New York Times bestselling author Rachel Hawkins, writing as Erin Sterling, casts a spell with a spine-tingling romance full of wishes, witches, and hexes gone wrong.
Nine years ago, Vivienne Jones nursed her broken heart like any young witch would: vodka, weepy music, bubble baths…and a curse on the horrible boyfriend. Sure, Vivi knows she shouldn’t use her magic this way, but with only an “orchard hayride” scented candle on hand, she isn’t worried it will cause him anything more than a bad hair day or two.
That is until Rhys Penhallow, descendent of the town’s ancestors, breaker of hearts, and annoyingly just as gorgeous as he always was, returns to Graves Glen, Georgia. What should be a quick trip to recharge the town’s ley lines and make an appearance at the annual fall festival turns disastrously wrong. With one calamity after another striking Rhys, Vivi realizes her silly little Ex Hex may not have been so harmless after all.
Suddenly, Graves Glen is under attack from murderous wind-up toys, a pissed off ghost, and a talking cat with some interesting things to say. Vivi and Rhys have to ignore their off the charts chemistry to work together to save the town and find a way to break the break-up curse before it’s too late.
About Rachel Hawkins
Rachel Hawkins is the author of Rebel Belle and theNew York Times bestselling series Hex Hall. Born in Virginia and raised in Alabama, Rachel taught high school English for three years before becoming a full-time writer.
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence. Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of the best writers of our time.
DNF @ 5%
I tried reading this in print twice. I even tried listening on audio thinking I’d have better luck. I never got past 5% on either occasion. I could very well blame it on my mood reading tendencies or even my impatience, however, it’s simple: this book never managed to hook me. WWII, mid-century London, espionage… this really should’ve worked for me but I think I was anticipating much more action than what was being delivered and it ended up being a similar case like Sweet Tooth. Life After Life was stunning yet A God in Ruins was another DNF. Atkinson is an incredible writer but alas, I’m not sure her stories are the best fit for me.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
My real name, no one remembers. The truth about that summer, no one else knows.
In the summer of 1862, a group of young artists led by the passionate and talented Edward Radcliffe descends upon Birchwood Manor on the banks of the Upper Thames. Their plan: to spend a secluded summer month in a haze of inspiration and creativity. But by the time their stay is over, one woman has been shot dead while another has disappeared; a priceless heirloom is missing; and Edward Radcliffe’s life is in ruins.
Over one hundred and fifty years later, Elodie Winslow, a young archivist in London, uncovers a leather satchel containing two seemingly unrelated items: a sepia photograph of an arresting-looking woman in Victorian clothing, and an artist’s sketchbook containing the drawing of a twin-gabled house on the bend of a river.
Why does Birchwood Manor feel so familiar to Elodie? And who is the beautiful woman in the photograph? Will she ever give up her secrets?
DNF @ 15%
My track record with Kate Morton isn’t great, The Secret Keeper-5 stars, The House at Riverton-3 stars, The Lake House-DNF, and now another DNF. I’m drawn to her stories because I’m a huge fan of the dual timelines, the English settings she favors, and this one apparently included a ghostie mystery! Unfortunately, I hadn’t even gotten to 10% before I was bored and confused because I think I had counted 5 different timelines and I was having to bust out my post-its to keep notes on who’s who. I’d still love to revisit Morton’s earlier works that everyone highly recommends (The Forgotten Garden and The Distant Hours) and hope that it comes close to the entertainment I found in The Secret Keeper.
I received this book free from Edelweiss in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Crush: a strong and often short-lived infatuation, particularly for someone beyond your reach…
Darcy Barrett has undertaken a global survey of men. She’s travelled the world, and can categorically say that no one measures up to Tom Valeska, whose only flaw is that Darcy’s twin brother Jamie saw him first and claimed him forever as his best friend. Despite Darcy’s best efforts, Tom’s off limits and loyal to her brother, 99%. That’s the problem with finding her dream man at age eight and peaking in her photography career at age twenty—ever since, she’s had to learn to settle for good enough.
When Darcy and Jamie inherit a tumble-down cottage from their grandmother, they’re left with strict instructions to bring it back to its former glory and sell the property. Darcy plans to be in an aisle seat halfway across the ocean as soon as the renovations start, but before she can cut and run, she finds a familiar face on her porch: house-flipper extraordinaire Tom’s arrived, he’s bearing power tools, and he’s single for the first time in almost a decade.
