Of This River by Noah Davis | Published August 1st 2020 by Wheelbarrow Books
Of This River is an impressive debut collection of poetry with a distinct Appalachian theme. Noah Davis is one to watch.
This Time Next Year by Sophie Cousens | Published December 1st 2020 by G.P. Putnam’s Sons
An adorable story of missed chances that is full of convenient coincidences but will still manage to melt even the hardest of hearts.
Highway Blue by Ailsa McFarlane | Expected publication: May 18th 2021 by Hogarth Press
This book lacked a pulse. The plot seemed to meander despite the intriguing blurb, the characters were one-dimensional, and the ending only gave the guise of a resolution.
Love Your Life by Sophie Kinsella | Published October 27th 2020 by Dial Press
I think I quit this book faster than the main character’s date did after she started talking about butternut squash soup having a soul on their first date.
While I’m clearly not the targeted reader for this novel, I love the occasional Middle Grade and I’m always up for anything by Levithan. This story felt like an ode to The Chronicles of Narnia but one that never really went anywhere and I just wanted more from this fun concept of a story.
Let’s Pretend This Never Happened remains one of my favorite books of all time, however, Broken was a massive disappointment. I’m not sure if Lawson’s sense of humor changed (or mine) but I found her antics to be far more preposterous than entertaining.
Astrid Sees All by Natalie Standiford | Published April 6th 2021 by Atria Books
This was recommended for fans of Fleabag and this couldn’t be further off base. I personally loved Fleabag because of the realness and how darkly comedic it is and honestly, this book didn’t possess a single funny bone in its pages. It was dreary and pretentious and none of the characters left any semblance of an impression on me.
I’ve developed a taste for short stories only recently, but flash fiction is something different entirely. There simply wasn’t enough substance in any of these snippets to keep me invested.
Migrations by Charlotte McConaghy | Published August 4th 2020 by Flatiron Books
Migrations is definitely your standard literary fare full of fanciful descriptions and an oftentimes hard-to-follow storyline that likes to bounce between the present day and flashbacks. I don’t think I was in the right mood to try this one (or if I honestly even possess a mood that is “right” for reading literary fiction.)
I got major I’ll Be Gone in the Dark vibes from this true crime tale, but I’m not sure I mean that as a compliment. There’s an exceptional amount of information regarding the investigation within these pages, however, once I discovered that this case was actually solved in 2018 it made me wonder why the story seemed to have been written as if this wasn’t knowledge the author possessed. I’m unclear when the author started writing this story, but I felt like at the very least an addendum could have been added prior to publication.
Short Summary: The Bright brothers run a large area of land in the Australian outback with hours separating each but when one of the brothers dies under mysterious circumstances, his death brings everyone together to question whether he decided his own fate or if someone else was responsible.
Thoughts: I think I’m finally beginning to understand what makes Jane Harper’s books so special: the setting. The Australian outback is so vibrantly written it becomes something of a character itself. It sounds beautiful and ethereal but I’m not sure you could pay me to venture into that deadly terrain.
Verdict: Harper’s stories always read like a breath of fresh air and it’s rare I continue to stay on top of subsequent releases from any particular author but I’m always eager for more from her.
In a nutshell, GIF style:
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: Kate is moving in with her boyfriend, Scott, but when she shows up in her moving van he’s gone, the house completely empty except for his cell phone. Determined to find him, wanting to know why he’d do this, she starts looking through his phone but the things she finds have her questioning everything.
Thoughts: I wasn’t anticipating the supernatural aspects but it sure did make for a suspenseful, gotta keep flipping the pages to figure out what the heck is going on, and unsettling read.
Verdict: Honestly, I was loving how entertained I was by this one, but the ending was super bizarre and Arnopp went a bit overkill on the “technology is evil message”.
In a nutshell, GIF style:
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: To Be Taught, If Fortunate is a tiny but mighty science fiction story about humans discovering the ability to transform themselves to live on other worlds and about a crew exploring the galaxy learning everything they can to send back home.
Thoughts: Considering this novella was meant to be a letter sent to Earth from the crew, there sure was a lot of rambling and a complete lack of a sense of urgency, and lol if they included the parts about how everyone is sleeping with each other. Honestly, I’m not sure I got it.
Verdict: Becky Chambers is a fantastic writer and her extreme research is evident, unfortunately, this focuses heavily on the scientific aspects of everything (that can be quite confusing at times) and far less so on the characters or even a plot and thus just wasn’t my style.
