In this spectacular father-son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?
In a future so real and near it might be now, something happens when women go to sleep; they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place. The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain? Set in a small Appalachian town whose primary employer is a women’s prison, Sleeping Beauties is wildly provocative and gloriously absorbing.
“The elms made him think of brothers, of sisters, of husbands and wives—he was sure that, beneath the ground, their roots were mortally entwined.”
What would happen to the world if all the women fell asleep?
In rural Appalachia, the Aurora Sleeping Sickness only affects individuals with the XX chromosome. When women drift off to sleep they begin growing tendrils of webbing that cocoon their bodies completely and while they remain alive in this world they wake up in a different one entirely. In this world though, there’s one single woman named Eve Black that remains able to still sleep and wake up but she possesses mysterious powers and seems to be the reason why all other women are in the state they’re in.
This started off so incredibly fascinating and reminded me strongly of The Stand with this mysterious sickness slowly infecting the world. The Aurora Sleeping Sickness was chilling in its descriptions, affecting only women and the reverberations throughout the community that results from their absence was brilliant and no doubt made any woman reader leary about putting the book down and going to sleep. I especially loved the inclusion regarding the “Mother’s Instinct” described as such:
‘This phenomenon proved to be one of the most curious and most analyzed enigmas of Aurora – the so-called “Mother’s Instinct” or “Foster Reflex.” While reports of violent interactions between sleepers and other adults ultimately numbered in the millions, and unreported interactions millions more, few if any occurrences of aggression between a sleeper and her pre-adolescent child were ever confirmed. Sleepers handed over their male infants and toddlers to the closest person they could find, or simply put them out of doors. They then returned to their places of slumber.’
The story starts off unhurriedly as the authors build up the intensity but it ended up being my favorite part of the story (aside from the narration itself; Marin Ireland knocked this one out of the park. 5 stars.) The slow, steady pace building up this world where such a thing could possibly occur was all necessary to make this as credible as it could be. The most problematic bit was the vast array of characters that we were expected to keep track of. When reading stories that include far too many characters to keep straight, I’ll occasionally write myself little bullet point lists or draw family trees just to keep things straight. If I had even attempted something like that with this story my desk (and myself) would have ended up looking something like this:
One of the main female characters, Lila, resulted in some great passages from her point of view. Ironically though, her husband Clint ends up taking over as the main act in the final half of the book. Not only does he take over as the main character but he ends up playing an important role in the vast scheme of things and wait, wasn’t this supposed to be about the females? How come a dude once again gets to take center stage? I had worried about this possibility before I even picked this one up, but alas, the book is definitely less about what would happen to the females and more about what would happen to the men. They resort to violence and guns and explosions and everything in between, surprising no one. The authors also seem to miss making any solid point regarding why this happened and what was learned from the experience. Suffice it to say, the descriptions of the sickness and the infected were eerie and great to read but when it came down to breaking any gender stereotypes there’s certainly nothing new here.
From the author of the hit literary horror debut Bird Box (”Hitchcockian.” —USA Today) comes a chilling novel about a group of musicians conscripted by the US government to track down the source of a strange and debilitating sound
The Danes—the band known as the “Darlings of Detroit”—are washed up and desperate for inspiration, eager to once again have a number one hit. That is, until an agent from the US Army approaches them. Will they travel to an African desert and track down the source of a mysterious and malevolent sound? Under the guidance of their front man, Philip Tonka, the Danes embark on a harrowing journey through the scorching desert—a trip that takes Tonka into the heart of an ominous and twisted conspiracy.
Meanwhile, in a nondescript Midwestern hospital, a nurse named Ellen tends to a patient recovering from a near-fatal accident. The circumstances that led to his injuries are mysterious-and his body heals at a remarkable rate. Ellen will do the impossible for this enigmatic patient, who reveals more about his accident with each passing day.
Part Heart of Darkness, part Lost, Josh Malerman’s breathtaking new novel plunges us into the depths of psychological horror, where you can’t always believe everything you hear.
“The question is not what you found… but what found you?”