Suddenly Darcy’s considering sticking around to make sure her twin doesn’t ruin the cottage’s inherent magic with his penchant for grey and chrome. She’s definitely not staying because of her new business partner’s tight t-shirts, or that perfect face that's inspiring her to pick up her camera again. Soon sparks are flying—and it’s not the faulty wiring. It turns out one percent of Tom’s heart might not be enough for Darcy anymore. This time around, she’s switching things up. She’s going to make Tom Valeska 99 percent hers.
DNF @ 49%
I was one of the many that adored The Hating Game so admittedly, my expectations were through the roof. But unfortunately, this reads like her actual debut, and if this was the first Sally Thorne I picked up I’d be hard-pressed to pick up anything else of hers. It worked for me at first and I came close to finishing but clearly didn’t make it.
Darcy Barrett read like my kind of girl, at first. Badass bartender, take no shit from anyone, does anything and everything she wants… I don’t know, that’s some shit to aspire to. Enter the love interest that she’s apparently been in love with since she was eight. Yes, eight years old. Everything went downhill from there. She started acting excessively weird and was damn near intolerable and her obsession with the love interest is nothing more than just that and there was never any real rhyme or reason to it. Sure, she was attracted to him, she found him to be the most perfect human being, but there was never any real clarification why. Yes, I need at least some reasoning behind “the spark”. I’m not a romantic, you say? Yeah, so sue me. Between her ripping actual cabinets off the hinges mid-conversation (yes, they were in the middle of a remodel but still) and her actual purring when he touches her in a pretty platonic way, the weird behavior was just too much for me in the end.
“I know my eyes probably go black and crazy, but I press back into his palm and exhale a weird purr. His reaction is instant.I’m bumped away and my skin goes cold. He looks shocked, like I’ve just coughed up a furball.”
Reminiscent of the bestsellers of Laura Lippman and Harlan Coben—with a Serial-esque podcast twist—an absorbing, addictive tale of psychological suspense from the author of the highly acclaimed and Edgar Award-nominated What Remains of Me and the USA Today bestselling and Shamus Award-winning Brenna Spector series.
When website columnist Robin Diamond is contacted by true crime podcast producer Quentin Garrison, she assumes it's a business matter. It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.
Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.
Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:
How well do we really know our parents, our partners—and ourselves?
About Alison Gaylin
USA Today and International Best-selling author Alison Gaylin has been nominated for the Edgar three times. (Most recently, WHAT REMAINS OF ME was nominated in the best novel category.)
Her critically acclaimed suspense novels have been published in such countries as the U.K., France, Germany, the Netherlands, Norway, Japan and Romania.
She has won the Shamus and RT Reviewers Choice Awards for her books, and has been nominated for the ITW Thriller, Anthony and Strand Book Awards. Her books have been on the bestseller lists in the US, Germany and Belgium. IF I DIE TONIGHT (out March, 2018 from William Morrow) is her tenth book.
NORMANDY GOLD, the graphic novel she wrote with Megan Abbott, is out from Titan/Hard Case Crime in April, 2018.
Enter the players. There were seven of us then, seven bright young things with wide precious futures ahead of us. Until that year, we saw no further than the books in front of our faces.
On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it.
Ten years ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But in their fourth and final year, the balance of power begins to shift, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent.
Part coming-of-age story, part confession, If We Were Villains explores the magical and dangerous boundary between art and life. In this tale of loyalty and betrayal, madness and ecstasy, the players must choose what roles to play before the curtain falls.
DNF @ 10%
I overlooked the Shakespearean focus of this novel in favor of the comparisons to The Secret History. My mistake. Shakespeare has just never, and I’m resigned to believe will never, be my thing. The opening gives the reader a glimpse at the future, of one of the main characters being released for jail for an unknown crime, and it’s a hook that works. But then we’re introduced to seven characters: Richard, Meredith, Filippa, Alexander, Wren, James, and Oliver. Every single one of these characters, regardless of gender, all blended together without any helpful differentiation to keep track of who was who. The theater kid stereotypes were excessive in my opinion and you practically had to be a theater kid to understand and/or appreciate most of it.
“That was ruthless,” I said, sotto voce.
The author holds a Masters in Shakespeare studies so, being as far from a theater kid as one can get, I can only assume she knows what she’s talking about. Constantly quoting Shakespeare in conversation got old, fast, and by 10% I put on my hipster glasses and called it quits.
I received this book free from Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
Two sensational unsolved crimes—one in the past, another in the present—are linked by one man’s memory and self-deception in this chilling novel of literary suspense from National Book Award finalist Dan Chaon.
“We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?
A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.
Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.
From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.
