Turns out that reading nothing but true crime isn't exactly conducive to modern dating--and one woman is going to have to learn how to give love a chance when she's used to suspecting the worst.
PhD candidate Phoebe Walsh has always been obsessed with true crime. She's even analyzing the genre in her dissertation--if she can manage to finish writing it. It's hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn't had a relationship with for years.
It doesn't help that she's low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he's clearly up to something). But it's not long before Phoebe realizes that Sam might be something much scarier--a genuinely nice guy who can pierce her armor to reach her vulnerable heart.
About Alicia Thompson
Alicia Thompson is the author of the forthcoming romcom LOVE IN THE TIME OF SERIAL KILLERS (Berkley/2022). She has also written a YA novel, PSYCH MAJOR SYNDROME (Disney Hyperion/2009), and a four-book middle-grade series co-authored with Dominique Moceanu (Disney Hyperion/2012). She lives in Riverview, FL with her husband and two kids.
A powerful collection of stories about women who murdered—for revenge, for love, and even for pleasure—rife with historical details that will have any true crime junkie on the edge of their seat
In every tragic story, men are expected to be the killers. There are countless studies and works of art made about male violence. However, when women are featured in stories about murder, they are rarely portrayed as predators. They’re the prey. This common dynamic is one of the reasons that women are so enthralled by female murderers. They do the things that women aren’t supposed to do and live the lives that women aren’t supposed to want: lives that are impulsive and angry and messy and inconvenient. Maybe we feel bad about loving them, but we eat it up just the same. Residing squarely in the middle of a Venn diagram of feminism and true crime, She Kills Me tells the story of 40 women who murdered out of necessity, fear, revenge, and even for pleasure.
About Jennifer Wright
Jennifer Wright is an author and political editor-at-large for Harper's Bazaar.
Her pop history books include 'It Ended Badly: 13 of the Worst Break-Ups in History,' the Audible bestseller 'Get Well Soon: History's Worst Plagues and The Heroes That Fought Them,' and 'We Came First: Romantic Advice From Women Who Have Been There.'
Jennifer is also a frequent speaking guest and panel moderator for schools, museums, and networking events -- speaking on the subjects of how societies, past and present, address women's issues, reproductive rights, love, and of course, plagues.
Her work can be seen in places like The New York Times, The New York Post, The New York Observer, Time Out New York, and some other publications that don't have "New York" in the title.
While I’m clearly not the targeted reader for this novel, I love the occasional Middle Grade and I’m always up for anything by Levithan. This story felt like an ode to The Chronicles of Narnia but one that never really went anywhere and I just wanted more from this fun concept of a story.
Let’s Pretend This Never Happened remains one of my favorite books of all time, however, Broken was a massive disappointment. I’m not sure if Lawson’s sense of humor changed (or mine) but I found her antics to be far more preposterous than entertaining.
Astrid Sees All by Natalie Standiford | Published April 6th 2021 by Atria Books
This was recommended for fans of Fleabag and this couldn’t be further off base. I personally loved Fleabag because of the realness and how darkly comedic it is and honestly, this book didn’t possess a single funny bone in its pages. It was dreary and pretentious and none of the characters left any semblance of an impression on me.
I’ve developed a taste for short stories only recently, but flash fiction is something different entirely. There simply wasn’t enough substance in any of these snippets to keep me invested.
Migrations by Charlotte McConaghy | Published August 4th 2020 by Flatiron Books
Migrations is definitely your standard literary fare full of fanciful descriptions and an oftentimes hard-to-follow storyline that likes to bounce between the present day and flashbacks. I don’t think I was in the right mood to try this one (or if I honestly even possess a mood that is “right” for reading literary fiction.)
I got major I’ll Be Gone in the Dark vibes from this true crime tale, but I’m not sure I mean that as a compliment. There’s an exceptional amount of information regarding the investigation within these pages, however, once I discovered that this case was actually solved in 2018 it made me wonder why the story seemed to have been written as if this wasn’t knowledge the author possessed. I’m unclear when the author started writing this story, but I felt like at the very least an addendum could have been added prior to publication.
From Mark Bowden, a "master of narrative journalism" (New York Times), comes a true-crime collection both deeply chilling and impossible to put down.
Six captivating true-crime stories, spanning Mark Bowden's long and illustrious career, cover a variety of crimes complicated by extraordinary circumstances. Winner of a lifetime achievement award from International Thriller Writers, Bowden revisits in The Case of the Vanishing Blonde some of his most riveting stories and examines the effects of modern technology on the journalistic process.
From a story of a campus rape at the University of Pennsylvania in 1983 that unleashed a moral debate over the nature of consent when drinking and drugs are involved to three cold cases featuring the inimitable Long Island private detective Ken Brennan and a startling investigation that reveals a murderer within the LAPD's ranks, shielded for twenty six years by officers keen to protect one of their own, these stories are the work of a masterful narrative journalist at work. Gripping true crime from a writer the Washington Post calls "an old pro."
About Mark Bowden
Mark Robert Bowden (born July 17, 1951) is an American writer who is currently a contributing editor at Vanity Fair. Born in St. Louis, Missouri, and a 1973 graduate of Loyola College in Maryland, Bowden was a staff writer for The Philadelphia Inquirer from 1979-2003, and has won numerous awards. He has written for Men's Journal, The Atlantic Monthly, Sports Illustrated, and Rolling Stone over the years, and as a result of his book, Black Hawk Down: A Story of Modern War, Bowden's received international recognition. The book has been made into a 2001 movie, and was directed by Ridley Scott. He currently lives in Oxford, Pennsylvania.
