasy fan as I am today and her Hidden Legacy series only helps solidify that. Their characterization is superb and no character is left without a role or sounding like a replica of another. Nevada is one awesome badass lady that can hold her own, Rogan is far more beyond being just a love interest placeholder and professional of zingy one-liners, and even the side characters (Nevada’s sniper mother, crazy sisters, and hilarious grandmother) are fantastic.
Grandma Frida burst through the door in her yellow rubber-ducky pajamas. “Grandma’s here,” I added.
What I love about this series is how developed her world-building is beyond “people have powers” — we meet some new players in the game: summoners, fulgurkinetics, elementalists, and even some magically created monsters not of this world. In lesser hands, these unique aspects would easily come across as cheesy and overwhelming but Andrews makes everything so fascinating. If I’m being real, the fantastic world-building is only an added bonus when it comes to the romance though and it’s rare that I say anything along those lines (worldbuilding is typically always first because if you don’t have worldbuilding… you’ve got yourself a bodice ripper, amirite?) Urban Fantasy typically always includes a romance in some shape or form but there’s some crazy sexual tension going on (and has since book 1) but View Spoiler »THINGS ACTUALLY HAPPEN. THERE IS PAY OFF. « Hide Spoiler And also, some good news… the wait for book 3 is not long at all: Wildfire comes out July 25th, 2017. I’m already chomping at the bit and even contemplating reading both again because this series is that good (horrendously bad covers aside, but at least Rogan finally found a shirt by book 3.) 🙂
Dina DeMille doesn’t run your typical Bed and Breakfast. Her inn defies laws of physics, her fluffy dog is secretly a monster, and the only paying guest is a former Galactic tyrant with a price on her head. But the inn needs guests to thrive, and guests have been scarce, so when an Arbitrator shows up at Dina's door and asks her to host a peace summit between three warring species, she jumps on the chance.
Unfortunately, for Dina, keeping the peace between Space Vampires, the Hope-Crushing Horde, and the devious Merchants of Baha-char is much easier said than done. On top of keeping her guests from murdering each other, she must find a chef, remodel the inn... and risk everything, even her life, to save the man she might fall in love with. But then it's all in the day's work for an Innkeeper...
“What are you planning?” I asked, as we turned toward the grand ballroom. “Just a small demonstration for the public good,” he said. “I am so sorry.” “You’re apologizing in advance.” “Yes.” “Never a good sign.”
Dina DeMille runs a Victorian Bed and Breakfast in a small Texas town but it’s certainly far from normal. She only caters to otherworldly visitors but they are few and far between these days and her only visitor is Caldenia who is actually a permanent resident since she has a price on her head and can’t leave the grounds. When Dina is approached with a dangerous but tempting offer to host a peace summit between three warring groups, she knows that if all goes well this could end up helping the Inn more than anything. But on the other hand, if things go wrong, it could be disastrous and she could lose the Inn for good. Dina takes the chance and hopes for the best.
In Sweep in Peace we get to witness the truly magical capabilities of the Inn and Dina herself and we’re introduced to a large number of new characters but most importantly is my favorite: Orro, the chef she hires to feed the massive group of people now occupying her Inn. She also gets a new cat that remains a bit of a mystery but I look forward to finding out more about him in (hopefully!) the next installment. I read Clean Sweep early last year and felt it was a fun, cozy sort of paranormal mystery. It was a bit forgettable, nothing extraordinary, and I decided that picking up the next installment wasn’t worthwhile.
I’ve been crazy in the mood for Urban Fantasy lately and Sweep in Peace was literally the only one immediately available for check-out at my library so I decided what the hell. IT WAS SO GOOD. It was funny and exciting and I completely fell in love with these characters like I somehow managed to avoid doing in the first. Now I’m on hold for the third installment and the wait is interminable. That’ll teach me.
“This is blasphemy!”Odalon declared in the same way Gerard Butler had once roared “This is Sparta.” Sadly, Odalon had nobody to kick into a bottomless hole for emphasis, so he settled for looking extremely put out.
#1 New York Times bestselling author Karen Marie Moning returns with the epic conclusion to her pulse-pounding Fever series, where a world thrown into chaos grows more treacherous at every turn. As Mac, Barrons, Ryodan, and Jada struggle to restore control, enemies become allies, right and wrong cease to exist, and the lines between life and death, lust and love, disappear completely.
Black holes loom menacingly over Dublin, threatening to destroy the Earth. Yet the greatest danger is the one MacKayla Lane has unleashed from within: the Sinsar Dubh—a sentient book of unthinkable evil—has possessed her body and will stop at nothing in its insatiable quest for power.
The fate of Man and Fae rests on destroying the book and recovering the long-lost Song of Making, the sole magic that can repair the fragile fabric of the Earth. But to achieve these aims, sidhe-seers, the Nine, Seelie, and Unseelie must form unlikely alliances and make heart-wrenching choices. For Barrons and Jada, this means finding the Seelie Queen who alone can wield the mysterious song, negotiating with a lethal Unseelie prince hell-bent on ruling the Fae courts, and figuring out how to destroy the Sinsar Dubh while keeping Mac alive.
This time, there’s no gain without sacrifice, no pursuit without risk, no victory without irrevocable loss. In the battle for Mac’s soul, every decision exacts a tremendous price.