When Philip Tonka wakes in an Iowa hospital, he can’t remember how he got there or what happened to him, but his doctor informs him that he’s been in a coma for six months after breaking every single bone in his body. Prior to this, Philip and the rest of his bandmates, from the 1950s band called the Danes, are approached by government officials to investigate a peculiar sound emanating from the Namib Desert in Africa. The sound has been reported to make people sick when hearing it but most importantly has been the reason why a nuclear warhead was disarmed. Whether or not that sound is the reason for Philip’s injuries remains a mystery since he can’t remember if the source of the sound was ever actually found. Through alternating chapters told in past and present, it’s slowly revealed just what kind of bizarre answers Philip and his friends found in that desert.
After adoring Malerman’s debut novel Bird Box, he quickly became an “I’m reading anything and everything” author for me. I went on to read his short story Ghastle and Yule (I didn’t even finish those 54 pages), his novella A House at the Bottom of a Lake (2 stars), and now I’ve finished his second full-length novel and damn but I’m full of disappointment. Mysterious sounds in the middle of a desert, government conspiracies, memory loss, injuries that shouldn’t even be possible… it sounded like one badass episode of The Twilight Zone and I was all onboard.
I first tried to read this on my Kindle but Black Mad Wheel has quite the slow, meandering pace that made it difficult to stay invested. I opted to try it on audiobook before officially calling it quits and even if I didn’t end up loving the story as much as I had hoped, Robertson Dean thoroughly sold me on his narrative skills and I will definitely be seeking out more books narrated by him in the future. His various accents used for the different characters did wonders in helping to differentiate them because just from text alone, they all tended to blur together a bit. Once the pieces of the puzzle started coming together though, the story took a decidedly philosophical turn and while I loved the inclusion regarding the true power of music, it all just ultimately lost me in the end with Malerman opting instead to give only a vague hint at any concrete answers the reader may have been hoping for in the end.
“I wonder, soldier, if it’s our mind playing tricks. I wonder if we cannot comprehend a sound with no source and so we invent one. Each our own way to stave off the feelings of futility for having tracked a sourceless sound.”
After the dramatic events of The Creeping Shadow, the Lockwood team (plus Quill Kipps) deserve some well-earned rest.
So naturally they break into the Fittes Mausoleum, on a perilous mission to discover the truth about London's top ghost-hunting agency, and its sinister leader.
What they discover will change everything.
But there's little time to ponder. A near-miss at a haunted fairground is only the start - as the Fittes agency closes in on the team, an epic struggle commences.
With the help of some unexpected, and rather ghostly, allies, Lockwood & Co must battle their greatest enemy yet, as they move ever closer to the moment when the earth-shattering secret of 'the problem' will finally be revealed.
Jonathan Stroud once again delivers a rousing adventure full of danger, laughs, twists, and frights. The revelations will send readers back to Book 1 to start the series all over again.
“It was a time of beginnings, and a time of endings.”
After the events of The Creeping Shadow, the group set off to prove the Skull’s story right: that Marissa Fitts hasn’t actually been laid to rest and she’s been posing as her granddaughter Penelope for years. As the title implies, they do indeed find an empty grave. How Marissa could possibly remain alive and looking as young as she does remains a mystery. The mystery of the empty grave isn’t the only thing occupying their time though. They’re battling the Fitts agency to remain in business when Marissa announces that all small agencies will be absorbed into one and they must also deal with a fairground haunted by La Belle Dame Sans Merci (The Beautiful Lady Without Mercy) who psychically enchain her victims after alluring them with her beauty. Never a dull moment with Lockwood & Co.
“We’ve worked wonders to get here, and we won’t panic now. If we’re right, there won’t be anything to worry about. If we’re wrong, we deal with it, as we always do. […] But we won’t be wrong. We’re on the verge of something big here. It’s going to be good!”
Kipps adjusted his goggles dolefully. “Since when has anything good happened in a crypt? It’s going to be bad by definition.”
It seems rare that a series possesses such a fantastic story in addition to a brilliant cast of characters. It always makes me cringe when books are constantly being compared to Harry Potter, but the friendship dynamic in Lockwood & Co. is certainly comparable. Of course, it also has that Ghostbusters/X-Files angle that sets it apart. Lockwood himself is quite the complex character with a growing death wish that comes to a peak in this final story. His dark backstory gets dealt out in small servings involving a sister that was ghost-touched at a young age and parents that both died under mysterious circumstances. We see all this through the eyes of Lucy and while the two have been developing an almost reluctant romance since the start of the series, it deserves mention that it never overwhelms the story itself or any of the supporting characters. I originally picked this series up because of my love for a good ghost story and while I’m not often scared by them these days, Stroud still manages to include lines that’ll leave tingles down your spine.
