J.K. Rowling’s five-film Fantastic Beasts adventure series continues with the original screenplay for Fantastic Beasts: The Crimes of Grindelwald.
At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings.
In an effort to thwart Grindelwald’s plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shape the wizarding world, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films.
What the fuck even was that.
I haven’t watched the movie yet so this is solely a review of the book, but wow, I’m certainly not rushing to the theatres anytime soon.
The story is seriously a big hot mess though and while I loved the first installment, the follow-up really threw everything I liked about it into a blender. The characters changed in ludicrous fashion, the motivations behind the characters themselves were murky at best, and there was little to no plot development. This feels like the middle book of a trilogy but apparently, we have three more books to “look forward to.”
The biggest issue I had was the very clear attempt to merge these “prequel” stories with the original Harry Potter series. I felt if the writers simply focused on telling these stories and letting them stand on their own merits they might not have felt the need to remind us every so often that hey! This is set in the Harry Potter world! It just felt messy. The biggest flaw was McGonagall’s cameo. She was in her 70s in the original stories, which began in 1997, yet in The Crimes of Grindewald she’s a Hogwarts professor in a story set in the mid-20s. I can imagine the cameos are far more exciting in film, but the timeline super doesn’t match, at least in accordance with what Rowling has stated previously about her characters. Seriously, so unnecessary.
There are also additions to the story that simply don’t end up making a whole lot of sense. Like that bit about Nagini having been an actual human at one point in her life? It’s revealed that she’s a Maledictus, able to transform into a snake but due to a blood curse passed down in her family, she’ll transform into a snake one day and never be able to transform back. Sure, it was interesting tidbits and expands on Nagini’s story, and sure, maybe this all becomes more vital later on in this series, but the small bit we’re given seemed pretty inconsequential.
But the icing on the cake was the “twist” at the end. Serious spoiler, beware. View Spoiler »All of a sudden Dumbledore has a long, lost, and apparently dead, but maybe not, brother that has never, ever been mentioned. But of course, it’s a brother that he never even knew existed. Bah. I just don’t really care, because we’ve already had enough about Dumbledore. I want more focus on who the central character should be: Newt. « Hide Spoiler
The original stories are already so fascinatingly complex and these attempts to expand on what has already been drilled into our brains from many a re-reads just comes across as lazy and is really destroying the magic of Harry Potter for me.
A typical day in the life of Charley Davidson involves cheating husbands, missing people, errant wives, philandering business owners, and oh yeah...demons, hell hounds, evil gods, and dead people. Lots and lots of dead people. As a part time Private Investigator and full-time Grim Reaper, Charley has to balance the good, the bad, the undead, and those who want her dead. In this eleventh installment, Charley is learning to make peace with the fact that she is a goddess with all kinds of power and that her own daughter has been born to save the world from total destruction. But the forces of hell are determined to see Charley banished forever to the darkest corners of another dimension. With the son of Satan himself as her husband and world-rocking lover, maybe Charley can find a way to have her happily ever after after all.
*spoilers for previous installments*
“…I’m going to take over the world.” “The whole thing?” “Well, I’m going to try to take over the world.” “And you feel you’re prepared for world domination?” I lifted a noncommittal shoulder. “I’m taking a business class.”
Despite her new awareness of her God-like state, Charley Davidson strives to continue living as a normal human would. She’s taking a business class at the college (to help her out when she takes over the world), she has a new case which involves the son of the people that kidnapped Reyes when he was a child, and she’s helping the police sort out why and who could be sending Cookie’s daughter, Amber, threatening text messages.
Although I continue to profess my love for this series, it must be said that the plots of these later installments are getting weaker with each new one. I have always loved the incorporation of her day-to-day investigations mixed with the advancement of the Reaper storyline but if I’m being honest, more needs to happen with the Reaper storyline. It continues to be stretched to the limit and we’re given minuscule nibbles with each book which seems like nothing more than a way to continue to stretch the series past its expiration date. For the most part, there isn’t any actual advancement until the final 10% or so, and while it’s a most excellent 10%, it makes one definitely wish there was more to go around. And then as a cherry on top, we’re given a massive cliffhanger that will leave the reader groaning until the next installment.
