I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.The Oxford Inheritance: A Novel by A.A. McDonald
Narrator: Nan McNamara
Published by HarperAudio on February 23rd 2016
Length: 12 hours and 47 minutes
Source: Library Thing
Amazon | Barnes & Noble | Book Depository | Audible
At prestigious Oxford University, an American student searches for the truth about her mother’s death in this eerie, suspenseful thriller that blends money, murder, and black magic.
You can’t keep it from her forever. She needs to know the truth.
Cassandra Blackwell arrives in Oxford with one mission: to uncover the truth about her mother’s dark past. Raised in America, with no idea that her mother had ever studied at the famed college, a mysterious package now sends her across the ocean, determined to unravel the secrets that her mother took to her grave. Plunged into the glamorous, secretive life of Raleigh College, Cassie finds a world like no other: a world of ancient tradition, privilege—and murder.
Beneath the hallowed halls of this storied university there is a mysterious force at work . . . A dark society that is shaping our world, and will stop at nothing to keep its grip on power. Cassie might be the only one who can stop them—but at what cost?
DNF @ 18% (and some scan-reading to see if I was missing out on anything)
‘All her work had finally come to fruition: the scheming and lies, the sacrifice and risk.’
Cassandra Blackwell is on a mission to discover the secret past about her mother after she died when Cassandra was just fourteen-years-old. Three years ago a mysterious letter arrives from Oxford addressed to her deceased mother: “You can’t hide the truth forever. Please come back and end this for good.” She quickly sets out to discover what the letter could mean but doesn’t uncover anything. She then spends the next three years of her life working to gain enough ground just to gain acceptance at Raleigh College at Oxford in hopes of discovering more information from the inside. It’s her Junior year abroad and she’s finally done it.
Her mother was a terrible human being who was constantly exploding into fits of rage and accusing Cassandra of being the reason she didn’t become a great poet because she got pregnant with her at twenty. She rehashes all the times she had to lock herself in the bathroom to escape her wrath until she had managed to calm down. She inevitably committed suicide and Cassandra ended up in foster care until she was sixteen at which point she chose to live off the grid. A random letter shows up years later and suddenly she decides she needs to show she’s smart so she can get into a college in England just so she can research her mother. Maybe this all seems trivial but I didn’t buy this plot at all and considering it’s the foundation of the entire mystery, I decided to call it quits.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.Bright Air Black: A Novel by David Vann
Published by Grove Press on March 7th 2017
Genres: Historical Fiction, Greek Mythology
Amazon | Barnes & Noble | Book Depository
Following the success of Aquarium which was a New York Times Editor’s Choice and garnered numerous rave reviews, David Vann transports us to 13th century B.C. to give a nuanced and electric portrait of the life of one of ancient mythology’s most fascinating and notorious women, Medea.
In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis—where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise.
Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts and the most intimate and corporal version of Medea’s story ever told.
DNF @ 7%
Considering Medea was one of my all-time favorite reads from my Ancient and Medieval Cultures class in college, I had high hopes for this one. Alas, it didn’t pan out. Bright Air Black is set before Medea and Jason have children but after Jason has secured the Golden Fleece. Medea’s father, King Aeëtes, is in pursuit of them and in an attempt to slow him down Medea sacrifices her brother, dismembers him, and tosses pieces of him overboard knowing that her father will stop to collect each and every piece.
The writing is both difficult to read and impossible to put down due to the long-winded narrative style. The chapters are few and far between as well as any actual dialogue making this a monotonous yet grotesque read. At times it was like Hannibal meets mythology.
‘Medea takes a piece of her brother, a thigh, heavy and tough, muscled, and licks blood from it, dark and thick. She spits, licks and spits again and again, three times to atone. Mouth filled with the taste of her family’s blood, and she throws this piece of Helios into the waves.’
Then after she threw the thigh overboard and her father has recovered it:
‘Her brother gone. She misses him there, far away, in his father’s arms, and yet most of him is here. She kneels in him still.’
Then there was a scene of a man leaning overboard to take a shit and Medea describes how it fouls the air due to lack of wind. I’m sure she ran out of body parts to toss overboard and the men wouldn’t spend the entire book shitting over the side of the boat, but there just wasn’t enough to captivate me in this retelling of one of my favorite Greek myths.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.The Burning World by Isaac Marion
Series: Warm Bodies #2
Published by Atria/Emily Bestler Books on February 7th 2017
Genres: Dystopian/Post-Apocalyptic, Zombies
Amazon | Barnes & Noble | Book Depository | Audible
Also by this author: Warm Bodies
R is recovering from death.
He’s learning how to breathe, how to speak, how to be human, one clumsy step at a time. He doesn’t remember his old life and he doesn’t want to. He’s building a new one with Julie.
But his old life remembers him. The plague has another host far more dangerous than the Dead. It’s coming to return the world to the good old days of stability and control and the strong eating the weak, and stopping it will require a frightening journey into the surreal wastelands of America—and the shadowy basement of R’s mind.
DNF @ 13%
I had been heading towards a slump so that may be part of the reason for my complete intolerance and unwillingness to give this a chance, but this just did not work for me. Warm Bodies was an original (and slightly disturbing) tale of a zombie falling in love with a human, subsequently regaining his humanity in the process. It was a moving and touching novel in the unlikeliest of genres. The New Hunger was even more fantastic, well written, and it made me more excited than I had been for The Burning World to release. But before I had even hit double digits in progress, I was already ready to call it quits. This section was at 7%:
‘Her irises are the usual metallic gray, but as I stare into them, they flicker. A brief glint, like a flake of gold in the sand of a deep river.’
Very pretty words. Marion can definitely string some adjectives and metaphors together but then he had to go and mess it all up.
“What is it?” Julie asks in an awed whisper.
“I have no idea. I’ve never had less idea about anything. We’ve been calling it ‘the Gleam.’ Every once in a while it just… happens, and the Dead get a little less dead.”
And that is all we get by way of explanation.
It was just such a lame and half-assed attempt at explaining the whole plot point. The dead coming back to life after being zombies, being dead… and you give it some fancy capitalized name and that’s supposed to be sufficient? Sorry, but that just doesn’t work for me. I continued reading up to 13% where the settlement is attacked by a rival settlement and it officially became just like all other post-apocalyptic/zombie tales that I’ve already read at least half a dozen times. Does it switch it up somehow and become original and memorable again? Maybe. The introduction into this unexpected sequel was so lackluster that it wasn’t interesting enough for me to stick around to find out.