*Beware! Spoilers from the first 8 installments… but that’s to be expected, right?*
Feversong opens to the tragedy that Feverborn left us with: the evil book inside her, the Sinsar Dubh, has finally found a way to take complete control over Mac. Finally possessing a sentient form, the book wastes no time in wreaking havoc on Dublin and its remaining inhabitants. How to possibly destroy the book without also destroying Mac in the process is something no one knows how to do, but stopping the book before it gains, even more, power is crucial to saving the last of the human race. The black holes that were left behind by the Hoar Frost King continue to hover mere feet above the Earth and until the Song of Making is discovered, there may soon not be an Earth to save. Time is quickly running out.
I’m not going to go into plot details because if you love the series, you’re going to read it anyways, but I will say this: There’s a lot riding on a final installment, especially for such a well-loved series that has gone on for as long as it has. There are an immense amount of loose-ends to tie up, deciding how to wrap up the stories of beloved characters (whether they get their happily ever after or not), and trying to find an ending that isn’t predictable but that doesn’t also come out of left field. Series endings have a low probability of impressing me which makes me truly wonder why I embark on as many series as I do. While there were still some questions that went unanswered (not enough to make me grumpy) and a few plot lines that were wrapped up a bit too neatly (nothing’s perfect though), I was overall impressed with how entertaining this final installment was. Have I changed my mind that all installments after Shadowfever were necessary? Nope, but they still gave me more time in a fantasy world that I will always love.
Feversong marks the (second) end of the Fever series, but I’m not entirely convinced that it couldn’t emerge once again from the ashes like a phoenix. It’s been done once before so I won’t say it isn’t possible. There were a few extra pieces of the puzzle that could most definitely go on to form a new book (books?), but I was happy with the ending in Shadowfever and I’m shockingly happy with the ending in FeversongView Spoiler »except OMG WHAT IS THIS WET SHIT FALLING FROM MY EYEBALLS. « Hide Spoiler so let’s not push our luck, k Moning?
I hope she creates a new wonderfully magical world for me to fall in love and obsess over soon.
Circe Quinn goes to sleep at home and wakes up in a corral filled with women wearing sacrificial virgin attire - and she is one of them. She soon finds out that she’s not having a wild dream, she’s living a frightening nightmare where she’s been transported to a barren land populated by a primitive people and in short order, she’s installed very unwillingly on her white throne of horns as their Queen.
Dax Lahn is the king of Suh Tunak, The Horde of the nation of Korwahk and with one look at Circe, he knows she will be his bride and together they will start The Golden Dynasty of legend.
Circe and Lahn are separated by language, culture and the small fact she’s from a parallel universe and has no idea how she got there or how to get home. But facing challenge after challenge, Circe finds her footing as Queen of the brutal Korwahk Horde and wife to its King, then she makes friends then she finds herself falling in love with this primitive land, its people and especially their savage leader.
A word to the wise about these books: they’re… kinda like crack. Imagine there’s an alternate but magical reality where there’s a different version of you and that it’s possible to swap spots with your other version and live in that very different and magical world. In Wildest Dreams, the first installment of this series, Finnie Wilde made the choice to switch places. In Golden Dynasty, Circe Quinn had no knowledge of this alternate world and woke up in it terrified where she’s about to be set free by a primitive type people and hunted, captured, and raped by men who wish to find wives. It’s an ordeal that she didn’t think she would live through, but Circe survived and discovered that she had been caught by the King himself and was now Queen of these people.
Now, wait a minute!! I know what you’re thinking!!
But for you Game of Thrones fans out there… how many of you ended up loving Khal Drogo and Daenerys together??
*cries* Why did he have to die?!
Because Golden Dynasty is a straight up epic Game of Thrones continuation story, taking you on a path that GRRM could never have dreamed up. It takes Khal Drogo and Daenerys’ story to a whole new and amazing level. How could she possibly fall in love with her rapist, you ask? Excellent question; I asked it myself. All I have to say is, Kristen Ashley works wonders in the development of Circe and Lahn’s relationship, generating one of the most intense and passionate romances I’ve read. She also delves deep into the culture of these people without turning it into some excuse for the heinous acts done. Suffice it to say, this entire series has been magical and I can see why Ashley is so beloved in the romance genre.
Reminiscent of the edgy, offbeat humor of Chris Moore and Matt Ruff, the first entry in a whimsical, fast-paced supernatural series from the New York Times bestselling author of the Sandman Slim novels—a dark and humorous story involving a doomsday gizmo, a horde of baddies determined to possess its power, and a clever thief who must steal it back . . . again and again.
22000 B.C. A beautiful, ambitious angel stands on a mountaintop, surveying the world and its little inhabitants below. He smiles because soon, the last of humanity who survived the great flood will meet its end, too. And he should know. He’s going to play a big part in it. Our angel usually doesn’t get to do field work, and if he does well, he’s certain he’ll get a big promotion.
And now it’s time . . . .
The angel reaches into his pocket for the instrument of humanity’s doom. Must be in the other pocket. Then he frantically begins to pat himself down. Dejected, he realizes he has lost the object. Looking over the Earth at all that could have been, the majestic angel utters a single word.
2015. A thief named Coop—a specialist in purloining magic objects—steals and delivers a small box to the mysterious client who engaged his services. Coop doesn’t know that his latest job could be the end of him—and the rest of the world. Suddenly he finds himself in the company of The Department of Peculiar Science, a fearsome enforcement agency that polices the odd and strange. The box isn’t just a supernatural heirloom with quaint powers, they tell him.
It’s a doomsday device. They think . . .
And suddenly, everyone is out to get it.