The mysteries are great, the paranormal aspects are incredibly interesting, the sex scenes are off the charts, and Charley is always a source of amusement. But, Jones, you’re killing me with these cliffhangers.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Part love story, part workplace dramedy, part witty critique of the false judgments we make in a social-media-obsessed world, this is New York Times bestselling author Sophie Kinsella’s most timely and sharply observed novel yet.
Everywhere Katie Brenner looks, someone else is living the life she longs for, particularly her boss, Demeter Farlowe. Demeter is brilliant and creative, lives with her perfect family in a posh townhouse, and wears the coolest clothes. Katie’s life, meanwhile, is a daily struggle—from her dismal rental to her oddball flatmates to the tense office politics she’s trying to negotiate. The final, demeaning straw comes when Demeter makes Katie dye her roots in the office. No wonder Katie takes refuge in not-quite-true Instagram posts, especially as she’s desperate to make her dad proud.
Then, just as she’s finding her feet—not to mention a possible new romance—the worst happens. Demeter fires Katie. Shattered but determined to stay positive, Katie retreats to her family’s farm in Somerset to help them set up a vacation business. London has never seemed so far away—until Demeter unexpectedly turns up as a guest. Secrets are spilled and relationships rejiggered, and as the stakes for Katie’s future get higher, she must question her own assumptions about what makes for a truly meaningful life.
Sophie Kinsella is celebrated for her vibrant, relatable characters and her great storytelling gifts. Now she returns with all of the wit, warmth, and wisdom that are the hallmarks of her bestsellers to spin this fresh, modern story about presenting the perfect life when the reality is far from the image.
Katie Brenner grew up in the English countryside and has always dreamed of living in the big city. At 26-years-old, she’s finally working her dream job at an ad agency, has a place of her own, and an Instagram account that showcases a life that anyone would envy. Despite her perfect outward appearance, everything is far from perfect. She’s not doing anything terribly creative at her job and is barely making ends meet, she has her own place but she has roommates and her room is tragically small so she keeps all her clothes piled in a hammock, and all those pictures she posts on Instagram is more how she wishes her life was vs. how it really is. When her life is abruptly upended and she finds herself living once again with her dad in the English countryside, she doesn’t think she’ll ever find her way back to London. A new family “glamping” business keeps her busy and her creative side honed, but some unexpected glampers from London have Katie realizing that London isn’t quite done with her.
Katie is an incredible character for many reasons but first and foremost: she’s so realistic. Don’t get me wrong, 95% of the time I love a good story to escape into so I can leave the real world behind but that straggler 5% loves a character that I can feel in tune with, a character that I can truly understand. This story gave me major Devil Wears Prada vibes but instead of the invisible girl that gets a haircut, loses some weight, and is bestowed a gorgeous wardrobe only to live happily ever after we get Katie. Katie didn’t get a haircut, lose weight, or get a new wardrobe. Nope. Katie loses her job, has to move back home with dad, and is often found in wellies because it’s just sensible in the countryside.
My Not So Perfect Life centers around Katie’s personal development and the realization that much like her own Instagram account, people hide beyond a persona that is not always the person they truly are. This is a laugh out loud adventure that despite its slightly unnecessary page length and unexpected lack of focus on the romance, this delightful story will no doubt charm new and old fans alike.
As he climbs into the sidecar of Hagrid's motorbike and takes to the skies, leaving Privet Drive for the last time, Harry Potter knows that Lord Voldemort and the Death Eaters are not far behind. The protective charm that has kept Harry safe until now is broken, but he cannot keep hiding. The Dark Lord is breathing fear into everything Harry loves and to stop him Harry will have to find and destroy the remaining Horcruxes. The final battle must begin - Harry must stand and face his enemy....