“Her jagged mouth opened in welcome; she was like a deep-sea fish swallowing her prey. As she hugged him close, blue veins of ice ran swiftly down his skin. [Name omitted] limbs jerked and thrashed; he tried to speak, but could only make a gargling sound as he was drawn back into the dark.”
Being that this is the series finale, there’s always the issue with wrapping up all loose ends. What happened to Lockwood’s parents? What caused the rampant increase in hauntings in recent years? How has Marissa Fitts managed to retain her youth for so long? Who is the skull in the jar and what will become of him? And of course, what will become of Lockwood & Co.? I’m notoriously displeased with the majority of series endings but I’m so relieved that this wasn’t the case with The Empty Grave since I’ve been a diehard fan from the very beginning. It retained the perfect balance of creepy and humor (with help in that department from Skull) and resolved unanswered questions without giving it that “and they all lived happily ever after” type of ending that I so dislike. I started Ominous October back in 2014 and The Screaming Staircase was one of the first books I posted about. It’s always heartbreaking to see an amazing story come to an end but I was so pleased to see these fantastic characters get the story they deserve. Lockwood, Lucy, George, Holly, and even Kipps… but I’ll still miss Skull the most.
“These spirits are a bit showy,” the skull said. “All that hooting and cackling. You don’t see me doing that. I ask you, where’s the class?”
Set against a future of marauding space scavengers and deadly aliens who kill with sound, here is a frightening, fast-paced YA adventure from the author of the acclaimed horror novel, Shutter.
Tuck has been in stasis on the USS John Muir, a ship that houses Earth’s most valued artifacts—its natural resources. Parks and mountains are preserved in space.
Laura belongs to a shipraiding family, who are funded by a group used to getting what they want. And they want what’s on the Muir.
Tuck and Laura didn’t bargain on working together, or battling mutant aliens who use sound to kill. But their plan is the only hope for their crews, their families, and themselves.
In space, nobody can hear you scream . . . but on the John Muir, the screams are the last thing you'll hear.
About Courtney Alameda
A veteran bookseller and librarian, Courtney Alameda now spends her days writing thriller and horror novels for young people. Her debut novel, SHUTTER, was nominated for a Bram Stoker award and hailed as a "standout in the genre" by School Library Journal. Her forthcoming novel, PITCH DARK (Spring 2017), is a genre-blending science fiction/horror novel in the vein of Ridley Scott's 1979 film ALIEN.
Courtney holds a B.A. in English literature with an emphasis in creative writing. She is represented by the talented John M. Cusick of Folio Literary. A Northern California native, she now resides in Utah with her husband, a legion of books, and a tiny five pound cat with a giant personality.
I really enjoyed Alameda’s debut Shutter (the story was great, even if it didn’t scare me. I’m starting to realize that’s seemingly impossible.) and am all about deadly aliens that kill with sound. I also see that Alameda made another successful offering to the cover gods because dayum, that’s awesome.
A fascinating, beautifully illustrated guide to the monsters that are part of our collective psyche, from the host of the hit podcast Lore, soon to be an online streaming series.
They live in shadows--deep in the forest, late in the night, in the dark recesses of our minds. They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. Yet no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them: werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.
In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, exploring not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. He delves into harrowing accounts of cannibalism--some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where seances take place, the European villages where gremlins make mischief, even Key West, Florida, home of a haunted doll named Robert.
In a world of "emotional vampires" and "zombie malls," the monsters of folklore have become both a part of our language and a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore.
Praise for the Lore podcast
"Truth can often be much scarier than fiction--something Mahnke proves as he dives deep into the world of folklore and the darker side of history in a quest to root out the fragment of truth at the bottom of our fears." --Entertainment Weekly
"Unlike so much horror that needs over-the-top viscera to scare you, this podcast leans on history--folklore, myth, the stuff people once thought was true--to tell its tales." --The Atlantic
"Narrated by Mahnke in a style that evokes spooky campfire stories, Lore is a history lesson like no other."--Esquire
About Aaron Mahnke
Aaron Mahnke is the creator, producer, and host of the hit podcast Lore (Best of iTunes 2015 & 2016), Executive Producer of the Lore television show on Amazon (from the producers of The Walking Dead), and author of The World of Lore book series (Penguin Random House / Del Rey).
