Published by Riverhead on May 24, 1999
Genres: Historical Fiction, Romance
"Lavishly crammed with the songs, smells, and costumes of late Victorian England" (The Daily Telegraph), this delicious, steamy debut novel chronicles the adventures of Nan King, who begins life as an oyster girl in the provincial seaside town of Whitstable and whose fortunes are forever changed when she falls in love with a cross-dressing music-hall singer named Miss Kitty Butler.
When Kitty is called up to London for an engagement on "Grease Paint Avenue", Nan follows as her dresser and secret lover, and, soon after, dons trousers herself and joins the act.In time, Kitty breaks her heart, and Nan assumes the guise of butch roue to commence her own thrilling and varied sexual education - a sort of Moll Flanders in drag - finally finding friendship and true love in the most unexpected places.
Drawing comparison to the work of Jeanette Winterson, Sarah Waters's novel is a feast for the senses - an erotic, lushly detailed historical novel that bursts with life and dazzlingly casts the turn of the century in a different light.
Sarah Water’s debut novel set in 1890s London is a delightfully shocking tale of exploring the boundaries of gender roles in the Victorian era. It’s about finding out who you really are and being comfortable in your own skin and about overcoming heartache and finding love again.
’And was there at her side a slender, white-faced, unremarkable-looking girl, with the sleeves of her dress rolled up to her elbows, and a lock of lank and colourless hair forever falling into her eye, and her lips continually moving to the words of some street-singer’s or music-hall song?
That was me.’
Nancy is an oyster girl who works quite dutifully in her parent’s restaurant. It’s not until she goes with her sister Alice to Palace, an old-fashioned music hall, that her life is changed forever when she sets eyes on Kitty and sees her performance for the first time.
’Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this there was a girl: the most marvelous girl – I knew it at once! – that I had ever seen.’
When Nancy becomes intent on catching Kitty’s eye and having her notice her she begins going back to the Palace every night just to see her again and again. When Kitty throws a flower to Nancy in the crowd the two finally meet afterwards and a friendship is cultivated that slowly becomes much much more. Nancy becomes Kitty’s dresser and when she is offered a job in London Nancy decides she simply must go with her.
The story continues to develop and as time progresses the two become even closer and eventually become lovers as the two eventually team up together on stage.
’The act, I knew, was still all hers. When we sang, it was really she who sang, while I provided a light, easy second. When we danced, it was she who did the tricky steps: I only strolled or shuffled at her side. I was her foil, her echo; I was the shadow which, in all her brilliance, she cast across the stage. But, like a shadow, I lent her the edge, the depth, the crucial definition, that she lacked before.
What follows is simply the beginning of Nancy’s story and it’s quite a memorable one. I must admit there were parts that were quite shocking that I wasn’t expecting (like when I found out what Tipping the Velvet really meant… haha!), but that was the beauty of the story, the beauty of Nancy’s story. The writing was honest, the characters were vibrant, and I loved each and every page. Sarah Waters is an absolutely gorgeous writer. Her words will intrigue you, they will astound you, and you won’t be able to get them out of your head. I can’t wait to get my hands on more from her.