This is officially my very first time I’ve completely re-read this series and it’s quite possible that I love it even more than I did before. Reading all books back to back (I started the first one in October and finished the last one in January) only made it even more apparent what an incredible saga that Rowling gifted us. All the linked parts, the character development, and just how astonishing it was to see it all unfold. Somehow it still managed to leave me awed even knowing how it all ends. While my opinions of the series as a whole didn’t change (other than the fact that my favorite book is now officially Half-Blood Prince and I’ve gotten over my irritation with Dobby) there is one aspect in these stories that I paid a lot more attention to this go around: Dumbledore and Snape.
First and foremost, I’m team Snape (and a Slytherin if you were curious). Yes, I am fully aware that he was a horrible shithead to a bunch of children, primarily Harry, and the only reason was because he loved Harry’s mother and she didn’t love him. Boo-hoo. I’m also aware that he was a Death Eater doing terrible things on behalf of Voldemort before he joined up with Dumbeldore. I’m aware of all these things but I can still appreciate the bravery and risks he took in the name of love, even it was misguided. It doesn’t necessarily make him a hero in my eyes and his actions don’t make up for the wrong he did, but it is still worthy of mention. Don’t agree?
hahaha Kidding. But on to an even more controversial topic: Dumbledore was kind of a dick. Sure, at first he’s that kind, fatherly figure that Harry can’t help but look up to. But when year after year at Hogwarts passes and poor young Harry is dealing with shit that he can barely comprehend, does Dumbledore make it a point to educate him on the ways of the wizarding world? Nope. And when we finally realize what’s been going on this entire time? That he’s known from the very beginning that Harry was going to have to die for the “greater good”?!
Sure, if he had told Harry at an early age he could have lost his marbles at the prospect of an early death so I understand why he didn’t tell him but I definitely don’t agree with it because he didn’t treat Harry like a pawn; he treated him like he was someone special to him. Think of all the times that Harry was touting Dumbledore’s greatness while from the very beginning he’s known the endgame all along.
Leave an infant on a doorstep, don’t even ring the doorbell. They’ll find him in the morning. Know Harry’s living in a goddamn cupboard under the stairs, constantly abused by the Dursley’s–does nothing. Let Snape continue to mistreat him unnecessarily. Blames it on the fact he developed feelings for the reason why he’s lied to Harry his entire life… talk about emotional manipulation. Not letting Harry in on the secret of the horcruxes until after he was doomed to die because his dumbass, for personal advancement reasons, put it on because it was also a Hallow. Dick move, Dumbledore. /rant
Rowling really achieved greatness with this final installment. Each installment has progressively gotten darker as Harry and all other characters take step after step into adulthood. This world that Rowling has created is both horrible and mesmerizing in equal measure. A world where there are creatures that can suck out your very soul, but also wondrous creatures like unicorns and Hippogriffs. A world where you can be struck down with two simple words, but also where owls deliver your mail and paintings talk. But the most wondrous thing that Rowling accomplished with these stories is just how many lives she transformed, mine included. It’s enough to make anyone believe in magic.
"There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building...wherever they had murdered...."
When Dumbledore arrives at Privet Drive one summer night to collect Harry Potter, his wand hand is blackened and shrivelled, but he does not reveal why. Secrets and suspicion are spreading through the wizarding world, and Hogwarts itself is not safe. Harry is convinced that Malfoy bears the Dark Mark: there is a Death Eater amongst them. Harry will need powerful magic and true friends as he explores Voldemort's darkest secrets, and Dumbledore prepares him to face his destiny....
“It is the unknown we fear when we look upon death and darkness, nothing more.”
Once upon a time, I considered Harry Potter and the Order of the Phoenix to be my favorite of the bunch. This re-read? This is quite possibly my new favorite for how well-paced and exciting the mystery was. There was a reason behind everything Rowling included and when the links become apparent it was nothing short of fantastic. These stories have been quite dark since Goblet of Fire, but this installment added many fascinating angles to it and finally gives us the relationship between Harry and Dumbedore that should have been in place years ago. Technically this is my very first time re-reading past Prisoner of Azkaban (#3) and it almost felt like I was reading them for the first time. Having read Cursed Child has also changed my perception on the story as well by being able to view the characters differently knowing not just how they turned out at the end of Deathly Hallows, but several decades later as adults too.