Thousands of years ago, God decided to destroy the Earth and all who resided on it. Fortunately, us pesky mortals are pretty good survivalists and we didn’t all perish as was intended. This time, God sends an angel named Qaphsiel to Earth with a special box that would take the rest of us out for good. Except all didn’t go as planned. Qaphsiel lost the box.
“So, you’re the angel of Death?” The angel shook his head, a little embarrassed. “I don’t have that honor. In Heaven, I’m the celestial who bears the great golden quills, the silver Chroma, the holy vellums upon which the Lord God inscribes the fate of the universe.” Tiras’s eyes narrowed. “You’re in charge of office supplies. You’re the angel of office supplies.”
Thousands of years after the box was lost, we’re introduced to Coop. Coop has had it a bit rough lately. He’s a thief who was hired to steal some documents because his natural aversion to magical booby traps made him the perfect man for the job… but things didn’t turn out so well and he was soon thrown in prison for an undetermined amount of time. An old friend pulled some strings to get him out but only because a man by the name of Mr. Babylon requires Coop for a job. A job to steal a mysterious box. But once he does steal it, he’s instructed to steal it back for a secret government group that goes by the name of the Department of Peculiar Science, or else it’s straight back to prison. Do not pass Go. Do not collect $200. Problem is, there are two doomsday cults trying to get the box so they can trigger the apocalypse, criminals who want to sell the box for money, a mysterious stranger that only brings destruction, and the original angel that misplaced the box in the first place trying to get it. Coop wants nothing to do with it but he’s soon embroiled in a world-ending conflict.
“I’m not sure I should smile at people anymore.” “Yours is a little strained these days,” said Morty. Sally came up with a drink in each hand. “Definitely don’t smile at people. You do look like you wonder what their liver tastes like.”
The pending apocalypse has never been more fun. Kadrey brings a bizarre sense of humor (and magic) to the end of the world and Coop is the hilariously witty spokesperson. The focus is less on worldbuilding and more on extending the hilarity for as long as possible (and sometimes beyond) but I can’t complain because this story made me laugh far more than I expected it to. The multiple storylines were handled well without getting too convoluted but again, the focus was on the humor at all times and the bit players were, for the most part, a ludicrous bunch and it wasn’t vital to keep a close track on exactly who was who. The Everything Box is a refreshing variation on the Urban Fantasy genre that feels much like a Men in Black/The Italian Job mashup in all the best ways.
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
In this fast paced sequel to The Everything Box—the second entry in Richard Kadrey’s comedic supernatural series—chaos ensues when Coop and the team at DOPS steal a not- quite-dead and very lovesick ancient Egyptian mummy wielding some terrifying magic
Coop, a master thief sort of gone legit, saved the world from an ancient doomsday device—heroism that earned him a gig working for the Department of Peculiar Science, a fearsome top secret government agency that polices the odd and strange. Now Woolrich, Coop’s boss at the DOPS, has Coop breaking into a traveling antiquities show to steal a sarcophagus containing the mummy of a powerful Egyptian wizard named Harkhuf. With the help of his pals Morty, Giselle, and a professor that’s half-cat, half-robotic octopus, Coop pulls off the heist without a hitch.
It’s not Coop’s fault that when DOPS opened the sarcophagus they didn’t find the mummy they were expecting. Well, it was the right mummy, but it wasn’t exactly dead—and now it’s escaped, using a type of magic the organization hasn’t encountered before. Being a boss, Woolrich blames his underling for the screw up and wants Coop to find the missing Harkhuf and make it right, pronto.
Digging into Harkhuf’s history, Coop thinks the mummy is hunting for an ancient magical manuscript that will help him bring his old lover back to life.
Which wouldn’t be so bad if she wasn’t a warrior sorceress hell-bent on conquering the world with her undead armies.
Coop would very much like to run from the oncoming chaos. It’s one thing to steal a mummy, but another to have to deal with head-hunting bureaucrats, down-on-their luck fortune tellers, undead mailroom clerks, and a rather unimpressed elephant. Unfortunately, there’s nowhere to run. If he wants the madness to stop, he’s going to have to suck it up and play hero one more time. But if Coop manages to save the world AGAIN, he’s definitely going to want a lot of answers. And a raise.
“Really, Cooper, you’re in good hands. We can’t afford any more employee homicides until the next fiscal quarter,” said Woolrich. “If you try just a little harder, I think you can be even less reassuring.”
Coop is back! And this time, he’s left his days of thievery behind for a day job with the Department of Peculiar Science. He’s involved in yet another race against the clock to save the world just replace the box with a mummy and its undead army. When Coop and his team are instructed to steal a mummy from a museum, the plan, of course, does not go according to plan and Coop ends up being cursed by the newly awakened mummy, Harkhuf, they were supposed to steal. On the sidelines, Coop’s nemesis from the first installment, Nelson, is stirring up trouble at work by stealing office supplies and just being a general nuisance but is clearly leading up to something big.
The Wrong Dead Guy is yet another thrilling tale of humor and sarcasm, but it felt like the subdued version of the jokes already told in The Everything Box. Coop’s wit also proved to be infectious because every major and minor character seemed to sound exactly like him, making this wide cast a bit hard to differentiate at times. The one new bizarro character that proved to be quite a laugh was Dr. Lupinsky, the deceased Egyptologist that inhabited a robotic octopus and a cat that was constantly requiring new batteries. (Because that’s what happens when you mess with the wrong sort of magic.) Which brings me to what I love most about Kadrey’s stories: they all include these outrageously preposterous tidbits that make them so uniquely him. There isn’t very much room to breath, plot-wise, because of the non-stop action so take a big deep breath before diving into this one. You won’t want to put this one down till it’s all said and done.