In a nutshell, GIF style:
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: When Alice and her husband leave New York City to live in the suburbs, she immerses herself in piecing together the life of the woman who lived there before from an old cookbook that was left behind.
Thoughts: The story is told from the viewpoint of Alice in the present day and Nellie, a housewife from the 1950s, but the similarities the author attempted to draw between the two characters were fairly baseless.
Verdict: This story ended up being shockingly dark and while I love a good ambiguous ending, this one leaves you with far more questions and fewer answers.
In a nutshell, GIF style:
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
“Combines the spare poetry of The Road with the dizzying pace of 28 Days Later.” —Jennie Melamed, author Gather the Daughters“A riveting novel.” —Eowyn Ivey, bestselling author of The Snow Child
Remember your just-in-cases. Beware tall buildings. Always have your knives.
Raised in isolation by her mother and Maeve on a small island off the coast of a post-apocalyptic Ireland, Orpen’s life has revolved around training to fight a threat she’s never seen. More and more she feels the call of the mainland, and the prospect of finding other survivors.
But that is where danger lies, too, in the form of the flesh-eating menace known as the skrake.
Then disaster strikes. Alone, pushing an unconscious Maeve in a wheelbarrow, Orpen decides her last hope is abandoning the safety of the island and journeying across the country to reach the legendary banshees, the rumored all-female fighting force that battles the skrake.
But the skrake are not the only threat…
Sarah Davis-Goff's Last Ones Left Alive is a brilliantly original imagining of a young woman's journey to discover her true identity.
About Sarah Davis-Goff
Sarah Davis-Goff's writing has been published in the Irish Times, the Guardian and LitHub. Last Ones Left Alive is her debut novel. She was born and lives in Dublin.
Short Summary: Federal Agent Aaron Falk returns to his small hometown for the funeral of his childhood friend who is accused of murdering his family and then committing suicide, but this small town is full of terrible secrets and shocking surprises.
Thoughts: This mystery is one of the most impressive debuts that I’ve read in a very long time, intertwining a past vs. present story, a captivating writing style, and a tangled mystery that was most thrilling when all is revealed.
Verdict: Whether or not this needed to be the start of a series, Jane Harper impressed me so much I’ll be reading anything and everything she writes.
Short Summary: A camera that slowly eats your soul with each picture, a mall security guard is believed to have prevented a mass shooting, a man on his first skydiving adventure lands on a seemingly sentient cloud, and a sudden apocalyptic event in Boulder, Colorado causes the clouds to rain deadly nails.
Thoughts: Strange Weather is an indelible collection of four short stories about vastly different topics that relate in some way to weather but all leave you with that unsettled feeling that Hill is oh so good at.
Verdict: While this was an impressive collection, it wasn’t consistent and I hoped for a little more from certain tales; however, it is apparent that Hill is just as talented in short story form as he is in novels.
I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: Petra Dee won’t let a little thing like cancer stop her from finding her husband who she fears is lost to the darkness that lies under her town, but the Tree of Life is growing strong again and the power behind it won’t be stopped.
Thoughts: Petra’s perseverance to find her husband was admirable, but quitting chemo halfway through to go in search of him was fairly asinine and this installment, the weakest so far, could and should have been more about her search for Gabriel.
Verdict: I love this magical series and despite this weak installment, the cliffhanger means there are more installments to come and I’m still definitely on board for more Petra (and 100% more of her coyote side-kick Sig.)
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: After a nuclear war and a devastating pandemic, Lynn McBride and her family are surviving in the wilds of Canada, but secrets her parents kept hidden are suddenly seeing the light of day and those secrets endanger everyone.
Thoughts: This can easily be compared to all the big names: The Road, The Passage, Ashfall, etc. because despite my continued love for the genre, it’s been done to death; however, Johnson manages to still make this a worthwhile tale (especially with the added help of narrator Jayme Mattler).
Verdict: As a debut author, Johnson’s pick of genre may be overdone but his writing skills shine with possibility for future novels.
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Short Summary: Jazz Bashara is a full-time resident (and smuggler) of Artemis, the only city on the moon, but when she’s offered a sum of money that would solve all of her problems she accepts, the only problem is this job is completely out of her comfort zone and causes her more problems than she had before.