While I haven’t re-read these as much as I should, I have seen the movies several times and those are what has been ingrained into my brain so it’s fantastic to recall the subtle/unsubtle changes that were made. Peeves continues to be absent and Tonks’ major part in this book is left out completely, the destruction of the Burrow didn’t happen at all in the story, a certain someones funeral gets left out, but most missed were many of the memories of Tom Riddle that Dumebledore shared with Harry. Those memories, to me, are what makes Voldemort most fascinating (in the worst of ways) and gives him a much needed complexity which takes him beyond your standard cardboard villain. But yes, I have a vastly different appreciation for this story now and am grateful I’ve finally made time to re-read this series in its entirety.
“Let us step into the night and pursue that flighty temptress, adventure.”
In a land on the brink of war, Shahrzad is forced from the arms of her beloved husband, the Caliph of Khorasan. She once thought Khalid a monster—a merciless killer of wives, responsible for immeasurable heartache and pain—but as she unraveled his secrets, she found instead an extraordinary man and a love she could not deny. Still, a curse threatens to keep Shazi and Khalid apart forever.
Now she’s reunited with her family, who have found refuge in the desert, where a deadly force is gathering against Khalid—a force set on destroying his empire and commanded by Shazi’s spurned childhood sweetheart. Trapped between loyalties to those she loves, the only thing Shazi can do is act. Using the burgeoning magic within her as a guide, she strikes out on her own to end both this terrible curse and the brewing war once and for all. But to do it, she must evade enemies of her own to stay alive.
The saga that began with The Wrath and the Dawn takes its final turn as Shahrzad risks everything to find her way back to her one true love again.
“It was because they were two parts of a whole. He did not belong to her. And she did not belong to him. It was never about belonging to someone. It was about belonging together.”
Khalid spends his days keeping his identity secret as he helps to rebuild his demolished city and Shahrzad is doing all she possibly can to break the curse on Khalid so that they can live out their days together in peace. The Wrath and the Dawn only hinted at the presence of magic and I’m pleased to say that the magic is on full display in The Rose and the Dagger. There’s heartbreak and strife galore because is anything ever easy when it comes to love?
It’s no secret that I absolutely adored the first book. Whether it’s because I loved the first so much and I didn’t expect the second to be able to live up to it or because of my poor track record in regards to final books in series’ but it took me forever to take the plunge and pick this one up. But better late than never, I finally did. This installment focuses less on the romance and more on the conspiracies and scheming going on in the background of the kingdom. Yes, the romance focus was definitely missed since I loved it so, however, there was a maturity to it this time around that was definitely absent from Wrath what with all the passion flying around. There were some intriguing mysteries involving Khalid’s rivals and Shahrzad’s father that I quite liked but one mystery in particular View Spoiler »involving Despina « Hide Spoiler left me feeling confused what with the unraveled ends that it was left with. While I was not nearly as enamored with this installment as I was with the prior, this still ended up being a most magical story inspired by A Thousand and One Nights.
How does one talk about love? Is it even possible to describe something at once utterly mundane and wholly transcendent, that has the power to consume our lives completely, while making us feel part of something infinitely larger than ourselves? Taking a unique approach to this age-old problem, the nameless narrator of David Levithan's The Lover's Dictionary constructs the story of a relationship as a dictionary. Through these sharp entries, he provides an intimate window into the great events and quotidian trifles of coupledom, giving us an indelible and deeply moving portrait of love in our time.
‘It scares me how hard it is to remember life before you. I can’t even make the comparisons anymore, because my memories of that time have all the depth of a photograph. It seems foolish to play games of better and worse. It’s simply a matter of is and is no longer.’
The Lover’s Dictionary is the antithesis of a love story. But it’s still a story of love. It’s the type that brings to light all the hairline fractures and imperfections of romance. It shows the wondrous, shining moments of first love and the gloomy, dispiriting moments when it comes to a close. It’s both tragic and comforting and it’s an astonishing piece of writing.