Now comes the second in the series-from a dynamic new fantasy talent!
Toby Daye-a half-human, half-fae changeling-has been an outsider from birth. After getting burned by both sides of her heritage, Toby has denied the fae world, retreating to a "normal" life. Unfortunately for her, the Faerie world had other ideas...
Now her liege, the Duke of the Shadowed Hills, has asked Toby to go to the Country of Tamed Lightening to make sure all is well with his niece,
Countess January O'Leary. It seems like a simple enough assignment-until Toby discovers that someone has begun murdering people close to January, and that if the killer isn't stopped, January may be the next victim.
“Jan built herself an ivory tower to keep the wolves out; she never dreamed they were already inside.”
Now that Toby Daye has her PI license back, things are looking up for her. After a girls night out that leads to Tybalt carrying her home (!!!), Toby wakes up to a request from Sylvester, the Duke of Shadowed Hills, that she can’t decline. Sylvester has been unable to reach his niece, the Countess January O’Leary, in the Country of Tamed Lightning. Several weeks have passed without word from her and he’s unable to personally check on her without inciting a political war, so he’s requesting that Toby go in his place. She arrives to find that no one has been able to call for help outside of Tamed Lightning, people have been dying, and the killer is still unknown even as more bodies pile up. Toby refuses to back down without figuring out what’s happening to January and her people.
While the storyline of A Local Habitation drug along at the pace of a snail, it’s the awesome characters that really make this series for me. I love Toby and I love Tybalt. Danny, the Bridge Troll taxi driver was, unfortunately, absent but we got to see her two hilarious cats briefly and the recent pet addition: Spike the rose goblin (who apparently looks like a cat made from a rosebush but I missed that in the original introduction so I just imagine it as this small, round rosebush that just bounces around.) The story itself reads like some campy horror film where individuals keep getting picked off, the others rush to see if they could catch the person, they never do, repeat ad nauseam. There are some pretty obvious clues that happen early on, Toby’s refusal to get out of danger was just stupid, and the mystery was drawn out for far too long. Regardless, the characters remain the big appeal to me and I’m still so glad I gave this series another shot.
In Karen Marie Moning’s latest installment of the epic #1 New York Times bestselling Fever series, the stakes have never been higher and the chemistry has never been hotter. Hurtling us into a realm of labyrinthine intrigue and consummate seduction, FEVERBORN is a riveting tale of ancient evil, lust, betrayal, forgiveness and the redemptive power of love.
When the immortal race of the Fae destroyed the ancient wall dividing the worlds of Man and Faery, the very fabric of the universe was damaged and now Earth is vanishing bit by bit. Only the long-lost Song of Making—a haunting, dangerous melody that is the source of all life itself—can save the planet.
But those who seek the mythic Song—Mac, Barrons, Ryodan and Jada—must contend with old wounds and new enemies, passions that burn hot and hunger for vengeance that runs deep. The challenges are many: The Keltar at war with nine immortals who’ve secretly ruled Dublin for eons, Mac and Jada hunted by the masses, the Seelie queen nowhere to be found, and the most powerful Unseelie prince in all creation determined to rule both Fae and Man. Now the task of solving the ancient riddle of the Song of Making falls to a band of deadly warriors divided among—and within—themselves.
Once a normal city possessing a touch of ancient magic, Dublin is now a treacherously magical city with only a touch of normal. And in those war-torn streets, Mac will come face to face with her most savage enemy yet: herself.
“What we achieve at our best moment doesn’t say much about who we are. It all boils down to what we become at our worst moment.”
Feverborn is the penultimate installment of the Fever series, but then again Moning tried ending it once before and we see how well that stuck. Finding out that Feversong was the last of the series prompted a renewed interest in finding out how it’s all going to get resolved (except, there is a tenth installment listed on Goodreads but apparently it’s not actually happening. WE’LL SEE.) Iced was a complete disaster, Burned was mildly better, but Feverborn actually started feeling like the series I’d always loved again.
Mac continues to be unsure of herself in regards to the Sinsar-Dubh, not able to tell whether or not she’s living a complete illusion created by the evil book. The entire city is at risk from Black Holes that consume anything and everything which the Hoar Frost King left behind from the absence of his power. And underneath the Abbey, Cruce is slowly trying to figure out a way to escape his prison and rule all Fae. In the opening pages, Mac is still invisible and I did an eye roll and reconsidered my decision to pick this up. If you remember, she was invisible the majority of Burned which got real fucking old, real fast. But craziness ensues and she finds herself fully visible once again for unknown reasons and while I would normally question the whys and such, I was just so damn pleased she was visible again so she could hopefully get back to business. And that she did.
The points of view alternated between Mac, Ryodan, Jada, Cruce, and Lor, which the latter felt completely out of place and unnecessary but I admit he did add some mild (yet highly sexualized) sense of humor to this dark tale. And of course Mac and Barrons continue to be mad for each other.
‘Every cell in my body comes to hard, frantic, sexual life when he’s near.’
