Even before our kind started using tools, the Kibsu have been with us, guiding humanity, teaching us, molding us.
As long as we follow the rules.
The Kibsu had five rules to guide the gradual elevation of our species:
1. Preserve the knowledge.
2. Survive at all cost.
3. Don’t draw attention to yourself.
4. Don’t leave a trace.
5. There can never be three for too long.
But when their enemy got too close, the Kibsu add one more:
6. Fear the Tracker: always run, never fight.
But now, during the terrors of the Great War, the Trackers are closing in, and for Mia and Sarah, running might no longer be an option.
About Sylvain Neuvel
Sylvain Neuvel dropped out of high school at age 15. Along the way, he has been a journalist, worked in soil decontamination, sold ice cream in California, and peddled furniture across Canada. He received a Ph.D. in linguistics from the University of Chicago. He taught linguistics in India, and worked as a software engineer in Montreal. He is also a certified translator, though he wishes he were an astronaut. He likes to tinker, dabbles in robotics and is somewhat obsessed with Halloween. He absolutely loves toys; his girlfriend would have him believe that he has too many, so he writes about aliens and giant robots as a blatant excuse to build action figures (for his son, of course).
Robert Jackson Bennett's Vigilance is a dark science fiction action parable from an America that has permanently surrendered to gun violence.
The United States. 2030. John McDean executive produces "Vigilance," a reality game show designed to make sure American citizens stay alert to foreign and domestic threats. Shooters are introduced into a "game environment," and the survivors get a cash prize.
The TV audience is not the only one that's watching though, and McDean soon finds out what it's like to be on the other side of the camera.
About Robert Jackson Bennett
Robert Jackson Bennett is the author of American Elsewhere, The Troupe, The Company Man, Mr. Shivers, as well as The Divine Cities trilogy and The Founders Trilogy. The second installment of The Founders Trilogy, SHOREFALL, will be in stores April of 2020.
His work has received the Edgar Award, the Shirley Jackson Award, and the Phillip K. Dick Citation of Excellence, and he has been shortlisted for the World Fantasy, British Fantasy, and Locus Awards.
In Gareth L. Powell's Ragged Alice a detective in a small Welsh town can literally see the evil in people's souls.
Orphaned at an early age, DCI Holly Craig grew up in the small Welsh coastal town of Pontyrhudd. As soon as she was old enough, she ran away to London and joined the police. Now, fifteen years later, she’s back in her old hometown to investigate what seems at first to be a simple hit-and-run, but which soon escalates into something far deadlier and unexpectedly personal—something that will take all of her peculiar talents to solve.
About Gareth L. Powell
Gareth L. Powell is an award-winning author from the UK. His alternate history thriller, Ack-Ack Macaque won the 2013 BSFA Award for Best Novel, spawned two sequels, and was shortlisted in the Best Translated Novel category for the 2016 Seiun Awards in Japan. His short fiction has appeared in a host of magazines and anthologies, including Interzone, Solaris Rising 3, and The Year’s Best Science Fiction, and his story ‘Ride The Blue Horse’ made the shortlist for the 2015 BSFA Award.
New York Times bestselling and Alex, Nebula, and Hugo-Award-winning author Seanan McGuire introduces readers to a world of amoral alchemy, shadowy organizations, and impossible cities in this standalone fantasy.
Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story.
Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math.
Roger and Dodger aren’t exactly human, though they don’t realise it. They aren’t exactly gods, either. Not entirely. Not yet.
Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own.
Godhood is attainable. Pray it isn’t attained.
About Seanan McGuire
Seanan is the author of the October Daye urban fantasies, the InCryptid urban fantasies, and several other works both stand-alone and in trilogies or duologies. In case that wasn't enough, she also writes under the pseudonym "Mira Grant." For details on her work as Mira, check out MiraGrant.com.
Seanan lives in a creaky old farmhouse in Northern California, which she shares with her cats, Alice and Thomas, a vast collection of creepy dolls and horror movies, and sufficient books to qualify her as a fire hazard. She has strongly-held and oft-expressed beliefs about the origins of the Black Death, the X-Men, and the need for chainsaws in daily life.
What if you could fix the worst parts of yourself by confronting your worst fears?
Dr. Jennifer Webb has invented proprietary virtual reality technology that purports to heal psychological wounds by running clients through scenarios straight out of horror movies and nightmares. In a carefully controlled environment, with a medical cocktail running through their veins, sisters might develop a bond they’ve been missing their whole lives—while running from the bogeyman through a simulated forest. But…can real change come so easily?
Esther Hoffman doubts it. Esther has spent her entire journalism career debunking pseudoscience, after phony regression therapy ruined her father’s life. She’s determined to unearth the truth about Dr. Webb’s budding company. Dr. Webb’s willing to let her, of course, for reasons of her own. What better advertisement could she get than that of a convinced skeptic? But Esther’s not the only one curious about how this technology works. Enter real-world threats just as frightening as those created in the lab. Dr. Webb and Esther are at odds, but they may also be each other’s only hope of survival.
‘Reality was a hard habit to quit sometimes, especially for someone who knew what lies could cost.’
Esther Hoffman is a journalist seeking the underlying story of Dr. Jennifer Webb who has created a new virtual reality therapy program which uses horror movie style dream sequences in an attempt to change the long-term behavior of its patient. Esther is convinced that Dr. Webb is nothing but a con artist and during their interview, Webb suggests she personally experience the program and Esther agrees, hoping to get the inside scoop. While inside the sequence, Webb decides to join Esther in the zombie apocalypse simulation in an attempt to develop a relationship with her and possibly change her outlook towards her program. The problem is, while the two are locked inside a fabricated horror movie, there’s actual horror developing in the real world.
