Narrator: Bernadette Dunne, Bob Walter, Robbie Daymond
Series: MaddAddam Trilogy #3
Published by Random House Audio on September 3rd 2013
Length: 13 hrs and 23 mins
Genres: Dystopian/Post-Apocalyptic, Sci-fi
Also by this author: Oryx and Crake, The Year of the Flood, The Handmaid's Tale
A man-made plague has swept the earth, but a small group survives, along with the green-eyed Crakers – a gentle species bio-engineered to replace humans. Toby, onetime member of the Gods Gardeners and expert in mushrooms and bees, is still in love with street-smart Zeb, who has an interesting past. The Crakers’ reluctant prophet, Snowman-the-Jimmy, is hallucinating; Amanda is in shock from a Painballer attack; and Ivory Bill yearns for the provocative Swift Fox, who is flirting with Zeb. Meanwhile, giant Pigoons and malevolent Painballers threaten to attack.
Told with wit, dizzying imagination, and dark humour, Booker Prize-winning Margaret Atwood’s unpredictable, chilling and hilarious MaddAddam takes us further into a challenging dystopian world and holds up a skewed mirror to our own possible future.
MaddAddam is the long-awaited conclusion to the trilogy which began with Oryx and Crake. It’s the story of Crake, a man who played God and developed a plague to wipe out the human race in order to usher forth a new, more advanced species called the Crakers. The MaddAddam introduction shows the few surviving humans converging with the Crakers in hopes that their combined efforts can ensure their survival in the harsh and ravaged world they are left with after the plague. In MaddAddam, it’s slow going but the Earth is on point to regenerate itself with an increase in thunderstorms and the growth of plants to help sustain their diets. Animals are even adapting to life among their genetically modified cousins, the rakunks, liobams, wolvogs and pigoons. The surviving humans are a combination of geneticists and environmentalists and we’re given several, separate stories that end up all integrating and explaining their roles from the beginning of the plague.
“There’s the story, then there’s the real story, then there’s the story of how the story came to be told. Then there’s what you leave out of the story. Which is part of the story too.”
MaddAddam is primarily told from the point of view of Toby, as it was in The Year of the Flood, however we receive much back-story about Zeb. Toby spends much time telling the story of Zeb to the Crakers, who have developed a strange fascination with Zeb. Much is left out and is transformed into a myth of sorts for them, just like the stories that Jimmy used to tell them.
Considering this is the final installment in a trilogy, I was personally expecting more of an engaging ending. It’s a slow-build of an ending and doesn’t exactly amount to much, but I believe that to be due to the way it was written. Most of the current happenings are told after the fact or retold in the form of a story rather than a step-by-step accounting of occurrences. We finally get all of our lingering questions answered regarding what led up to the plague being released on the world and how each character came to be where they are now in the story. While this managed to make it slightly less satisfying it was no less compelling. The MaddAddam trilogy is a unique interpretation of a dystopian world that is not only brilliantly imaginative but is shockingly possible.