Born and raised in Illinois, Aaron now lives with his wife and children on the historic North Shore of Boston, where he writes and records full-time.
Never before on audio! A #1 national bestseller about a man who wakes up from a five-year coma able to see people’s futures and the terrible fate awaiting mankind in The Dead Zone—a “compulsive page-turner” (The Atlanta Journal-Constitution).
Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people’s futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancé married another man during his coma and people clamor for him to solve their problems.
When Johnny has a disturbing vision after he shakes the hand of an ambitious and amoral politician, he must decide if he should take drastic action to change the future. The Dead Zone is a “faultlessly paced…continuously engrossing” (Los Angeles Times) novel of second sight.
*First published in 1979, this is my first time reading The Dead Zone. Better late than never.
Johnny Smith has lived with physic abilities his entire life but it isn’t until the car accident in his 20s that they become an undeniable ability. He lay in a coma before waking to discover that his girlfriend at the time is now married, that he’s lost four years of his life, and that he now possesses the ability to witness the future of any individual (and sometimes even objects) he touches. Sometimes the future he sees is only a few minutes ahead of the present time but sometimes it’s years ahead. The truth of his abilities are revealed to the public after the highly publicized account of him waking after a four-year coma, and the limelight changes his life irrevocably. He sequesters himself from the public after the demands for his assistance in finding lost loved ones/missing persons, despite his mother, Vera Smith, and her insistence that he was brought back “to do God’s work.” When news of a high-profile serial killer hits his radar, he begins to feel morally obligated to at least try to help. And when he shakes the hand of an up and coming politician and foresees not just his future but the future of the human race, Johnny has to decide what is “right” and if he’s now duty-bound to changing the future so it never becomes our present.
“We all do what we can, and it has to be good enough, and if it isn’t good enough, it has to do.”
First published in 1979, The Dead Zone ended up being far more relevant to today’s time than I ever would have predicted. The future of the dirty politician that Johnny foresaw is a man by the name of Greg Stillson who started off as a nobody yet rose up in the ranks and quickly became the popular vote for the next President of the United States. His political platform and personal style were aimed towards the working class and he was prided on his honesty but had a definite lack of tact. He completely lacks any political knowledge, has big plans for America (albeit most of them beyond ludicrous), and is a devoutly religious man. Stillson is first introduced almost as a caricature of a real villain, someone that can’t possibly be taken seriously, but you slowly realize his influence on the vast population is something that cannot be brushed off as having little consequence. The ludicrousness didn’t last long after realization dawned. As I said… most relevant, right?
The Dead Zone is many stories in one. The beginning is a long drawn out section detailing Johnny’s recuperation in the hospital and the subsequent surgeries that were required for him to ever be able to walk again. Once he’s back on his feet, literally, the story switches focus to catching the serial killer, and you begin to think that that’s the plot except that story finds resolution and hundreds of pages remain. It came off slightly clunky, almost like we were being left out on parts of Johnny’s life that weren’t interesting enough for the page, but at least in this instance, James Franco’s narration gives these characters life. His acting skills are on full display to helpfully differentiate the characters, making Johnny a mellow smooth-talker, and giving Stillson a villainous voice that accurately matches his vile actions. Despite the definite lack of any type of horror (unless you count the potentially horrific reality of it all) and the obvious backpedaling done on that ending, The Dead Zone ended up being a vastly different King than I’ve come to expect but was still no doubt a thrilling story.
A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative, #1 New York Times bestselling author of The Fireman, Joe Hill
“Snapshot” is the disturbing story of a Silicon Valley adolescent who finds himself threatened by “The Phoenician,” a tattooed thug who possesses a Polaroid Instant Camera that erases memories, snap by snap.
A young man takes to the skies to experience his first parachute jump. . . and winds up a castaway on an impossibly solid cloud, a Prospero’s island of roiling vapor that seems animated by a mind of its own in “Aloft.”