The incredible true story of the decade-long quest to bring down Paul Le Roux—the creator of a frighteningly powerful Internet-enabled cartel who merged the ruthlessness of a drug lord with the technological savvy of a Silicon Valley entrepreneur
It all started as an online prescription drug network, supplying hundreds of millions of dollars' worth of painkillers to American customers. It would not stop there. Before long, the business had turned into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hitmen in the Philippines. Encryption programs so advanced that the government could not break them.
The man behind it all, pulling the strings from a laptop in Manila, was Paul Calder Le Roux—a reclusive programmer turned criminal genius who could only exist in the networked world of the twenty-first century, and the kind of self-made crime boss that American law enforcement had never imagined.
For half a decade, DEA agents played a global game of cat-and-mouse with Le Roux as he left terror and chaos in his wake. Each time they came close, he would slip away. It would take relentless investigative work, and a shocking betrayal from within his organization, to catch him. And when he was finally caught, the story turned again, as Le Roux struck a deal to bring down his own organization and the people he had once employed.
Award-winning investigative journalist Evan Ratliff spent four years piecing together this intricate puzzle, chasing LeRoux's empire and his shadowy henchmen around the world, conducting hundreds of interviews and uncovering thousands of documents. The result is a riveting, unprecedented account of a crime boss built by and for the digital age.
“As directors, we spend countless hours imagining heightened plots and memorable characters that will leave a lasting impression on audiences. The true tale of obsession, genius, intrigue, and vengeance detailed in The Mastermind is as gripping and cinematic as anything we could endeavor to conjure up.”—Joe and Anthony Russo, directors of Captain America: The Winter Soldier, Captain America: Civil War, and Avengers: Infinity War
About Evan Ratliff
Evan Ratliff is an award-winning journalist and the author of The Mastermind: Drugs, Empire, Murder, Betrayal, about the 21st century’s most ambitious criminal cartel and the programming genius behind it (coming in 2019 from Random House). The story is also being adapted into a television series by the Russo Brothers, Noah Hawley, and Skybound. His writing also appears in Wired, The New Yorker, and other magazines. Evan was previously the cofounder and editor in chief of Atavist and the The Atavist Magazine, acquired by Automattic in 2018. On the side, he cohosts the acclaimed Longform Podcast, and was the founding story editor of Pop-Up Magazine.
Short Summary: Darl Moody knows that he’s poaching when he sets out to go hunting late one night but he’s got many mouths to feed. The bullet he fires intended for an animal turns out to be none other than Carol Brewer who was also poaching on the same land, and instead of owning up to his mistake he buries the body and hopes that his terrifying brother Dwayne doesn’t ever connect the dots.
Thoughts: David Joy’s novels are impressively engaging and invoke the essence of the South in all the best (and terrible) ways
Verdict: The Line That Held Us was a riveting story of the reverberations of vengeance that was poignantly written. In his third novel, David Joy is clearly only getting better.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: I’ll Be Gone in the Dark is the posthumous culmination of Michelle McNamara’s research into the identity of the Golden State Killer, a man who committed at least 12 murders and more than 50 rapes.
Thoughts: The shining light of this true crime story is the passion and drive that McNamara possessed to uncover the mystery of a serial killer that haunted people for decades, and how heartbreaking it is that she wasn’t able to witness the day that he was finally found.
Verdict: Despite this being very obviously incomplete, I understand why the publication was so important. Did her research point directly to the killer? I would say no, however, the continued interest in the investigation clearly kept it alive when so many cases would have normally been forgotten, relegated to a basement alongside other cold cases.
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: A group of individuals set out on a scientific expedition to uncover the mysteries of an alien race but along the way, an alien presence makes itself known and the group is fighting for their lives while trying to figure out if this is the same alien presence that they sought.
Thoughts: This novella has an impressive concept but the wide cast of characters that went without proper development and the strange focus on the sex lives of these 9 individuals was needless and I would’ve much preferred more details on the mysterious alien race instead.
Verdict: Nightflyers is a very unsettling little read and I’m very much looking forward to the visual aspects of bringing this novella to life on the small screen.
Short Summary: When a new subway line connecting New Jersey and New York makes its inaugural journey, it arrives in the station to a crowd of spectators that watch in horror as they realize that the train is completely empty but there’s blood everywhere.
Thoughts: This one was a ton of fun and full of creepy moments but the shift in the second half where the story focused primarily on political drama/conspiracies instead was somewhat disappointing.
Verdict: With similarities to The Strain and the very script-like way this was written, this would be a most excellent tv show.
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Before Alexandria Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, she thinks her position is clear. The child of two lawyers, she is staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as she reviews old tapes―the moment she hears him speak of his crimes―she is overcome with the feeling of wanting him to die. Shocked by her reaction, she digs deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.
Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alexandria pores over the facts of the murder, she finds herself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, she is forced to face her own story, to unearth long-buried family secrets, and reckon with a past that colors her view of Ricky's crime.
But another surprise awaits: She wasn’t the only one who saw her life in Ricky’s.
An intellectual and emotional thriller that is also a different kind of murder mystery, The Fact Of a Body is a book not only about how the story of one crime was constructed―but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe―and the truth more complicated, and powerful, than we could ever imagine.
About Alexandria Marzano-Lesnevich
Alexandria Marzano-Lesnevich is the author of THE FACT OF A BODY: A Murder and a Memoir, which will be published by Flatiron Books (Macmillan) in May 2017. It is also forthcoming from publishers internationally. A National Endowment for the Arts fellow and Rona Jaffe Award recipient, she has twice been a fellow at both MacDowell and Yaddo. Her essays appear in The New York Times, Oxford American, Iowa Review, and many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She earned her JD at Harvard and now teaches at Grub Street and in the graduate public policy program at Harvard’s Kennedy School of Government.