There were a few serious issues plot-wise that really detracted from the more positive aspects of this installment. First, the scenes from the past between the Unseelie King and Seelie Queen that were supposed to hint at what’s been happening all along but just confused things even more. Second, which is a major spoiler View Spoiler »umm… so Alina’s alive again? After being dead for the entire series and being the catalyst for everything that Mac has done and become. Yeah, sure, let’s resurrect her and overcomplicate things. « Hide Spoiler And lastly, that ending was just weird and random. View Spoiler »Some random walking trash heap kidnaps her… I’m really hoping this ends up tying in with another character that has already been introduced because just having it be some random walking trash heap that has been stalking her is just too out of left field for me. « Hide Spoiler And of course, another cliffhanger! BECAUSE WHY NOT. I can’t say I’m excited for the final installment, but I’m definitely curious to see how this unintentional extension of this series ends up playing out.
Seoafin "Finnie" Wilde was taught by her parents that life was meant to be lived, every breath was a treasure and to seek every adventure she could find. And she learns this lesson the hard way when they perish in a plane crash when she's fifteen. But she never forgets and when she discovers there is a parallel universe where every person has a twin, she finds a witch who can send her there so she can see her parents again and have the adventure of a lifetime.
But nearly upon arrival in the Winter Wonderland of Lunwyn, she realizes she's been played by her twin of the alternate universe and shortly finds herself walking down the aisle to be wed to The Drakkar.
Instantly thrown into inauspicious circumstances, with years of practice (she did, of course, survive that elephant stampede, if she could do that, she can do anything), Finnie bests the challenges and digs into her adventure. But as Frey Drakkar discovers the woman who is his new wife is not Princess Sjofn, a woman he dislikes (intensely) but instead, his Finnie, a free-spirit with a thirst for venture just like him (not to mention she is his destiny), without her knowledge he orders his new bride bound to his frozen world, everlasting.
I expected Wildest Dreams to remain on my TBR for a very long time, even after it was recommended to fans of A Court of Mist and Fury. It was $0.99 so I snagged it. I have a hard time saying no to most $0.99 books, even though I’m terrible about getting to the actual reading them part. It was hook, line, and sinker when I found out what this story (and series) was about — there is a parallel universe to our world where your twin resides. Finnie, wanting to find adventure, pays a witch to switch her with her twin so she could reside in this fantasy realm for at least a short time. Imagine her great surprise when she finds herself in this new world, minutes from marriage to an angry, brooding man that she’s never laid eyes on before.
First off, these books are long. But fun. And allllll kinds of romance-y. Finnie had some pretty cheesy dialogue that took me a while to get used to (she says cool and freaking entirely way too much) and there’s some serious alpha-male-ness going on, but when it all comes down to it the world-building was actually pretty awesome and the romance was all sorts of cute.
“You are, my wee Finnie, beyond my wildest dreams.”
Just when Nevada Baylor has finally come to accept the depths of her magical powers, she also realizes she’s fallen in love. Connor “Mad” Rogan is in many ways her equal when it comes to magic, but she’s completely out of her elements when it comes to her feelings for him. To make matters more complicated, an old flame comes back into Rogan’s life…
Rogan knows there’s nothing between him and his ex-fiance, Rynda Sherwood. But as Nevada begins to learn more about her past, her power, and her potential future, he knows she will be faced with choices she never dreamed of and the promise of a life spent without him.
As Nevada and Rogan race to discover the whereabouts of Rynda’s kidnapped husband and are forced to confront Nevada’s grandmother, who may or may not have evil motives, these two people must decide if they can trust in each other or allow everything to go up in smoke.
About Ilona Andrews
“Ilona Andrews” is the pseudonym for a husband-and-wife writing team. Ilona is a native-born Russian and Gordon is a former communications sergeant in the U.S. Army. Contrary to popular belief, Gordon was never an intelligence officer with a license to kill, and Ilona was never the mysterious Russian spy who seduced him. They met in college, in English Composition 101, where Ilona got a better grade. (Gordon is still sore about that.)
Gordon and Ilona currently reside in Texas with their two children and many dogs and cats.
They have co-authored several bestselling series, including the #1 NYT bestselling urban fantasy of Kate Daniels, rustic fantasy of the Edge, paranormal romance of Hidden Legacy, and Innkeeper Chronicles, which they post as a free weekly serial. For a complete list of their books, fun extras, and Innkeeper installments, please visit their website at Ilona-andrews.com.
An elegant, page-turning thriller in the vein of Night Film and Crooked Letter, Crooked Letter, this tautly crafted novel is about stories: the ones we tell, the ones we keep hidden, and the ones that we’ll do anything to ensure they stay buried.
When literary agent Peter Katz receives a partial book submission entitled The Book of Mirrors, he is intrigued by its promise and original voice. The author, Richard Flynn, has written a memoir about his time as an English student at Princeton in the late 1980s, documenting his relationship with the protégée of the famous Professor Joseph Wieder. One night just before Christmas 1987, Wieder was brutally murdered in his home. The case was never solved. Now, twenty-five years later, Katz suspects that Richard Flynn is either using his book to confess to the murder, or to finally reveal who committed the violent crime.
But the manuscript ends abruptly—and its author is dying in the hospital with the missing pages nowhere to be found. Hell-bent on getting to the bottom of the story, Katz hires investigative journalist John Keller to research the murder and reconstruct the events for a true crime version of the memoir. Keller tracks down several of the mysterious key players, including retired police detective Roy Freeman, one of the original investigators assigned to the murder case, but he has just been diagnosed with early-onset Alzheimer’s. Inspired by John Keller’s investigation, he decides to try and solve the case once and for all, before he starts losing control of his mind. A trip to the Potosi Correctional Centre in Missouri, several interviews, and some ingenious police work finally lead him to a truth that has been buried for over two decades...or has it?