The natural state. Our moods change. Our lives change. Our feelings for each other change. Our bearings change. The song changes. The air changes. The temperature of the shower changes.
Accept this. We must accept this.
I read and reviewed this years ago but I recently purchased a copy for myself and have been wanting to re-read just to see if this retained all the same magic that I recalled it having. I quite possibly loved this even more, mainly because while I could appreciate the emotions behind the story the first read, the second read was like a mirror reflecting back all my current emotions. It made my heart ache quite fiercely at times, but reading something so sincere and genuine can be a breath of fresh air, even when it hurts.
There are times when I doubt everything. When I regret everything you’ve taken from me, everything I’ve given you, and the waste of all the time I’ve spent on us.
Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016.
It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.
While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.
*some spoilers to follow*
If I’m being honest, I never originally intended on reading this story. I adore Harry Potter, I just felt that the story was better left as is after the epilogue of the Deathly Hallows. But then my book bestie morphed into the pushiest book pusher that ever pushed and suddenly I found myself having already finished and wondering how I ever thought I could not read this. Setting aside all the vast amounts of criticism this has received (i.e. this isn’t written by Rowling, it reads like fan-fic, it’s not even a book but a screenplay) it ended up being more than I could have ever hoped for.
“Hogwarts will be the making of you, Albus. I promise you, there is nothing to be frightened of there.”
Taking us right back to the epilogue of the Deathly Hallows, we get to see Albus getting on his first train to Hogwarts. And his discussion with Harry regarding the possibility of him being placed in Slytherin. We’re not given the detailed account of his time spent at Hogwarts, but rather the generalized impression that Hogwarts isn’t quite the sanctuary for him that it was for his father. The comprehensive details of the world are also missing from the screenplay but for those of us who have already read the first seven books, that world is emblazoned upon our minds and no rehashing of details are necessary for us to fully comprehend each and every scene.
Cursed Child manages to smoothly connect many major plot points from the original novels: the infiltration of the Ministry of Magic by Harry, Ron, and Hermione (Deathly Hallows, book 7), the Tri-Wizard tournament and Cedric’s death (Goblet of Fire, book 4), time turners (Prisoner of Azkaban, book 3), the perpetual battle between good and evil, and the important father-son relationships that have been a focal point of this series from the beginning. It also makes a less than obvious point of showing how seemingly inconsequential deaths end up having a much larger impact in the grand scheme of things. With the help of a time turner, we’re shown snippets of how the world could have been with the simplest of changes. The variation of possibilities was both shocking and horrifying. What I most enjoyed was how this wasn’t simply a new set of adventures with a new set of characters but rather recognition of the fact that the actions of the past was not a given end to that story, but that they inevitably had an effect on the future of their own children.
Harry: “How do I protect my son, Dumbledore?” Dumbledore: “You ask me, of all people, how to protect a boy in terrible danger? We cannot protect the young from harm. Pain must and will come.”
While we do see the original characters and what they have become 19 years later, the focal point is on their children, primarily Albus and Scorpius who become immediate friends on the Hogwarts Express. Albus has a severely strained relationship with his father, Harry, and has difficulty living up to not just the enormous importance of his father, of the great men he was named after, and because of the fact that he was in fact placed in Slytherin rather than his father’s house, Gryffindor. It’s easy to see from the original stories how understandable it would be for Harry to not be the perfect father, considering his own lack of a permanent father figure. He does what he feels is best even when it is quite clearly not best, and the scenes between the two are often painful and heartbreaking. Scorpius, son of Draco Malfoy, also suffers from a poor relationship with his father due the actions of his past as well as Draco’s own relationship with his father, Lucius.
In October of this year I decided to do an impromptu re-read of the Harry Potter series on audio. I have re-read books 1-3 numerous times but I tend to run out of steam and have never been able to re-read books 4-7. Well, I finally overcame my hangups and completed my first re-read of Goblet of Fire. Due to the majority of this story centering around the storyline from The Goblet of Fire I chose to do my second re-read of the year (ha) of Cursed Child since the storyline was still so fresh in my mind. It works extremely well if you treat it as a #4.5 book as well, granted, it’s vital to know the outcome of the series as a whole in order to fully appreciate how it ties everything together and illustrates the growth of these characters.