On a seemingly ordinary day in Boulder, Colorado, the clouds open up in a downpour of nails—splinters of bright crystal that shred the skin of anyone not safely under cover. “Rain” explores this escalating apocalyptic event, as the deluge of nails spreads out across the country and around the world.
In “Loaded,” a mall security guard in a coastal Florida town courageously stops a mass shooting and becomes a hero to the modern gun rights movement. But under the glare of the spotlights, his story begins to unravel, taking his sanity with it. When an out-of-control summer blaze approaches the town, he will reach for the gun again and embark on one last day of reckoning.
About Joe Hill
Joe Hill's debut, Heart-Shaped Box, won the Bram Stoker Award for Best First Novel. His second, Horns, was made into a film freakfest starring Daniel Radcliffe. His other novels include NOS4A2, and his #1 New York Times Best-Seller, The Fireman... which was also the winner of a 2016 Goodreads Choice Award for Best Horror Novel.
He also writes short stories. Some of them were gathered together in his prize-winning collection, 20th Century Ghosts.
He was awarded the Eisner Award for Best Writer for his long running comic book series, Locke & Key, co-created with illustrator and art wizard Gabriel Rodriguez.
He lives in New Hampshire with a corgi named McMurtry after a certain beloved writer of cowboy tales. His next book, Strange Weather, a collection of novellas, is due in fall of 2017.
Why is everyone talking about the ending of Sarah Pinborough's Behind Her Eyes?
Louise is a single mom, a secretary, stuck in a modern-day rut. On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.
When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.
And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?
As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.
‘Questions, question, question. It seems that ever since David and Adele came into my life I’ve been filled with questions. They’re like weeds in water. Every time I think I can swim away another one tangles around my legs to drag me back down.’
Everything about this story and its summary scream “typical suburban drama” but Behind Her Eyes is far from anything you’ve ever read, I can assure you. Sure, Louise is a single mom who meets a man in a bar. They share a kiss, but nothing more. When she gets to work on Monday to meet her new boss, David, it ends up being the man from the bar… who is married. Desperate to make everything less awkward, they both admit to it being a vast mistake in an attempt to make sure it’s never brought up again. But when Louise makes a new friend named Adele who ends up being David’s wife, Louise’s life becomes vastly complicated.
The present-day story progresses as David and Adele’s past unfolds which further complicates matters. It’s constantly alluded to that David is overly protective of Adele, that he keeps her literally locked inside their house, that he limits her access to her own personal finances, and that their relationship is far from anything healthy. Adele involves Louise in her personal drama but leaves vital pieces of the puzzle out in a desperate attempt to earn Louise’s empathy. But to what end?
Here’s where things get dicey and where I understand the negative opinions of many even though mine differ. The whole initial setup of this story appears very formulaic, establishing some preconceived notions of where the plot could possibly go. The massive emphasis by Flatiron Books Marketing team on the twist at the end is worthy because it’s one that absolutely no one could have seen coming. It didn’t come out of left field, so to speak, it wasn’t even playing on the same field. No, this twist is practically conjured out of thin air and while this would normally leave me feeling cheated (again, based on all those established preconceived notions) it was such an extremely bizarre and outlandish approach to transforming the a-typical suburban drama into something different that I really couldn’t help but love it. Pinborough never fails to surprise me.
It's Halloween, and life is grim for twenty-three-year-old Dimitri Petrov. It's the one-year anniversary of his parents' deaths, he's stuck on page one thousand of his Rasputin zombie novel, and he makes his living writing obituaries.
But things turn from bleak to terrifying when Dimitri is assigned to cover a seance at the reputedly haunted Aspinwall Mansion. There, Dimitri meets Lisa, a punk-rock drummer he falls hard for. But just as he's about to ask her out, he unwittingly unleashes malevolent forces, throwing him into a deadly mystery. He wakes up in the morgue -- icy cold and haunted by a cryptic warning given by a tantalizing female spirit.
As town residents begin to turn up gruesomely murdered, Dimitri must unravel the connections among his family, the Aspinwall Mansion, and the secrets held in a pair of crumbling antiquarian books. If he doesn't, it's quite possible Lisa will be the next victim.
