I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

An elegant, page-turning thriller in the vein of Night Film and Crooked Letter, Crooked Letter, this tautly crafted novel is about stories: the ones we tell, the ones we keep hidden, and the ones that we’ll do anything to ensure they stay buried.

When literary agent Peter Katz receives a partial book submission entitled The Book of Mirrors, he is intrigued by its promise and original voice. The author, Richard Flynn, has written a memoir about his time as an English student at Princeton in the late 1980s, documenting his relationship with the protégée of the famous Professor Joseph Wieder. One night just before Christmas 1987, Wieder was brutally murdered in his home. The case was never solved. Now, twenty-five years later, Katz suspects that Richard Flynn is either using his book to confess to the murder, or to finally reveal who committed the violent crime.

But the manuscript ends abruptly—and its author is dying in the hospital with the missing pages nowhere to be found. Hell-bent on getting to the bottom of the story, Katz hires investigative journalist John Keller to research the murder and reconstruct the events for a true crime version of the memoir. Keller tracks down several of the mysterious key players, including retired police detective Roy Freeman, one of the original investigators assigned to the murder case, but he has just been diagnosed with early-onset Alzheimer’s. Inspired by John Keller’s investigation, he decides to try and solve the case once and for all, before he starts losing control of his mind. A trip to the Potosi Correctional Centre in Missouri, several interviews, and some ingenious police work finally lead him to a truth that has been buried for over two decades...or has it?
Stylishly plotted, elegantly written, and packed with thrilling suspense until the final page, The Book of Mirrors is a book within a book like you’ve never read before.

‘They’d all been wrong and had seen nothing but their own obsessions in the windows they’d tried to gaze through, which, in fact, turned out to have been mirrors all along.’

When Peter Katz receives a compelling partial manuscript, he contacts the author immediately in hopes of receiving the end of the story only to find out that he’s been hospitalized from complications due to lung cancer. He dies days later but Peter is unable to leave the story be because the story involves an individual by the name of Joseph Wieder who was murdered in real-life and he feels the story possesses the echoes of truth. Could this story possibly be the puzzle piece that ends up solving this unsolved crime? When Peter hires investigative journalist John Keller to look for the missing manuscript, he comes up empty. Diving back into the past and interviewing individuals who knew Joseph Wieder in an attempt to decipher whether the manuscript was truthful or not proves to be difficult. Who remembers details from decades later? So were the police correct at the time of the crime, is the manuscript correct, or is the truth still waiting to be uncovered?

The Book of Mirrors is a book within a book. The first part of this novel we’re introduced to Peter Katz, and we get to read the exact manuscript that he did. We become acquainted with Richard Flynn (the author of the manuscript) and Laura Baines. Both are students at Princeton and both are acquainted with Joseph Wieder. We learn of the mystery behind Wieder, a brilliant psychology, and of the secret experiments that he was conducting on individuals minds. Whether or not the experiments were what inevitably caused his death or not, it would have been interesting to learn more about them, but rather the story seems to only wish to paint Wieder as something of a mad scientist. The second part of the story is told from the point of view of John Keller, the investigative journalist. And the third and final part is told from the point of view of retired police detective Roy Freeman, the original investigator of the Wieder murder. The separate points of view would have given the story dimension but the voices themselves detract from this objective since they all, unfortunately, sound the same.

Comparisons to Night Film are way off. The story is a slow-paced mystery but the lack of urgency is simply due to the fact that there wasn’t a need for it: the crime was almost three decades old and almost everyone that could have possibly been involved is deceased. This certainly takes away any heightened intensity that a typical detective thriller may have but doesn’t take away from the interest in discovering the truth. Unreliable statements, secrets, and flawed memories will keep the reader speculating but could also have the effect of causing irritation at a continued lack of progress in the investigation. While the resolution is plausible, it was wrapped up a little too flawlessly for my liking.

I received this book free from Library, Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.

In her sweeping debut novel, Elizabeth J. Church takes us from the World War II years in Chicago to the vast sun-parched canyons of New Mexico in the 1970s as we follow the journey of a driven, spirited young woman, Meridian Wallace, whose scientific ambitions are subverted by the expectations of her era.

In 1941, at seventeen years old, Meridian begins her ornithology studies at the University of Chicago. She is soon drawn to Alden Whetstone, a brilliant, complicated physics professor who opens her eyes to the fundamentals and poetry of his field, the beauty of motion, space and time, the delicate balance of force and energy that allows a bird to fly.