Stylishly plotted, elegantly written, and packed with thrilling suspense until the final page, The Book of Mirrors is a book within a book like you’ve never read before.
‘They’d all been wrong and had seen nothing but their own obsessions in the windows they’d tried to gaze through, which, in fact, turned out to have been mirrors all along.’
When Peter Katz receives a compelling partial manuscript, he contacts the author immediately in hopes of receiving the end of the story only to find out that he’s been hospitalized from complications due to lung cancer. He dies days later but Peter is unable to leave the story be because the story involves an individual by the name of Joseph Wieder who was murdered in real-life and he feels the story possesses the echoes of truth. Could this story possibly be the puzzle piece that ends up solving this unsolved crime? When Peter hires investigative journalist John Keller to look for the missing manuscript, he comes up empty. Diving back into the past and interviewing individuals who knew Joseph Wieder in an attempt to decipher whether the manuscript was truthful or not proves to be difficult. Who remembers details from decades later? So were the police correct at the time of the crime, is the manuscript correct, or is the truth still waiting to be uncovered?
The Book of Mirrors is a book within a book. The first part of this novel we’re introduced to Peter Katz, and we get to read the exact manuscript that he did. We become acquainted with Richard Flynn (the author of the manuscript) and Laura Baines. Both are students at Princeton and both are acquainted with Joseph Wieder. We learn of the mystery behind Wieder, a brilliant psychology, and of the secret experiments that he was conducting on individuals minds. Whether or not the experiments were what inevitably caused his death or not, it would have been interesting to learn more about them, but rather the story seems to only wish to paint Wieder as something of a mad scientist. The second part of the story is told from the point of view of John Keller, the investigative journalist. And the third and final part is told from the point of view of retired police detective Roy Freeman, the original investigator of the Wieder murder. The separate points of view would have given the story dimension but the voices themselves detract from this objective since they all, unfortunately, sound the same.
Comparisons to Night Film are way off. The story is a slow-paced mystery but the lack of urgency is simply due to the fact that there wasn’t a need for it: the crime was almost three decades old and almost everyone that could have possibly been involved is deceased. This certainly takes away any heightened intensity that a typical detective thriller may have but doesn’t take away from the interest in discovering the truth. Unreliable statements, secrets, and flawed memories will keep the reader speculating but could also have the effect of causing irritation at a continued lack of progress in the investigation. While the resolution is plausible, it was wrapped up a little too flawlessly for my liking.
I received this book free from Library Thing, Library in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
In her sweeping debut novel, Elizabeth J. Church takes us from the World War II years in Chicago to the vast sun-parched canyons of New Mexico in the 1970s as we follow the journey of a driven, spirited young woman, Meridian Wallace, whose scientific ambitions are subverted by the expectations of her era.
In 1941, at seventeen years old, Meridian begins her ornithology studies at the University of Chicago. She is soon drawn to Alden Whetstone, a brilliant, complicated physics professor who opens her eyes to the fundamentals and poetry of his field, the beauty of motion, space and time, the delicate balance of force and energy that allows a bird to fly.
Entranced and in love, Meridian defers her own career path and follows Alden west to Los Alamos, where he is engaged in a secret government project (later known to be the atomic bomb). In married life, though, she feels lost and left behind. She channels her academic ambitions into studying a particular family of crows, whose free life and companionship are the very things that seem beyond her reach. There in her canyons, years later at the dawn of the 1970s, with counterculture youth filling the streets and protests against the war rupturing college campuses across the country, Meridian meets Clay, a young geologist and veteran of the Vietnam War, and together they seek ways to mend what the world has broken.
Exquisitely capturing the claustrophobic eras of 1940s and 1950s America, The Atomic Weight of Love also examines the changing roles of women during the decades that followed. And in Meridian Wallace we find an unforgettable heroine whose metamorphosis shows how the women’s movement opened up the world for a whole generation.
“We have to take flight. It’s not given to us, served up on a pretty, parsley-bordered platter. We have to take wing. Was I brave enough to do that? Or would I be content to remain earthbound?”
The Atomic Weight of Love spans the time during World War II and the years during the Vietnam War. In the 1940s, Meridian Wallace was a young woman ahead of her time who chose to study biology in hopes of one day becoming an ornithologist at the University of Chicago. She meets a brilliant physics professor, Alden Whetstone, who is twenty years older than her but challenges her intellectually. They fall in love, they get married, and she gives up her dreams (temporarily at first) to move to a community in Los Alamos, New Mexico to become an unhappy housewife where Alden is assisting with the Manhattan Project. As the years pass by, Meridian is forced to evaluate the decisions she’s made in life and her personal evolution.
“I would not open the door to hope, no matter how exquisite her feathers, how promising and sweet her song. I was done with hope.”
Atomic is a most poignant story with an appropriate narrative voice for the time period. The writing manages to be consistently crisp and never tedious despite the entire lifetime that is told within these pages. Meri’s continued sacrifices that she makes throughout her life are disheartening to see but her insistence on continuing to study the local crows is the focal point of this tale. The community that Meri and Alden reside in is a study in women during the wartime where they range between happy housewives to the women looking to break the mold and help out right alongside the men. Meri’s two loves, Alden and a younger man she meets late in life, are portrayed through a critical lens and while never overly romantic, the passion is still evident. Alden himself was written rather one-dimensionally and comes off as a despot, but I felt that this was once again a sign of the times and the expectations of a woman’s role comes into play and Meri’s inability to ever fit into that role.