Thoughts: This story wouldn’t have been nearly as fantastic if it wasn’t narrated by Rosario Dawson who transformed this oftentimes comical heist on the moon into an actual performance.
Verdict: I loved The Martian and I loved Artemis so Andy Weir can just keep those entertaining Sci-Fi stories coming.
Short Summary: In an alternate universe where books are illegal to the public and the Library of Alexandria is still standing, a group of individuals train to enter into the service of the Library and realize that corruption reigns supreme from within.
Thoughts: Caine has created a fascinating alternate universe with hints of steampunk and while there seemed to be a little too much going on at times it was a captivating story with a full cast of characters and ends with a cliffhanger that leaves you no option but to continue.
Verdict: An intriguing first installment that gets the mild info-dumping necessary with any fantasy world out of the way in hopeful anticipation of a solid follow-up in Paper and Fire.
Short Summary: Everyone was presumed dead after the Atargatis was lost at sea, but a new crew is being assembled to go back to the Mariana Trench to search for the existence of mermaids, this time presumably taking better precautions.
Thoughts: Grant was a bit excessive with her use of prose and her oftentimes exhaustive detailing of characters; however, her much apparent research into marine biology was incredibly informative and the gory horror was a definite thrill.
Verdict: A good one for campy horror fans and science nerds alike, but there’s no denying this story is drowning in an unnecessary amount of pages.
Short Summary: Alice and her mother have spent their lives on the road, trying to evade Alice’s grandmother and the bad luck that shadows their every step, but when her mother is kidnapped and taken to the Hinterland (a supernatural world that her grandmother created in her fairy tales) Alice is forced to confront the fact that these fairy tales might be real.
Thoughts: The blend of dark fantasy/fairy tales in a contemporary world was so fascinating and Alice’s character is incredibly likable; however, the mystery (and the story itself) unraveled a bit at the end and wasn’t as coherent a closure as I would have liked.
Verdict: Interesting fairy tale world, solid opening, mediocre ending: still definitely worth a read.
Enter the players. There were seven of us then, seven bright young things with wide precious futures ahead of us. Until that year, we saw no further than the books in front of our faces.
On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.
Ten years ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But in their fourth and final year, the balance of power begins to shift, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.
Part coming-of-age story, part confession, If We Were Villains explores the magical and dangerous boundary between art and life. In this tale of loyalty and betrayal, madness and ecstasy, the players must choose what roles to play before the curtain falls.
DNF @ 10%
I overlooked the Shakespearean focus of this novel in favor of the comparisons to The Secret History. My mistake. Shakespeare has just never, and I’m resigned to believe will never, be my thing. The opening gives the reader a glimpse at the future, of one of the main characters being released for jail for an unknown crime, and it’s a hook that works. But then we’re introduced to seven characters: Richard, Meredith, Filippa, Alexander, Wren, James, and Oliver. Every single one of these characters, regardless of gender, all blended together without any helpful differentiation to keep track of who was who. The theater kid stereotypes were excessive in my opinion and you practically had to be a theater kid to understand and/or appreciate most of it.
“That was ruthless,” I said, sotto voce.
The author holds a Masters in Shakespeare studies so, being as far from a theater kid as one can get, I can only assume she knows what she’s talking about. Constantly quoting Shakespeare in conversation got old, fast, and by 10% I put on my hipster glasses and called it quits.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Two sensational unsolved crimes—one in the past, another in the present—are linked by one man’s memory and self-deception in this chilling novel of literary suspense from National Book Award finalist Dan Chaon.
“We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?
A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.
Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.
From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.
DNF @ 25%
Dan Chaon is one of those literary writers everyone raves about. Ill Will has received many spectacular reviews but I’ve realized that he has a style that is very eclectic and definitely isn’t for everyone and that unique writing style is what ultimately did me in. I understand the reason for writing it this way (bouncing between narrators and time) because it caused a sense of disorientation regarding the mystery already surrounding the crime (when Dustin was a teen, his mother, father, aunt, and uncle were murdered and he accused his adopted older brother). Not only did the story bounce rapidly between narrators and between time but often there were sentences left incomplete and particular chapters where text was written in columns and you had to flip back and forth between pages to finish the one column before starting the next which was very difficult on Kindle. I’m not sure if Chaon was going for some House of Leaves-esque formatting or what but it left me so confused in trying to figure out how to read it that I failed to get lost in the story itself.