“Two weeks. Everything you love, own, and cherish, can be gone, liquidated, and lost forever in two weeks. Give or take a day.”
Dimitri Petrov is a would-be novelist and current obituary writer for an irrelevant newspaper. He gets tasked last minute with covering a séance at a local haunted house on Halloween (of course), he meets his dream girl, and there’s a lot of awkward conversation where he manages to win her over… somehow. But his life admittedly goes a bit downhill from there when he manages to fall through the floor, wakes up in the actual morgue, and finds that he has a new ghostly friend he dubs Poe that won’t leave him alone. Add in the mystery behind the haunted house, the strange family history of his new girlfriend, the truth behind the tragic deaths of Dimitri’s own parents, some curious ancient books that seem to possess powers, and a spleen-eating serial killer and you’ve got the plot of Poe. All in just over 300 pages.
“I have watched enough cheesy detective television shows in my young life to know that when one is presented with an inexplicable mystery, the first order of business (after procuring good donuts and coffee—check) is to create a wall of clues with photos of suspects and article clippings, preferably in an artistic yet seemingly random fashion.”
In the beginning, this story was entertaining, fast-paced, and fun, but just as it started out fine for Dimitri, unfortunately, the book went downhill as well. The characters themselves were never fully formed except for Dimitri who was the stories requisite guy who found humor and sarcasm in anything and everything (and reminded me a lot of the guy in The Last Days of Jack Sparks.) The mysteries were excessive and mildly convoluted, yes, however the horror elements brought about some very well-written pieces of terror. The descriptions were on point and were enough to churn even the hardest of stomachs. The biggest issue I had was how the author chose to focus more on the cutesy relationship aspects in a plot that didn’t require anything of the sort. Adding a romance factor certainly helps to appeal to a wider audience but it just didn’t work for me.
Having already read Fenn’s sophomore novel, Dead Souls, I can see how far she’s come with her plotting and characterization(Dead Souls is absolutely incredible — read it). Her debut may not have been my favorite but she’s definitely fallen onto my radar on authors to watch out for.
In this garden grow luscious flowers, shady trees…and a collection of precious “butterflies”—young women who have been kidnapped and intricately tattooed to resemble their namesakes. Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.
When the garden is discovered, a survivor is brought in for questioning. FBI agents Victor Hanoverian and Brandon Eddison are tasked with piecing together one of the most stomach-churning cases of their careers. But the girl, known only as Maya, proves to be a puzzle herself.
As her story twists and turns, slowly shedding light on life in the Butterfly Garden, Maya reveals old grudges, new saviors, and horrific tales of a man who’d go to any length to hold beauty captive. But the more she shares, the more the agents have to wonder what she’s still hiding.…
“Some people stay broken. Some pick up the pieces and put them back together with all the sharp edges showing.”
FBI agents Victor Hanoverian and Brandon Eddison are put in charge of interviewing a kidnap survivor that goes by the name of Maya who was recently rescued. According to her, she was one of many “butterflies” who lived in a garden. They were all girls who over the years had been kidnapped and brought to the garden by a man only known as The Gardener. He tattoos beautiful wings on their backs, renames them, rapes them, and cares for them until their expiration date of 21-years-old at which point The Gardener would kill them and preserve them in resin such as one does with perfect specimens. The Butterfly Garden switches back and forth between past and present and unveils the ordeals of the years that Maya spent behind the walls of the garden.
First off, yes, this is some sick and twisted sounding shit but whatever, I’m weird. Considering The Collector is one of my all-time favorite books, this story was immediately appealing to me and there were vast similarities. The kidnapped girl(s), the obsession with preserving butterflies (actual butterflies though), and the acclimating the victim(s) to transform their abnormal environment into something normal. Where The Collector was straight forward and quietly disturbing, The Butterfly Garden worked very hard at establishing the belief that we were working with an unreliable narrator and that there was clearly a big twist to anticipate. This was a most unsettling read and the author never flinches away from describing the brutality the girls were forced to suffer through. Also written well (and equally unsettling) was the mentality of The Gardener and how effortlessly he was able to convince himself that he was doing what was right for these girls by taking them in and caring for them.