Meridian had an ample and fulfilling life, finally finding the purpose she had always sought. It was a satisfying story of accomplishment and fruition but at the conclusion, I couldn’t help wishing for more for Meridian.
October "Toby" Daye, a changeling who is half human and half fae, has been an outsider from birth. After getting burned by both sides of her heritage, Toby has denied the Faerie world, retreating to a "normal" life. Unfortunately for her, the Faerie world has other ideas...
The murder of Countess Evening Winterrose pulls Toby back into the fae world. Unable to resist Evening's dying curse, which binds her to investigate, Toby must resume her former position as knight errant and renew old alliances. As she steps back into fae society, dealing with a cast of characters not entirely good or evil, she realizes that more than her own life will be forfeited if she cannot find Evening's killer.
“We have to burn brightly. We can’t burn forever.”
October “Toby” Daye is a changeling and after spending fourteen years living as a koi in a pond she’s back to trying to live a normal life working the night shift at a grocery store. Ha, honestly, I already love it. Toby has to solve the murder of a fae friend, her own life is on the line if she doesn’t, and Toby is such a badass. She’s a changeling, only half-fae, so she doesn’t possess quite the badassery that everyone else does but she really holds her own. The side characters are also surprisingly fantastic (Danny, the Bridge Troll taxi driver was my personal favorite next to Tybalt), I loved seeing all the various fae species (especially the rose goblins), and there’s clearly much to learn about Toby and her backstory which I’m super eager for. There’s a romance in this installment but it doesn’t consume the story and thank gawd because ew. But there’s another romance that we only get hints of and…
I’m totally kicking myself. I listened to Rosemary and Rue on audio in late 2011 and I gave it two stars because I was so fucking bored. I’m now chalking that up to the fact that I was brand new to audiobooks and didn’t really know what I was doing because I clearly wasn’t listening to this super interesting urban fantasy story with an awesome heroine. Or maybe the narrator was really bad? I have no idea, guys, but I’ve officially re-read it and while I only gave it 3 stars, it was an excited for the next installment 3 stars. (Which means I also need to give Moon Called another shot since I also listened to it around the same time and also didn’t like it.) Anyways, many, many thanks to Christina for being book pusher extraordinaire. I’m so glad I gave this one a second chance. 🙂
A typical day in the life of Charley Davidson involves cheating husbands, missing people, errant wives, philandering business owners, and oh yeah...demons, hell hounds, evil gods, and dead people. Lots and lots of dead people. As a part time Private Investigator and full-time Grim Reaper, Charley has to balance the good, the bad, the undead, and those who want her dead. In this eleventh installment, Charley is learning to make peace with the fact that she is a goddess with all kinds of power and that her own daughter has been born to save the world from total destruction. But the forces of hell are determined to see Charley banished forever to the darkest corners of another dimension. With the son of Satan himself as her husband and world-rocking lover, maybe Charley can find a way to have her happily ever after after all.
*spoilers for previous installments*
“…I’m going to take over the world.” “The whole thing?” “Well, I’m going to try to take over the world.” “And you feel you’re prepared for world domination?” I lifted a noncommittal shoulder. “I’m taking a business class.”
Despite her new awareness of her God-like state, Charley Davidson strives to continue living as a normal human would. She’s taking a business class at the college (to help her out when she takes over the world), she has a new case which involves the son of the people that kidnapped Reyes when he was a child, and she’s helping the police sort out why and who could be sending Cookie’s daughter, Amber, threatening text messages.
Although I continue to profess my love for this series, it must be said that the plots of these later installments are getting weaker with each new one. I have always loved the incorporation of her day-to-day investigations mixed with the advancement of the Reaper storyline but if I’m being honest, more needs to happen with the Reaper storyline. It continues to be stretched to the limit and we’re given minuscule nibbles with each book which seems like nothing more than a way to continue to stretch the series past its expiration date. For the most part, there isn’t any actual advancement until the final 10% or so, and while it’s a most excellent 10%, it makes one definitely wish there was more to go around. And then as a cherry on top, we’re given a massive cliffhanger that will leave the reader groaning until the next installment.
The mysteries are great, the paranormal aspects are incredibly interesting, the sex scenes are off the charts, and Charley is always a source of amusement. But, Jones, you’re killing me with these cliffhangers.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Part love story, part workplace dramedy, part witty critique of the false judgments we make in a social-media-obsessed world, this is New York Times bestselling author Sophie Kinsella’s most timely and sharply observed novel yet.
Everywhere Katie Brenner looks, someone else is living the life she longs for, particularly her boss, Demeter Farlowe. Demeter is brilliant and creative, lives with her perfect family in a posh townhouse, and wears the coolest clothes. Katie’s life, meanwhile, is a daily struggle—from her dismal rental to her oddball flatmates to the tense office politics she’s trying to negotiate. The final, demeaning straw comes when Demeter makes Katie dye her roots in the office. No wonder Katie takes refuge in not-quite-true Instagram posts, especially as she’s desperate to make her dad proud.
Then, just as she’s finding her feet—not to mention a possible new romance—the worst happens. Demeter fires Katie. Shattered but determined to stay positive, Katie retreats to her family’s farm in Somerset to help them set up a vacation business. London has never seemed so far away—until Demeter unexpectedly turns up as a guest. Secrets are spilled and relationships rejiggered, and as the stakes for Katie’s future get higher, she must question her own assumptions about what makes for a truly meaningful life.