I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
From the author of The Uninvited comes a haunting historical novel with a compelling mystery at its core. A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories, and reincarnation.
In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.
Seven-year-old Janie O’Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they’re no more than the product of the girl’s vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.
Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.
DNF @ 10%
I’d say that I simply picked this up at the wrong time, mood-wise, except I tried to read this book a handful of times on different occasions and never got past 10%. The pacing was the hardest for me because from the very beginning it’s a slow-build and simply didn’t grab my attention in that 10% enough that I felt the need to keep going. The main character, Alice, was also strangely distant and she never quite captured my interest. Cat Winters is typically a favorite of mine but this one just didn’t do it for me.
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Why is everyone talking about the ending of Sarah Pinborough's Behind Her Eyes?
Louise is a single mom, a secretary, stuck in a modern-day rut. On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.
When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.
And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?
As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.
‘Questions, question, question. It seems that ever since David and Adele came into my life I’ve been filled with questions. They’re like weeds in water. Every time I think I can swim away another one tangles around my legs to drag me back down.’
Everything about this story and its summary scream “typical suburban drama” but Behind Her Eyes is far from anything you’ve ever read, I can assure you. Sure, Louise is a single mom who meets a man in a bar. They share a kiss, but nothing more. When she gets to work on Monday to meet her new boss, David, it ends up being the man from the bar… who is married. Desperate to make everything less awkward, they both admit to it being a vast mistake in an attempt to make sure it’s never brought up again. But when Louise makes a new friend named Adele who ends up being David’s wife, Louise’s life becomes vastly complicated.
The present-day story progresses as David and Adele’s past unfolds which further complicates matters. It’s constantly alluded to that David is overly protective of Adele, that he keeps her literally locked inside their house, that he limits her access to her own personal finances, and that their relationship is far from anything healthy. Adele involves Louise in her personal drama but leaves vital pieces of the puzzle out in a desperate attempt to earn Louise’s empathy. But to what end?
Here’s where things get dicey and where I understand the negative opinions of many even though mine differ. The whole initial setup of this story appears very formulaic, establishing some preconceived notions of where the plot could possibly go. The massive emphasis by Flatiron Books Marketing team on the twist at the end is worthy because it’s one that absolutely no one could have seen coming. It didn’t come out of left field, so to speak, it wasn’t even playing on the same field. No, this twist is practically conjured out of thin air and while this would normally leave me feeling cheated (again, based on all those established preconceived notions) it was such an extremely bizarre and outlandish approach to transforming the a-typical suburban drama into something different that I really couldn’t help but love it. Pinborough never fails to surprise me.
It's Halloween, and life is grim for twenty-three-year-old Dimitri Petrov. It's the one-year anniversary of his parents' deaths, he's stuck on page one thousand of his Rasputin zombie novel, and he makes his living writing obituaries.
But things turn from bleak to terrifying when Dimitri is assigned to cover a seance at the reputedly haunted Aspinwall Mansion. There, Dimitri meets Lisa, a punk-rock drummer he falls hard for. But just as he's about to ask her out, he unwittingly unleashes malevolent forces, throwing him into a deadly mystery. He wakes up in the morgue -- icy cold and haunted by a cryptic warning given by a tantalizing female spirit.
As town residents begin to turn up gruesomely murdered, Dimitri must unravel the connections among his family, the Aspinwall Mansion, and the secrets held in a pair of crumbling antiquarian books. If he doesn't, it's quite possible Lisa will be the next victim.
“Two weeks. Everything you love, own, and cherish, can be gone, liquidated, and lost forever in two weeks. Give or take a day.”
Dimitri Petrov is a would-be novelist and current obituary writer for an irrelevant newspaper. He gets tasked last minute with covering a séance at a local haunted house on Halloween (of course), he meets his dream girl, and there’s a lot of awkward conversation where he manages to win her over… somehow. But his life admittedly goes a bit downhill from there when he manages to fall through the floor, wakes up in the actual morgue, and finds that he has a new ghostly friend he dubs Poe that won’t leave him alone. Add in the mystery behind the haunted house, the strange family history of his new girlfriend, the truth behind the tragic deaths of Dimitri’s own parents, some curious ancient books that seem to possess powers, and a spleen-eating serial killer and you’ve got the plot of Poe. All in just over 300 pages.
“I have watched enough cheesy detective television shows in my young life to know that when one is presented with an inexplicable mystery, the first order of business (after procuring good donuts and coffee—check) is to create a wall of clues with photos of suspects and article clippings, preferably in an artistic yet seemingly random fashion.”