DNF @ 25%
Dan Chaon is one of those literary writers everyone raves about. Ill Will has received many spectacular reviews but I’ve realized that he has a style that is very eclectic and definitely isn’t for everyone and that unique writing style is what ultimately did me in. I understand the reason for writing it this way (bouncing between narrators and time) because it caused a sense of disorientation regarding the mystery already surrounding the crime (when Dustin was a teen, his mother, father, aunt, and uncle were murdered and he accused his adopted older brother). Not only did the story bounce rapidly between narrators and between time but often there were sentences left incomplete and particular chapters where text was written in columns and you had to flip back and forth between pages to finish the one column before starting the next which was very difficult on Kindle. I’m not sure if Chaon was going for some House of Leaves-esque formatting or what but it left me so confused in trying to figure out how to read it that I failed to get lost in the story itself.
I received this book free from Library Thing in exchange for an honest review. This does not affect my opinion of the book or the content of my review.
From the author of The Uninvited comes a haunting historical novel with a compelling mystery at its core. A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories, and reincarnation.
In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.
Seven-year-old Janie O’Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they’re no more than the product of the girl’s vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.
Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.
DNF @ 10%
I’d say that I simply picked this up at the wrong time, mood-wise, except I tried to read this book a handful of times on different occasions and never got past 10%. The pacing was the hardest for me because from the very beginning it’s a slow-build and simply didn’t grab my attention in that 10% enough that I felt the need to keep going. The main character, Alice, was also strangely distant and she never quite captured my interest. Cat Winters is typically a favorite of mine but this one just didn’t do it for me.
Debut author Sally Thorne bursts on the scene with a hilarious and sexy workplace comedy all about that thin, fine line between hate and love.
Nemesis (n.) 1) An opponent or rival whom a person cannot best or overcome. 2) A person’s undoing 3) Joshua Templeman
Lucy Hutton has always been certain that the nice girl can get the corner office. She’s charming and accommodating and prides herself on being loved by everyone at Bexley & Gamin. Everyone except for coldly efficient, impeccably attired, physically intimidating Joshua Templeman. And the feeling is mutual.
Trapped in a shared office together 40 (OK, 50 or 60) hours a week, they’ve become entrenched in an addictive, ridiculous never-ending game of one-upmanship. There’s the Staring Game. The Mirror Game. The HR Game. Lucy can’t let Joshua beat her at anything—especially when a huge new promotion goes up for the taking.
If Lucy wins this game, she’ll be Joshua’s boss. If she loses, she’ll resign. So why is she suddenly having steamy dreams about Joshua, and dressing for work like she’s got a hot date? After a perfectly innocent elevator ride ends with an earth shattering kiss, Lucy starts to wonder whether she’s got Joshua Templeman all wrong.
Maybe Lucy Hutton doesn’t hate Joshua Templeman. And maybe, he doesn’t hate her either. Or maybe this is just another game.
After the corporate merger between Bexley and Gamin Publishing, complete opposites Lucy and Josh are forced into sharing an office subsequently fueling the beginnings of the hate game. IHATEJOSHUA4EV@ becomes Lucy’s computer password, The Staring Game becomes a daily occurrence, and it’s a constant battle to outdo anything and everything he does. It’s easy to admit that she absolutely despises the man, but can’t help but notice his strange fixation with wearing his shirts in a set order (White, off-white stripe, cream, pale yellow, mustard, baby blue, robin’s egg blue, etc) and the fact that he’s really quite cute, albeit an ass. When a huge promotion becomes available and Lucy and Josh are both in line for it, their games get taken to a whole new level.
‘Both love and hate are mirror versions of the same game – and you have to win. Why? Your heart and your ego. Trust me, I should know.’
Do you remember playing childish games with your crush that usually involved being terribly mean to them which was meant to declare your undying love for them? Did you ever have that guy in middle school that teased you incessantly and then years later he’s asking you to prom? The Hating Game is exactly like that. But adults. In an office setting. Absolutely hilarious and completely steamy. Elevators will never be viewed the same again.
Opposites attract is quite the predictable storyline because it’s expected that they’re going to end up together, but Thorne makes the adventure to the inescapable conclusion refreshing and delightful. I do not read this genre on a regular basis but every once in a while even my cold, cynical heart needs some fluff. I spent the majority of this novel either admiring the chemistry between these two characters (*cough* holy hotness *cough*) or laughing at the hysterical bantering between them.
“If we leave my car here, Helene will know. She’ll see it.” “Should we hide it under some branches in a forest?”
Every once in a while, you read a book and you adore it. You don’t want the story to end and when it inevitably does you want to immediately start over. It was everything you were looking for and you can’t wait to dive into the authors other books. But wait, what is this? There are none?! This was a debut!?!