Entranced and in love, Meridian defers her own career path and follows Alden west to Los Alamos, where he is engaged in a secret government project (later known to be the atomic bomb). In married life, though, she feels lost and left behind. She channels her academic ambitions into studying a particular family of crows, whose free life and companionship are the very things that seem beyond her reach. There in her canyons, years later at the dawn of the 1970s, with counterculture youth filling the streets and protests against the war rupturing college campuses across the country, Meridian meets Clay, a young geologist and veteran of the Vietnam War, and together they seek ways to mend what the world has broken.

Exquisitely capturing the claustrophobic eras of 1940s and 1950s America, The Atomic Weight of Love also examines the changing roles of women during the decades that followed. And in Meridian Wallace we find an unforgettable heroine whose metamorphosis shows how the women’s movement opened up the world for a whole generation.

“We have to take flight. It’s not given to us, served up on a pretty, parsley-bordered platter. We have to take wing. Was I brave enough to do that? Or would I be content to remain earthbound?”

The Atomic Weight of Love spans the time during World War II and the years during the Vietnam War. In the 1940s, Meridian Wallace was a young woman ahead of her time who chose to study biology in hopes of one day becoming an ornithologist at the University of Chicago. She meets a brilliant physics professor, Alden Whetstone, who is twenty years older than her but challenges her intellectually. They fall in love, they get married, and she gives up her dreams (temporarily at first) to move to a community in Los Alamos, New Mexico to become an unhappy housewife where Alden is assisting with the Manhattan Project. As the years pass by, Meridian is forced to evaluate the decisions she’s made in life and her personal evolution.

“I would not open the door to hope, no matter how exquisite her feathers, how promising and sweet her song. I was done with hope.”

Atomic is a most poignant story with an appropriate narrative voice for the time period. The writing manages to be consistently crisp and never tedious despite the entire lifetime that is told within these pages. Meri’s continued sacrifices that she makes throughout her life are disheartening to see but her insistence on continuing to study the local crows is the focal point of this tale. The community that Meri and Alden reside in is a study in women during the wartime where they range between happy housewives to the women looking to break the mold and help out right alongside the men. Meri’s two loves, Alden and a younger man she meets late in life, are portrayed through a critical lens and while never overly romantic, the passion is still evident. Alden himself was written rather one-dimensionally and comes off as a despot, but I felt that this was once again a sign of the times and the expectations of a woman’s role comes into play and Meri’s inability to ever fit into that role.

Meridian had an ample and fulfilling life, finally finding the purpose she had always sought. It was a satisfying story of accomplishment and fruition but at the conclusion, I couldn’t help wishing for more for Meridian.

Rosemary and Rue by Seanan McGuire
Series: October Daye #1
Published by DAW on September 1st 2009
Pages: 368
Genres: Urban Fantasy
Format: eBook
Source: Library
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Also by this author: Indexing, A Local Habitation, Night and Silence

October "Toby" Daye, a changeling who is half human and half fae, has been an outsider from birth. After getting burned by both sides of her heritage, Toby has denied the Faerie world, retreating to a "normal" life. Unfortunately for her, the Faerie world has other ideas...

The murder of Countess Evening Winterrose pulls Toby back into the fae world. Unable to resist Evening's dying curse, which binds her to investigate, Toby must resume her former position as knight errant and renew old alliances. As she steps back into fae society, dealing with a cast of characters not entirely good or evil, she realizes that more than her own life will be forfeited if she cannot find Evening's killer.

“We have to burn brightly. We can’t burn forever.”

October “Toby” Daye is a changeling and after spending fourteen years living as a koi in a pond she’s back to trying to live a normal life working the night shift at a grocery store. Ha, honestly, I already love it. Toby has to solve the murder of a fae friend, her own life is on the line if she doesn’t, and Toby is such a badass. She’s a changeling, only half-fae, so she doesn’t possess quite the badassery that everyone else does but she really holds her own. The side characters are also surprisingly fantastic (Danny, the Bridge Troll taxi driver was my personal favorite next to Tybalt), I loved seeing all the various fae species (especially the rose goblins), and there’s clearly much to learn about Toby and her backstory which I’m super eager for. There’s a romance in this installment but it doesn’t consume the story and thank gawd because ew. But there’s another romance that we only get hints of and…

I’m totally kicking myself. I listened to Rosemary and Rue on audio in late 2011 and I gave it two stars because I was so fucking bored. I’m now chalking that up to the fact that I was brand new to audiobooks and didn’t really know what I was doing because I clearly wasn’t listening to this super interesting urban fantasy story with an awesome heroine. Or maybe the narrator was really bad? I have no idea, guys, but I’ve officially re-read it and while I only gave it 3 stars, it was an excited for the next installment 3 stars. (Which means I also need to give Moon Called another shot since I also listened to it around the same time and also didn’t like it.) Anyways, many, many thanks to Christina for being book pusher extraordinaire. I’m so glad I gave this one a second chance. 🙂