In the beginning, this story was entertaining, fast-paced, and fun, but just as it started out fine for Dimitri, unfortunately, the book went downhill as well. The characters themselves were never fully formed except for Dimitri who was the stories requisite guy who found humor and sarcasm in anything and everything (and reminded me a lot of the guy in The Last Days of Jack Sparks.) The mysteries were excessive and mildly convoluted, yes, however the horror elements brought about some very well-written pieces of terror. The descriptions were on point and were enough to churn even the hardest of stomachs. The biggest issue I had was how the author chose to focus more on the cutesy relationship aspects in a plot that didn’t require anything of the sort. Adding a romance factor certainly helps to appeal to a wider audience but it just didn’t work for me.
Having already read Fenn’s sophomore novel, Dead Souls, I can see how far she’s come with her plotting and characterization(Dead Souls is absolutely incredible — read it). Her debut may not have been my favorite but she’s definitely fallen onto my radar on authors to watch out for.
In this garden grow luscious flowers, shady trees…and a collection of precious “butterflies”—young women who have been kidnapped and intricately tattooed to resemble their namesakes. Overseeing it all is the Gardener, a brutal, twisted man obsessed with capturing and preserving his lovely specimens.
When the garden is discovered, a survivor is brought in for questioning. FBI agents Victor Hanoverian and Brandon Eddison are tasked with piecing together one of the most stomach-churning cases of their careers. But the girl, known only as Maya, proves to be a puzzle herself.
As her story twists and turns, slowly shedding light on life in the Butterfly Garden, Maya reveals old grudges, new saviors, and horrific tales of a man who’d go to any length to hold beauty captive. But the more she shares, the more the agents have to wonder what she’s still hiding.…
“Some people stay broken. Some pick up the pieces and put them back together with all the sharp edges showing.”
FBI agents Victor Hanoverian and Brandon Eddison are put in charge of interviewing a kidnap survivor that goes by the name of Maya who was recently rescued. According to her, she was one of many “butterflies” who lived in a garden. They were all girls who over the years had been kidnapped and brought to the garden by a man only known as The Gardener. He tattoos beautiful wings on their backs, renames them, rapes them, and cares for them until their expiration date of 21-years-old at which point The Gardener would kill them and preserve them in resin such as one does with perfect specimens. The Butterfly Garden switches back and forth between past and present and unveils the ordeals of the years that Maya spent behind the walls of the garden.
First off, yes, this is some sick and twisted sounding shit but whatever, I’m weird. Considering The Collector is one of my all-time favorite books, this story was immediately appealing to me and there were vast similarities. The kidnapped girl(s), the obsession with preserving butterflies (actual butterflies though), and the acclimating the victim(s) to transform their abnormal environment into something normal. Where The Collector was straight forward and quietly disturbing, The Butterfly Garden worked very hard at establishing the belief that we were working with an unreliable narrator and that there was clearly a big twist to anticipate. This was a most unsettling read and the author never flinches away from describing the brutality the girls were forced to suffer through. Also written well (and equally unsettling) was the mentality of The Gardener and how effortlessly he was able to convince himself that he was doing what was right for these girls by taking them in and caring for them.
I did have some serious issues with the technicalities of The Gardener’s whole operation that I’m sure could be easily overlooked with a little suspension of disbelief but sometimes I just can’t be that kind of reader. I’ll add in spoiler tags just in case: View Spoiler »The garden itself was described as if they lived in a bio-dome (they were able to see the night sky but the rain never hits their faces) and they were able to see outside but no one could see in? Maya would often go to caves and climb some hill… this place is clearly massive. I don’t care how rich The Gardener was, I feel like this isn’t something that could have been hidden easily. But the girls themselves was what really disturbed me… I can understand the mentality of being in a situation like theirs and not wanting to upset your captor to make a bad situation worse, but if there are twenty of you, I feel like you could band together and beat the ever living shit out of him. But no, they pretend like everything is okay, they put on performances for him, and it was all just mildly sickening. Plus the whole thing with allowing his sons to come in and have free reign with the girls too… ugh. And where the fuck was his wife? And even if she couldn’t see into the garden, she had to of known something was up, right? « Hide Spoiler All in all, I had a lot of questions that didn’t come equipped with a whole lot of answers.