“Perfection is beyond the reach of humankind, beyond the reach of magic. In every shining moment of happiness is that drop of poison: the knowledge that pain will come again. Be honest to those you love, show your pain. To suffer is as human as to breathe.”
Yes, perfection is an impossibility, and while there were many things I would have personally changed, this still managed to hit all my Harry Potter feels as perfectly as possible. Cursed Child reinforced my love of both the original stories and characters by growing them in legitimate ways, it gave me new characters to love (primarily Scorpius <3), and it removed the stereotype associated with Slytherin house by showing that not all associated are necessarily evil. #slytherinpride
A brilliant debut mystery in a classic vein: Detective Cormoran Strike investigates a supermodel's suicide. After losing his leg to a land mine in Afghanistan, Cormoran Strike is barely scraping by as a private investigator. Strike is down to one client, and creditors are calling. He has also just broken up with his longtime girlfriend and is living in his office.
Then John Bristow walks through his door with an amazing story: His sister, the legendary supermodel Lula Landry, known to her friends as the Cuckoo, famously fell to her death a few months earlier. The police ruled it a suicide, but John refuses to believe that. The case plunges Strike into the world of multimillionaire beauties, rock-star boyfriends, and desperate designers, and it introduces him to every variety of pleasure, enticement, seduction, and delusion known to man.
You may think you know detectives, but you've never met one quite like Strike. You may think you know about the wealthy and famous, but you've never seen them under an investigation like this.
Detective Cormoran Strike life has seen better days. He recently broke up with his girlfriend and is sleeping on a camp bed in his office, he’s got a single client that isn’t paying their bill and a whole slew of creditors that are demanding money yesterday. He’s fortunately hired to investigate the much publicized death of Lula Landry, a supermodel who fell to her death from her penthouse balcony. Her brother, John Bristow, is convinced that someone is to blame.
Okay, so the whole world knows by now that this is the work of J.K. Rowling. She first delved into Contemporary Adult Fiction last year with ‘The Casual Vacancy’. I had several of the same issues with TCV (which I put on hold about halfway through and have yet to make it back to it.) Even setting aside your ‘Harry Potter’ sized expectations, there really isn’t anything spectacular about The Cuckoo’s Calling. I applaud J.K. Rowling for having the gumption to take a leap into adult fiction because it’s such a far cry from what we’ve come to expect from her. Unfortunately, her Contemporary novels are just not my cup of tea.
Cormoran Strike has been praised in publications for his intriguing personality but I found him to be no different than any other detective/cop/investigator and he clearly dreamed about being Sherlock when he was a kid. Yes, he was a war veteran and he lost his leg and there’s a whole backstory there that is delved into but still didn’t manage to add anything super intriguing to the mix. Publications have also commented on the ‘brilliant mystery’ but honestly? It’s been done before and I didn’t find myself gasping in shock when the big reveal happens. It felt very much like a Sherlock Holmes tale where he’s about to piece together evidence from seemingly nothing and it’s all eluded to until the very end when he reveals all to the bad guy. It was all very yawn-inducing and worthy of a few eye-rolls to be quite honest.
In addition to the mediocre storyline and characters, the writing style is what ultimately caused my massive disappointment over this novel (and this is another issue I had with The Casual Vacancy). There are some truly fabulous lines that showcase her brilliance, but more often than not she tries far too hard to make it even more evident that THIS IS AN ADULT NOVEL. As if we weren’t aware of that fact already. Towards the end of the novel there was a line which caused the cringe of a lifetime:
‘She looked away from him, drawing hard on her Rothman’s; when her mouth puckered into hard little lines around the cigarette, it looked like a cat’s anus.’
Disgusting and totally unnecessary. Bottom line, her writing is just too crude and unrefined for my liking. I doubt I’ll give up on future novels of Rowling, but I won’t likely be continuing this particular series. I would so love to see more fantasy from her though.