While I’m clearly not the targeted reader for this novel, I love the occasional Middle Grade and I’m always up for anything by Levithan. This story felt like an ode to The Chronicles of Narnia but one that never really went anywhere and I just wanted more from this fun concept of a story.
Let’s Pretend This Never Happened remains one of my favorite books of all time, however, Broken was a massive disappointment. I’m not sure if Lawson’s sense of humor changed (or mine) but I found her antics to be far more preposterous than entertaining.
Astrid Sees All by Natalie Standiford | Published April 6th 2021 by Atria Books
This was recommended for fans of Fleabag and this couldn’t be further off base. I personally loved Fleabag because of the realness and how darkly comedic it is and honestly, this book didn’t possess a single funny bone in its pages. It was dreary and pretentious and none of the characters left any semblance of an impression on me.
I’ve developed a taste for short stories only recently, but flash fiction is something different entirely. There simply wasn’t enough substance in any of these snippets to keep me invested.
Migrations by Charlotte McConaghy | Published August 4th 2020 by Flatiron Books
Migrations is definitely your standard literary fare full of fanciful descriptions and an oftentimes hard-to-follow storyline that likes to bounce between the present day and flashbacks. I don’t think I was in the right mood to try this one (or if I honestly even possess a mood that is “right” for reading literary fiction.)
I got major I’ll Be Gone in the Dark vibes from this true crime tale, but I’m not sure I mean that as a compliment. There’s an exceptional amount of information regarding the investigation within these pages, however, once I discovered that this case was actually solved in 2018 it made me wonder why the story seemed to have been written as if this wasn’t knowledge the author possessed. I’m unclear when the author started writing this story, but I felt like at the very least an addendum could have been added prior to publication.
Sybella has always been the darkest of Death’s daughters, trained at the convent of Saint Mortain to serve as his justice. But she has a new mission now. In a desperate bid to keep her two youngest sisters safe from the family that nearly destroyed them all, she agrees to accompany the duchess to France, where they quickly find themselves surrounded by enemies. Their one ray of hope is Sybella’s fellow novitiates, disguised and hidden deep in the French court years ago by the convent—provided Sybella can find them.
Genevieve has been undercover for so many years, she struggles to remember who she is or what she’s supposed to be fighting for. Her only solace is a hidden prisoner who appears all but forgotten by his guards. When tragedy strikes, she has no choice but to take matters into her own hands—even if it means ignoring the long awaited orders from the convent.
As Sybella and Gen’s paths draw ever closer, the fate of everything they hold sacred rests on a knife’s edge. Will they find each other in time, or will their worlds collide, destroying everything they care about?
DNF @ 10%
Courting Darkness returns the focus to Sybella (originally from Dark Triumph) and her new mission in life. I adored the original trilogy and while it has been said that it’s not necessary to read them to appreciate the new duology, I found a definite lack of world-building and establishment of character in this installment. Whether or not it’s necessary, I would highly recommend reading them for the background knowledge alone since it does not appear to be given in Courting Darkness. And while it must be said that there isn’t anything necessarily wrong with this story (despite my obvious DNF) I realized shortly into this that while I was originally excited for more stories set in this world, I felt that the original trio’s stories had been told and nothing more was needed.
I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
The Cassandra follows a woman who goes to work in a top secret research facility during WWII, only to be tormented by visions of what the mission will mean for humankind.
Mildred Groves is an unusual young woman. Gifted and cursed with the ability to see the future, Mildred runs away from home to take a secretary position at the Hanford Research Center in the early 1940s. Hanford, a massive construction camp on the banks of the Columbia River in remote South Central Washington, exists to test and manufacture a mysterious product that will aid the war effort. Only the top generals and scientists know that this product is processed plutonium, for use in the first atomic bombs.