Sophie Kinsella is celebrated for her vibrant, relatable characters and her great storytelling gifts. Now she returns with all of the wit, warmth, and wisdom that are the hallmarks of her bestsellers to spin this fresh, modern story about presenting the perfect life when the reality is far from the image.
Katie Brenner grew up in the English countryside and has always dreamed of living in the big city. At 26-years-old, she’s finally working her dream job at an ad agency, has a place of her own, and an Instagram account that showcases a life that anyone would envy. Despite her perfect outward appearance, everything is far from perfect. She’s not doing anything terribly creative at her job and is barely making ends meet, she has her own place but she has roommates and her room is tragically small so she keeps all her clothes piled in a hammock, and all those pictures she posts on Instagram is more how she wishes her life was vs. how it really is. When her life is abruptly upended and she finds herself living once again with her dad in the English countryside, she doesn’t think she’ll ever find her way back to London. A new family “glamping” business keeps her busy and her creative side honed, but some unexpected glampers from London have Katie realizing that London isn’t quite done with her.
Katie is an incredible character for many reasons but first and foremost: she’s so realistic. Don’t get me wrong, 95% of the time I love a good story to escape into so I can leave the real world behind but that straggler 5% loves a character that I can feel in tune with, a character that I can truly understand. This story gave me major Devil Wears Prada vibes but instead of the invisible girl that gets a haircut, loses some weight, and is bestowed a gorgeous wardrobe only to live happily ever after we get Katie. Katie didn’t get a haircut, lose weight, or get a new wardrobe. Nope. Katie loses her job, has to move back home with dad, and is often found in wellies because it’s just sensible in the countryside.
My Not So Perfect Life centers around Katie’s personal development and the realization that much like her own Instagram account, people hide beyond a persona that is not always the person they truly are. This is a laugh out loud adventure that despite its slightly unnecessary page length and unexpected lack of focus on the romance, this delightful story will no doubt charm new and old fans alike.
As he climbs into the sidecar of Hagrid's motorbike and takes to the skies, leaving Privet Drive for the last time, Harry Potter knows that Lord Voldemort and the Death Eaters are not far behind. The protective charm that has kept Harry safe until now is broken, but he cannot keep hiding. The Dark Lord is breathing fear into everything Harry loves and to stop him Harry will have to find and destroy the remaining Horcruxes. The final battle must begin - Harry must stand and face his enemy....
This is officially my very first time I’ve completely re-read this series and it’s quite possible that I love it even more than I did before. Reading all books back to back (I started the first one in October and finished the last one in January) only made it even more apparent what an incredible saga that Rowling gifted us. All the linked parts, the character development, and just how astonishing it was to see it all unfold. Somehow it still managed to leave me awed even knowing how it all ends. While my opinions of the series as a whole didn’t change (other than the fact that my favorite book is now officially Half-Blood Prince and I’ve gotten over my irritation with Dobby) there is one aspect in these stories that I paid a lot more attention to this go around: Dumbledore and Snape.
First and foremost, I’m team Snape (and a Slytherin if you were curious). Yes, I am fully aware that he was a horrible shithead to a bunch of children, primarily Harry, and the only reason was because he loved Harry’s mother and she didn’t love him. Boo-hoo. I’m also aware that he was a Death Eater doing terrible things on behalf of Voldemort before he joined up with Dumbeldore. I’m aware of all these things but I can still appreciate the bravery and risks he took in the name of love, even it was misguided. It doesn’t necessarily make him a hero in my eyes and his actions don’t make up for the wrong he did, but it is still worthy of mention. Don’t agree?
hahaha Kidding. But on to an even more controversial topic: Dumbledore was kind of a dick. Sure, at first he’s that kind, fatherly figure that Harry can’t help but look up to. But when year after year at Hogwarts passes and poor young Harry is dealing with shit that he can barely comprehend, does Dumbledore make it a point to educate him on the ways of the wizarding world? Nope. And when we finally realize what’s been going on this entire time? That he’s known from the very beginning that Harry was going to have to die for the “greater good”?!
Sure, if he had told Harry at an early age he could have lost his marbles at the prospect of an early death so I understand why he didn’t tell him but I definitely don’t agree with it because he didn’t treat Harry like a pawn; he treated him like he was someone special to him. Think of all the times that Harry was touting Dumbledore’s greatness while from the very beginning he’s known the endgame all along.
Leave an infant on a doorstep, don’t even ring the doorbell. They’ll find him in the morning. Know Harry’s living in a goddamn cupboard under the stairs, constantly abused by the Dursley’s–does nothing. Let Snape continue to mistreat him unnecessarily. Blames it on the fact he developed feelings for the reason why he’s lied to Harry his entire life… talk about emotional manipulation. Not letting Harry in on the secret of the horcruxes until after he was doomed to die because his dumbass, for personal advancement reasons, put it on because it was also a Hallow. Dick move, Dumbledore. /rant
Rowling really achieved greatness with this final installment. Each installment has progressively gotten darker as Harry and all other characters take step after step into adulthood. This world that Rowling has created is both horrible and mesmerizing in equal measure. A world where there are creatures that can suck out your very soul, but also wondrous creatures like unicorns and Hippogriffs. A world where you can be struck down with two simple words, but also where owls deliver your mail and paintings talk. But the most wondrous thing that Rowling accomplished with these stories is just how many lives she transformed, mine included. It’s enough to make anyone believe in magic.