And then that ending.
I’M SO ANGRY. I don’t remember the last time I read such an immensely enthralling book that captivated me from page one, had me searching for extra time in the day just to read it, only to have it fall flatter than a fucking pancake at the end. I mean seriously, what even was that? Don’t market your book based on some hidden secret if all you’ve come up with is that. There’s apparently a second book too. No, thank you, please.
Before Alexandria Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, she thinks her position is clear. The child of two lawyers, she is staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as she reviews old tapes―the moment she hears him speak of his crimes―she is overcome with the feeling of wanting him to die. Shocked by her reaction, she digs deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.
Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alexandria pores over the facts of the murder, she finds herself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, she is forced to face her own story, to unearth long-buried family secrets, and reckon with a past that colors her view of Ricky's crime.
But another surprise awaits: She wasn’t the only one who saw her life in Ricky’s.
An intellectual and emotional thriller that is also a different kind of murder mystery, The Fact Of a Body is a book not only about how the story of one crime was constructed―but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe―and the truth more complicated, and powerful, than we could ever imagine.
About Alexandria Marzano-Lesnevich
Alexandria Marzano-Lesnevich is the author of THE FACT OF A BODY: A Murder and a Memoir, which will be published by Flatiron Books (Macmillan) in May 2017. It is also forthcoming from publishers internationally. A National Endowment for the Arts fellow and Rona Jaffe Award recipient, she has twice been a fellow at both MacDowell and Yaddo. Her essays appear in The New York Times, Oxford American, Iowa Review, and many other publications, and were recognized “notable” in Best American Essays 2013, 2015, and 2016. She earned her JD at Harvard and now teaches at Grub Street and in the graduate public policy program at Harvard’s Kennedy School of Government.
Enter the players. There were seven of us then, seven bright young things with wide precious futures ahead of us. Until that year, we saw no further than the books in front of our faces.
On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.
Ten years ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But in their fourth and final year, the balance of power begins to shift, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.
Part coming-of-age story, part confession, If We Were Villains explores the magical and dangerous boundary between art and life. In this tale of loyalty and betrayal, madness and ecstasy, the players must choose what roles to play before the curtain falls.
About M.L. Rio
M. L. Rio is an author, but before she was an author she was an actor, and before she was an actor she was just a word nerd whose best friends were books. She holds a master's degree in Shakespeare Studies from King's College London and Shakespeare's Globe. When she's not reading, writing, or explaining why the Authorship Question is actually just a conspiracy theory, she fills her time with friends and family, wine and whiskey, and music made twenty years before she was born.
Anything that gets compared to The Secret History makes me both cringe and hopeful. Cringe because those are some big boots to fill (especially for a debut!) but hopeful because I need more books like TSH in my life. Plus, that cover is all kinds of amazing.
Destined to be the blockbuster book of 2017, Behind Her Eyes is a psychological thriller with a to-die-for twist for fans of Luckiest Girl Alive and Stephen King.
Love at first sight can be blinding...
It’s said that the only people who really know what goes on in a marriage are the couple themselves. But what if even they don’t know the truth?
David and Adele seem like the ideal pair. He’s a successful psychiatrist, she is his picture-perfect wife who adores him. But why is he so controlling? And why is she keeping things hidden?
Louise, David’s new secretary, is intrigued and drawn into their orbit. But as Louise gets closer to each of them, instead of finding answers she uncovers more puzzling questions. The only thing that is crystal clear is that something in this marriage is very, very wrong. But Louise can’t guess how wrong – and how far a person might go to protect a marriage's secrets.
About Sarah Pinborough
Sarah Pinborough is a critically acclaimed horror, thriller and YA author. In the UK she is published by both Gollancz and Jo Fletcher Books at Quercus and by Ace, Penguin and Titan in the US. Her short stories have appeared in several anthologies and she has a horror film Cracked currently in development and another original screenplay under option. She has recently branched out into television writing and has written for New Tricks on the BBC and has an original series in development with World Productions and ITV Global.
Sarah was the 2009 winner of the British Fantasy Award for Best Short Story, and has three times been short-listed for Best Novel. She has also been short-listed for a World Fantasy Award. Her novella, The Language of Dying was short-listed for the Shirley Jackson Award and won the 2010 British Fantasy Award for Best Novella.
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Highway Blue by Ailsa McFarlane | Expected publication: May 18th 2021 by Hogarth Press
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