Mildred is delighted, at first, to be part of something larger than herself after a lifetime spent as an outsider. But her new life takes a dark turn when she starts to have prophetic dreams about what will become of humankind if the project is successful. As the men she works for come closer to achieving their goals, her visions intensify to a nightmarish pitch, and she eventually risks everything to question those in power, putting her own physical and mental health in jeopardy. Inspired by the classic Greek myth, this 20th century reimagining of Cassandra's story is based on a real WWII compound that the author researched meticulously. A timely novel about patriarchy and militancy, The Cassandra uses both legend and history to look deep into man's capacity for destruction, and the resolve and compassion it takes to challenge the powerful.
DNF @ 21%
In Greek mythology, Cassandra was cursed to speak prophecies that no one would ever believe. Sharma Shields’ Cassandra is a woman who also possesses the ability to prophesize and when she goes to work for the research facility that created the atomic bomb during WWII, her protestations fall on deaf ears when she tries to warn everyone of what’s to come. The plot of this one sounded fascinating and I was anxiously awaiting my opportunity to read it but unfortunately, I found Cassandra’s character to be insufferable and the rest of the characters were completely depthless. Whether or not they were developed further on in the story is a moot point since I obviously did not finish this story, however, character development is not a better late than never sort of thing and should have been done in the very beginning. The bit of story I did read left a lot to be desired plot-wise as well. Cassandra’s story lacked fluidity and felt rather like she was simply checking off boxes on a list of what she knows she does in life. Considering she’s got the gift of prophecy it’s thoroughly possible that this could have been the reason, except, Cassandra never felt like an active participant in her own life and seemed much more likely that it was the author checking off boxes instead. It was at about the point I hit this quote that I decided this just wasn’t for me:
“I admired his stridency. I wanted to bake it, to eat it like a large meat loaf so that it would enter my bloodstream and become my own.”
I received this book free from the Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
In this breathtakingly bold, intricately constructed novel set in 18th century Stockholm, a dying man searches among the city’s teeming streets, dark corners, and intriguing inhabitants to unmask a ruthless murderer—perfect for fans of Perfume and The Alienist.
It is 1793. Four years after the storming of the Bastille in France and more than a year after the death of King Gustav III of Sweden, paranoia and whispered conspiracies are Stockholm’s daily bread. A promise of violence crackles in the air as ordinary citizens feel increasingly vulnerable to the whims of those in power.
When Mickel Cardell, a crippled ex-solider and former night watchman, finds a mutilated body floating in the city’s malodorous lake, he feels compelled to give the unidentifiable man a proper burial. For Cecil Winge, a brilliant lawyer turned consulting detective to the Stockholm police, a body with no arms, legs, or eyes is a formidable puzzle and one last chance to set things right before he loses his battle to consumption. Together, Winge and Cardell scour Stockholm to discover the body’s identity, encountering the sordid underbelly of the city’s elite. Meanwhile, Kristofer Blix—the handsome son of a farmer—leaves rural life for the alluring charms of the capital and ambitions of becoming a doctor. His letters to his sister chronicle his wild good times and terrible misfortunes, which lead him down a treacherous path.
In another corner of the city, a young woman—Anna-Stina—is consigned to the workhouse after she upsets her parish priest. Her unlikely escape plan takes on new urgency when a sadistic guard marks her as his next victim.
Over the course of the novel, these extraordinary characters cross paths and collide in shocking and unforgettable ways. Niklas Natt och Dag paints a deliciously dark portrait of late 18th century Stockholm, and the frightful yet fascinating reality lurking behind the powdered and painted veneer of the era.
DNF @ 20%
The Wolf and the Watchmen is a story set in 1793 involving the brutal murder of a man and the duo on the hunt for the perpetrator. This is quite a violent and graphic story but it paints a vivid portrait of 18th century Sweden. Did anyone watch the show Taboo with Tom Hardy? It reminded me a lot of that except Taboo has a facet of the supernatural and this story did not. While I don’t normally need supernatural additives in my historical fiction for them to suceed, it did make me realize that I felt like there was something missing to this story that I couldn’t quite put my finger on. This story is admittedly very well-written and I can see why it was awarded best debut novel by The Swedish Academy of Crime Writers, unfortunately, the bleakness of the story was absolute and I couldn’t find the motivation to finish.