‘Everything they were before they came here is behind them now, and soon they will be free, soon they will be able to start to heal, soon—’
Grant is no doubt a skillful short story writer, able to develop characters and plot effectively, drawing in readers with her consistently original narratives. Final Girls is a fantastic blend of science fiction and horror with a Nightmare on Elm Street feel to it where dreams quickly become a reality. This novella manages to even touch on more serious topics regarding doctors and treatment and the dangers of such an effective program like this falling into the wrong hands. The creative blend of science fiction and horror in the beginning did, admittedly, morph into something less unique by the end, transitioning instead to a storyline more commonly seen, but Final Girls is still a worthy read if you’re looking for some thrilling psychological horror.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Once upon a time, in a land blighted by terror, there was a very clever boy.
The people thought the boy could save them, so they opened their gates and sent him out into the world.
To where the monsters lived.
In The Boy on the Bridge, M. R. Carey returns to the world of his phenomenal USA Today and word-of-mouth bestseller, The Girl With All the Gifts, for the very first time.
Expectations are a bitch.
The Girl With All the Gifts was one of my all-time favorites of 2014 and I was filled with trepidation when this prequel was announced. Sure, there was a story that could be told but did it need to be told is the real question. The Boy on the Bridge is a prequel story that tells of the original mission of the Rosalind Franklin, the mobile science lab that Melanie essentially hijacks in Girl. Knowing the end result of the mission will lead any reader to understand that there can be no happy ending, only a story to be told. It’s bittersweet to see this new crew of scientists searching the world for a cure to the hungries, still filled with a chance of hope for the few surviving individuals of the world.
“Things don’t end, after all. They only change, and you keep changing with them.”
The Boy on the Bridge wasn’t nearly as compelling as I had hoped or anticipated. The writing was oftentimes overly technical which resulted in a definite detachment from the emotional tale at its center and it seemed as if Carey was writing it as something that had already passed rather than something happening presently. I often found myself wondering if my overall opinion would have been different if this had been released prior to Girl. If I had been more interested in discovering these intriguing details of a widespread infection if I didn’t already know the outcome. I’m not really sure. I don’t feel Carey was being opportunistic by writing thisbut simply chose to expand on this fascinating world he created, and that’s fair. It’s also fair that I simply didn’t care for it and think Girl was solid and complete enough to stand on its own, but it is what it is.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Three friends go looking for treasure and find horror in Jeffrey Ford's The Twilight Pariah.
All Maggie, Russell, and Henry wanted out of their last college vacation was to get drunk and play archaeologist in an old house in the woods outside of town. When they excavate the mansion's outhouse they find way more than they bargained for: a sealed bottle filled with a red liquid, along with the bizarre skeleton of a horned child
Disturbing the skeleton throws each of their lives into a living hell. They feel followed wherever they go, their homes are ransacked by unknown intruders, and people they care about are brutally, horribly dismembered. The three friends awakened something, a creature that will stop at nothing to retrieve its child.
“You can’t kill the dead. You’ve got to outsmart them.”
Tor.com released a “Fall of Fear” sampler which included A Long Day in Lychford by Paul Cornell, Switchback by Melissa F. Olson, The Murders of Molly Southbourne, and this title. This one enticed me the most. I’m also a terrible sucker for a great cover, and this one is a winner. It gives you the impression the story you’re about to embark on is atmospheric and eerie, and something perfect for any horror fan. Admittedly, I had high hopes having heard great things about Jeffrey Ford but this one a total dud. The blurb on the cover “Richard Linklater meets Stephen King meets Indiana Jones meets, well, Jeffrey Ford” by up and coming author Paul Tremblay is admittedly extremely off base. Just because something is tagged as horror doesn’t make it the next Stephen King and just because there’s some mild excavation of an old house doesn’t make these characters the next Indiana Jones, let’s be real.
The Twilight Pariah is a novella that tells the story of a final college summer between three friends. Maggie, the budding archaeologist of the group, convinces Russell and Henry to help her excavate an old privy at the Prewitt mansion. Ironically, the only thing I kept thinking about was an article I had recently read about archaeologists digging up Paul Revere’s outhouse. But also, there’s nothing particularly horrifying about the prospect of digging out an outhouse. Of course, finding a skeleton of a horned child should change things when shortly after a series of horrifying murders start taking place in town, but that sense of horror simply never coalesced. The characters are nothing but cardboard cutouts with a few quirky descriptive lines thrown in as a half-assed attempt to differentiate, which is pretty typical of characters in most short stories/novellas but there isn’t a credible plot to at least support the lacking characters. Ford tries to take this centuries-old mystery and link it to the present but it was a pretty flimsy connection, to say the least. And that ending. It felt like the author realized he was past his word count limit had to wrap shit up, pronto. Lackluster characters, middling plot, and an inadequate conclusion. Disappointing.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.
A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?
About Victor LaValle
Victor LaValle is the author of the short story collection Slapboxing with Jesus, three novels, The Ecstatic, Big Machine, and The Devil in Silver, and an ebook only novella, Lucretia and the Kroons.
He has been the recipient of numerous awards including a Whiting Writers' Award, a United States Artists Ford Fellowship, a Guggenheim Fellowship and the key to Southeast Queens.
He was raised in Queens, New York. He now lives in Washington Heights with his wife and son. He teaches at Columbia University.
He can be kind of hard to reach, but he still loves you.
I’ve heard a lot about LaValle over the years but have yet to pick up anything of his. I love a good interpretation of a time period already lived but with a magical addition. This short story is also his take on Lovecraft’s short story “The Horror at Red Hook” which I’m going to have to read before I get my hands on this one!