I did have some serious issues with the technicalities of The Gardener’s whole operation that I’m sure could be easily overlooked with a little suspension of disbelief but sometimes I just can’t be that kind of reader. I’ll add in spoiler tags just in case: View Spoiler »The garden itself was described as if they lived in a bio-dome (they were able to see the night sky but the rain never hits their faces) and they were able to see outside but no one could see in? Maya would often go to caves and climb some hill… this place is clearly massive. I don’t care how rich The Gardener was, I feel like this isn’t something that could have been hidden easily. But the girls themselves was what really disturbed me… I can understand the mentality of being in a situation like theirs and not wanting to upset your captor to make a bad situation worse, but if there are twenty of you, I feel like you could band together and beat the ever living shit out of him. But no, they pretend like everything is okay, they put on performances for him, and it was all just mildly sickening. Plus the whole thing with allowing his sons to come in and have free reign with the girls too… ugh. And where the fuck was his wife? And even if she couldn’t see into the garden, she had to of known something was up, right? « Hide Spoiler All in all, I had a lot of questions that didn’t come equipped with a whole lot of answers.
And then that ending.
I’M SO ANGRY. I don’t remember the last time I read such an immensely enthralling book that captivated me from page one, had me searching for extra time in the day just to read it, only to have it fall flatter than a fucking pancake at the end. I mean seriously, what even was that? Don’t market your book based on some hidden secret if all you’ve come up with is that. There’s apparently a second book too. No, thank you, please.
In this spectacular father-son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?
In a future so real and near it might be now, something happens when women go to sleep; they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place. The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain? Set in a small Appalachian town whose primary employer is a women’s prison
Sleeping Beauties is wildly provocative and gloriously absorbing.
About Owen King
I'm the author of the novel Double Feature and We're All In This Together: A Novella and Stories, co-editor (with John McNally) of the anthology Who Can Save Us Now, and co-author (with Mark Poirier) of the graphic novel Intro to Alien Invasion. My writing has appeared in publications such as Grantland, The Los Angeles Review of Books, Prairie Schooner, Subtropics, Lady Churchill's Rosebud Wristlet, and One Story. My next book, Sleeping Beauties, a novel co-authored with Stephen King, will be published by Scribner in 2017.
My wife is the beautiful and mysterious Kelly Braffet. She has written three wonderful books, but my personal favorite is Save Yourself.
Stephen King was born in Portland, Maine in 1947, the second son of Donald and Nellie Ruth Pillsbury King. He made his first professional short story sale in 1967 to Startling Mystery Stories. In the fall of 1973, he began teaching high school English classes at Hampden Academy, the public high school in Hampden, Maine. Writing in the evenings and on the weekends, he continued to produce short stories and to work on novels. In the spring of 1973, Doubleday & Co., accepted the novel Carrie for publication, providing him the means to leave teaching and write full-time. He has since published over 50 books and has become one of the world's most successful writers.
Stephen lives in Maine and Florida with his wife, novelist Tabitha King. They are regular contributors to a number of charities including many libraries and have been honored locally for their philanthropic activities.
A new standalone novel set in the same world as the USA Today bestseller The Girl With All The Gifts.
From the author of USA Today bestseller The Girl With All the Gifts, a terrifying new novel set in the same post-apocalyptic world.
Once upon a time, in a land blighted by terror, there was a very clever boy.
The people thought the boy could save them, so they opened their gates and sent him out into the world.
To where the monsters lived.
About M.R. Carey
Mike Carey was born in Liverpool in 1959. He worked as a teacher for fifteen years, before starting to write comics. When he started to receive regular commissions from DC Comics, he gave up the day job.
Since then, he has worked for both DC and Marvel Comics, writing storylines for some of the world's most iconic characters, including X-MEN, FANTASTIC FOUR, LUCIFER and HELLBLAZER. His original screenplay FROST FLOWERS is currently being filmed. Mike has also adapted Neil Gaiman's acclaimed NEVERWHERE into comics.
Somehow, Mike finds time amongst all of this to live with his wife and children in North London. You can read his blog at www.mikecarey.net
I raved about The Girl with All the Gifts but never expected anything more set in that world. The Boy on the Bridge is intended as a standalone story set in the same world and whether or not reading Girl before is a requirement or not remains to be seen. But color me intrigued.